CALIFICACIÓN DE IMDb
7.3/10
16 k
TU CALIFICACIÓN
Una periodista que cubre a la policía asignada a una división juvenil entra en una aventura con uno de sus sujetos.Una periodista que cubre a la policía asignada a una división juvenil entra en una aventura con uno de sus sujetos.Una periodista que cubre a la policía asignada a una división juvenil entra en una aventura con uno de sus sujetos.
- Dirección
- Guionistas
- Elenco
- Premios
- 7 premios ganados y 22 nominaciones en total
Frédéric Pierrot
- Baloo
- (as Frederic Pierrot)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Couldn't say it any better then the Two comments before me; but had to write this anyway.
The Subject matter in film would make a lot of people I know feel very uneasy; I'm not used to seeing this kind of dialog in most movies I watch. Definitely a Creepy Subject.
The 'fast pace' of the film reminded me a bit of: "HILL STREET BLUES", one of the first 'Cop Shows' on TV, with this kind of Fast Pace.
Not understanding French, feel that I wasn't getting ALL that was being said, but got enough.
Some People will NOT watch films with Sub Titles; their loss. If you're One of Them- maybe you should start.
Lastly: One scene had me laughing out loud; was the Only Real 'funny' scene, in this Serious film about a serious subject; but isn't Life Just like that???
The Subject matter in film would make a lot of people I know feel very uneasy; I'm not used to seeing this kind of dialog in most movies I watch. Definitely a Creepy Subject.
The 'fast pace' of the film reminded me a bit of: "HILL STREET BLUES", one of the first 'Cop Shows' on TV, with this kind of Fast Pace.
Not understanding French, feel that I wasn't getting ALL that was being said, but got enough.
Some People will NOT watch films with Sub Titles; their loss. If you're One of Them- maybe you should start.
Lastly: One scene had me laughing out loud; was the Only Real 'funny' scene, in this Serious film about a serious subject; but isn't Life Just like that???
In Paris, the photographer Melissa (Maïwenn) is assigned by the Ministry of the Interior to document the daily activities of the BPM – the Police Division for Child Protection under the command of Chief Baloo (Frederic Pierrot).
Along the days, Melissa witnesses and takes photos of pedophiles, children and women abusers and abused and befriends the team of detectives, sharing their investigations along the working days and leaning how their jobs affect their private lives. Soon she has a love affair with the sensitive and emotive Detective Fred (Joeystarr).
"Polisse" is an entertaining French docudrama about a team of police officers responsible to protect children from abuses. The screenplay uses ellipsis and it seems that is based on true stories. It is good to see how the team works and their relationship outside the work, showing that the officers are human beings with families and problems affected by their work.
The weakest part is the character Melissa, with her touristic and unprofessional camera, and taking her glasses off and loosening her hair in a silly behavior. My vote is seven.
Title (Brazil): "Polissia" ("Polisse")
Along the days, Melissa witnesses and takes photos of pedophiles, children and women abusers and abused and befriends the team of detectives, sharing their investigations along the working days and leaning how their jobs affect their private lives. Soon she has a love affair with the sensitive and emotive Detective Fred (Joeystarr).
"Polisse" is an entertaining French docudrama about a team of police officers responsible to protect children from abuses. The screenplay uses ellipsis and it seems that is based on true stories. It is good to see how the team works and their relationship outside the work, showing that the officers are human beings with families and problems affected by their work.
The weakest part is the character Melissa, with her touristic and unprofessional camera, and taking her glasses off and loosening her hair in a silly behavior. My vote is seven.
Title (Brazil): "Polissia" ("Polisse")
now that is a good film..too much talk in the dialog, which is famous in the french cinema and drama in general ,but this time it was well used i was not bothered by it,it's stayed real,and dealing with a true realistic problem without exaggeration, presenting it as is- i felt like as if its a reality drama ,that a hidden camera was shooting a real life events not drama,that is success,the film is deep and subtle and its emotional too,acting is very well carried out... even by the minors who were interviewed and the children,i must emphasis on" Maïwenn's" acting ,it was very calm yet deep and superb."Joey starr" was good too in some moments though he was exaggerating in anger in others but over all good acting i say if you have a chance to go watch this film, please do it s worth it really.
Polisse was my favourite film at the recent Sydney Film Festival. A french film from writer, director, star Maiween, it tells the story of the Child Protection Unit in Paris. It was absolutely riveting from start to finish.
