Hasta pronto, Christopher Robin

Goodbye Christopher Robin touched me personally and helped me to remember what life is really about. It touches on the trauma that can affect those closest to us. It shows how hard and long those times can affect our lives and those around us. The casting and acting was spot on for me. I could relate to the characters and could relate to their situation.

It reminded me in some ways of "Finding Mr Banks", but touched me more deeply. There are movies you go to watch to escape the real world. This was a movie that helped me to remember what is important in this world and feel better for it.

It was touching, heart breaking and had times that all parents can relate to. In the end it showed me how important it is to spend time with your children.

It is a movie I will be adding to my collection.

Goodbye Christopher Robin certainly tugged at heartstrings, unfolding a somewhat cold narrative, sprinkled with its share of warm joyous moments of family banter and the creation of something we have all adored for the entirety of our lives. Although only rated PG, it was thematically mature in speaking to the audience as much as the characters spoke to themselves. Its power grew strongest when it beckoned the nostalgia of my childhood, telling a story as astonishingly real as I imagined Winnie the Pooh himself to be—whether it was from the books I read to the show I watched (plus the recent animated film), or my late father playing the Kenny Loggins song on guitar to my delight.

The plot may have moved somewhat slowly, but the flow of the film certainly did not. The pace of the scenes moved very fast, keeping strong engagement throughout. I'll say that it helped I am very familiar with the content material (as we all are), which kind of made it funny when you see the "origin" of a toy animal's name comes from, almost feeling contrived because we already know it... but even if this was a fictional tale with an unfamiliar background you couldn't help but be emotionally riveted. It was well acted all the way around, and we have a breakout performance by the adorable young Will Tilston.

As I said before, this film is not completely sunshine and rainbows. It does play on the idea of "in the darkness comes the light," to shine optimism on our main characters who have dealt with internal conflicts and the pains of the world wars, and to also let viewers leave not too distressed over what could have easily been told as a tale of tragedy. I think most of the right buttons were pressed for myself as I watched it, but I can't say that this is totally a children's movie where they will be riveted with joy and delight (not to mention I don't know how much influence Pooh has on children today compared to that of, say, Dora). Director Simon Curtis did this cool thing when Milne's books were being created that sometimes showed moments between young Christopher Robin and his stuffed bear literally jump off the page. Again, anything that could hearken back to my days 25 years ago were great brownie points for me.

There were only three things I did not much care for about this film. The first is the color timing. Skin tones were muddled in a red-pink hue as the entire palette had desaturated any oranges, and the only green that would appear was on the grass in the woods. Even Margot Robbie's irises lost their vivacity with every closeup of her, occurred was quite often (EDIT: after watching the trailer I see my projector may have been uncalibrated, though it still wasn't my favorite timing). The second was the way PTSD was portrayed, although this is only speaking second-hand. The certain triggers, actions, and overall attachment to the story did not really latch onto the same track as the rest of the film, even if it was authentic. Finally, the timeline jumps would be obtrusive when we have to reestablish where we are at and where we are headed. I want to say it only happened twice, but both times threw me out for a good bit.

There are enough quips in this film to provide moments of laughter, and long-drawn sequences where I notice that I was smiling the entire time. However you may be evoked throughout, by the time the credits roll the only time you couldn't hear others' waterworks was when they were overshadowed by your own. Fantastic film, and if you get a chance you owe it to yourself to see it.

REVIEW - GOODBYE CHRISTOPHER ROBIN

Honestly didn't know what to expect when I went to see this film. As its based (loosely) around the creation of the Winnie The Poo stories I thought it was going to be a children's film but.......

The film itself is actually and surprising very good, touching on the family dynamic of the upper classes during the 1930s to 1940s.

Very stand offish parents who seem to care about their social standing rather than their son (Christopher Robin) and how this impacts on all of their lives.

Looking at how one person can force the hand of another, in this case forcing father and son to actually spend time together and bond.

Lessons can be learnt from this film, no matter how much you work, your children want you.

Thoroughly enjoyable film on many levels.

Rating 10 out of 10

A.A. Milne's Winnie the Pooh stories captivated me as a child and they are still wonderful stories through young adult eyes. The stories epitomise childhood innocence, the atmosphere is enough to enchant everybody regardless of gender and age and the characters are some of the most charming in children's literature (Disney's treatment of them as some of their most famous ever creations is every bit as special).

Hearing that there was a biographical drama based on the man, his life and his family, the desire to see 'Goodbye Christopher Robin' was overwhelming. Was not disappointed at all after seeing it today, it was a lovely biographical drama even with Milne's life not being what one would expect reading the stories or being familiar with the timeless characters, his dark and troubled personal life being the anti-thesis of the innocent and charming world created in his Winnie the Pooh stories. That was actually what was so fascinating about 'Goodbye Christopher Robin'.