An ensemble piece that moves at a cracking pace, it could be forgiven for not establishing character, but it actually manages to do that and do it very well. We are introduced to this group of close knit colleagues as they go about their day trying to balance the horrors they have to deal with (rapists, kidnappers, abusers, paedophiles) with their personal lives.
Maiween spent quite some time with a real CPU and told us in the Q&A that all the cases she featured are just like ones she witnessed and with that experience she brought an almost documentary feel at the same time as adding creative drama and plot to moments of the story as they rush through case after case. The performances are all excellent and the editing is sublime (it won a French Oscar for this).
It's shocking, emotional, intense and surprisingly very funny.
Highly recommended if you like hard-hitting films that deal with serious subjects in a very human and darkly humorous way.
An ensemble piece that moves at a cracking pace, it could be forgiven for not establishing character, but it actually manages to do that and do it very well. We are introduced to this group of close knit colleagues as they go about their day trying to balance the horrors they have to deal with (rapists, kidnappers, abusers, paedophiles) with their personal lives.
Maiween spent quite some time with a real CPU and told us in the Q&A that all the cases she featured are just like ones she witnessed and with that experience she brought an almost documentary feel at the same time as adding creative drama and plot to moments of the story as they rush through case after case. The performances are all excellent and the editing is sublime (it won a French Oscar for this).
It's shocking, emotional, intense and surprisingly very funny.
Highly recommended if you like hard-hitting films that deal with serious subjects in a very human and darkly humorous way.
What an excellent film!
Full of good dialogue that feels real and down to earth it was not surprising to hear Maiwenn say (at the Sydney Film Festival Q&A) she had spent time with the real CPU. The reality of the emotions and the truthfulness of the situations this team faced was evident and really made the difference to this film.
What stops the review getting full marks is the films tendency to let some of the less interesting scenes play for too long. Oddly it's also the love story she included to make the film seem less bleak and Maiwenn's own character that become unnecessary and make the movie overburdened and run a little too long.
The cast is absolutely fantastic and engaging. Their relationships heartfelt and natural; you would think they had been playing this together for years.
This is a movie of the tougher, grimy side of a city. It presents the human behaviours we shudder to believe exist. And yet, handled so superbly, you will not feel wrung out or overwhelmed. It's a terrific movie that will have you talking for a long time.
Full of good dialogue that feels real and down to earth it was not surprising to hear Maiwenn say (at the Sydney Film Festival Q&A) she had spent time with the real CPU. The reality of the emotions and the truthfulness of the situations this team faced was evident and really made the difference to this film.
What stops the review getting full marks is the films tendency to let some of the less interesting scenes play for too long. Oddly it's also the love story she included to make the film seem less bleak and Maiwenn's own character that become unnecessary and make the movie overburdened and run a little too long.
The cast is absolutely fantastic and engaging. Their relationships heartfelt and natural; you would think they had been playing this together for years.
This is a movie of the tougher, grimy side of a city. It presents the human behaviours we shudder to believe exist. And yet, handled so superbly, you will not feel wrung out or overwhelmed. It's a terrific movie that will have you talking for a long time.
¿Sabías que…?
- TriviaDirector Maïwenn's first idea for the title was "Police", but another film already had this name: none other than famous French director Maurice Pialat's film in 1985. Her next idea was, "Vous êtes de la police?", but it too was already a film title. One day, as her young child was learning to write, he misspelled "Police", and she saw in front of her eyes the perfect title considering the subject of her movie, with a child's writing: "Polisse".
- ConexionesFeatured in Ebert Presents: At the Movies: Episode #1.18 (2011)
- Bandas sonorasL'Île aux Enfants
Music by Roger Pouly
Lyrics by Christophe Izard
Performed by Anne Germain
(p) & (c) 1974 Editions de Alouettes (catalogue Technisonor)
Avec l'aimable autorisation de Sony ATV
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- How long is Polisse?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- Cánh Sát Pháp
- Locaciones de filmación
- Boulevard du Palais, Paris 1, París, Francia(scene at the café)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 211,440
- Fin de semana de estreno en EE. UU. y Canadá
- USD 16,568
- 20 may 2012
- Total a nivel mundial
- USD 20,601,245
- Tiempo de ejecución
- 2h 7min(127 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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