'Goodbye Christopher Robin' in biographical terms fascinates and illuminates. But the film fares even better judging it as a film on its own merits, on this front it is a lovely very good film that is neither the potentially cutesy cookie-cutter film one might think it would be reading the title or the overly dark and joyless one that one would fear upon looking up what the film is about. It's more layered than either.

The film looks great for starters. The beautiful cinematography, with its vibrant hues, really brings the film to life in a way that reminds one of how a story book would. The settings and costumes are both sumptuous and vivid, making the viewer feel like they've been transported in time to that period and being part of it. Carter Burwell's string-heavy score is luscious and stirring in its elegance. Both combined creates a really nostalgic quality that could have been at odds at the dark portrayal of Milne's and his family's personal life but it's an effective contrast.

When it comes to the writing, 'Goodbye Christopher Robin' is very intelligently and thoughtfully written and, considering that it has a subject matter where it is so easy to go heavy-handed and be too much of one tone, has evidence of sensitivity and nuance with touches of bitter irony in how such a happy childhood depicted in the stories was very much a miserable one in real life. The nods and references to Milne's work are clever and affectionate, enough to make one's eyes well up with aching nostalgia. The story is cohesive and never feels like it's jumping around too much or lacking momentum, it also has a lot of heart and affecting poignancy in how Christopher tries to get his father to loosen up and the interaction with his nanny (along with Christopher the warmest and most sympathetic character in 'Goodbye Christopher Robin').

Direction lets the story to breathe but doesn't fail in giving it momentum. The performances are near-uniformly strong. The central character in fact is Christopher Robin himself, and while Alex Lawther does very well with teenage Christopher the star here is Will Tilston, who gives a touching and far more layered performance than one would think he was capable of. Instead of being overly-cute, he evokes tears of both playful joy and vulnerable sadness and the film particularly comes alive with the father/son relationship.

As Milne, Domhnall Gleeson is excellent, whether one feels empathy for him is another story but he portrays Milne with an appropriately straight back and reserve and he is every inch the troubled figure. The levity of the story comes in the nanny character played by Kelly McDonald, the warmth and charm of her portrayal is much needed and her common sense invaluable.

By all means, 'Goodbye Christopher Robin' is not without short-comings. The biggest one being the one-dimensional and without-redeeming-qualities character writing for Daphne which consequently makes Margot Robbie portray her far too firmly and coldly, even in the subject matter these approaches didn't gel.

Short-coming number two is not buying and being put off somewhat by Milne and Daphne's far too casual, uncaring even, attitude for Christopher's welfare. This is something that makes one endear to them even less.

Overall, lovely, moving film. 8/10 Bethany Cox

I watched this wondering if it was going to be a dull, forgettable period piece or a tedious biopic and was very surprised just how good it actually was.

This is a really solid film with good performances and nicely directed. The plot concerns the true story of the life of the young Christopher Robin and the changing relationship he has with his parents in the 1920s.

It blends the mental trauma his father has been living with since his WW1 experience, and Christopher Robin's own traumatic childhood, both of witnessing his own parent's fractious relationship and then the deep unhappiness of having his life turned upside down when his fathers book, Winnie the Pooh, becomes an enormous and unexpected worldwide hit and inadvertently makes a celebrity of Christopher Robin.

This is a film primarily about family relationships and it is extremely well written too. Will Tilston, who plays Christopher Robin at 8 years old, puts in an exceptionally competent and sweet performance that makes you genuinely feel for the character.He finds the only person who actually understands and shares his anguish is his nanny, Olive (Kelly MacDonald). Olive too notices how unhappy Christopher Robin becomes but her pleas fall on deaf ears.

The only real flaw in any of the characterizations is Margot Robbie's turn as Daphne, Christopher Robin's mother. Whilst Domnhall Gleeson's AA Milne at least has some back story to explain why his mentally tortured writer is struggling to shake off his demons and thus oblivious to his son's reluctant celebrity status, Daphne comes across as somebody who is a bit cold and shallow and has no problems with watching her son get exploited to make the book a success. This may of course be what she was really like but the film doesn't dig very deep into her character. However this is a minor quibble in an otherwise well made film.

There are moments of humour in the script and no bad language so I expect this film will appeal to older audiences as well as families. The film is also just about the right length too if you like a good old fashioned biopic/drama. There is also a moral at the heart of this tale about the need to let children have a normal childhood, which is very much applicable even now.