Warhorse One

A Navy SEAL master chief must guide a child to safety through a gauntlet of Taliban insurgents.

A US Navy SEAL trapped in Afghanistan, and in the first skirmish with the Taliban, he discards with his back pack containing.

Hydration Bladders. This form of hydration replaces the old-school hydration canteen soldiers used to drink on the go. ... First Aid Kits. ... On The Go Food. ... Gun Cleaning Kit And Ammunition. ... Body Armor. ... Compasses. ... Shelter. ... Signal Mirror.

Despite constant engagement with enemy fire, he never runs out of ammo, he jumps into a fast flowing river with his weapon, and comes out holding it. The gun, despite being submerged in water, works perfectly every time and never jams once. I'm all for suspending reality, but oh lord, this film asks a lot. Totally unrealistic. Total BS.

In Vietnam the American military establishment consumed an estimated 50,000 rounds of ammunition for every enemy killed.

Back in the days before soldiers sprayed bullets about the field of battle promiscuously (i.e. The Civil War) it took about 60 rounds to "take out" one enemy soldier. The amount of ammunition used in WW2 resulted in 25,000 rounds per casualty. Usually, you go on a combat patrol with around 210 rounds; If you get into a firefight, your ammunition can deplete very quickly.

Yet what we saw in this movie, the frogman, call-sign Warhorse Once wasted his bullets to kill enemies like he had endless supplies of bullets from his logistic arsenal. He usually kept shooting with a salvo of 3 or 4 or even 5 bullets that resulted killing nobody, but when he shot just once, there's a kill. A veteran soldier, alone in the wildness, chased by swarm of enemies should and would never waste his bullets like what we saw in this moronic unrealistic firefights, but he just wasted his bullets so mindlessly generous. It's just made me shake my head non-stop sneering.

I really enjoyed Warhorse One but it does take a bit of patience. Hollywood action and military movies have conditioned us to expensive sets and dramatic effects. I found this to be a much more one character focused story with set intimate action sequences. Others have commented on the endless ammunition but I found the attention to detail refreshing with malfunction clearing and a more steady approach as opposed to typical action movies. The little girl is fantastic and provides the core emotion and motivation for the movie. The dialogue was a little quiet but I took this as intentional due to the evasion and covert aspect of the story. I thoroughly enjoyed the movie and it was a nice change of pace.

Ok, it's not a movie classic, and I sat down to watch it with low expectations, but this movie turned out to be quite good. I had expected a low budget botch job. Instead, what I got was a pretty well made movie, if a bit corny and by-the-numbers.

It was quite well acted by the cast, with Johnny Strong doing a good job in the title role. And you young actress who played the orphaned girl was very good, too.

The locations were good and even the Talis were quite well played and they did all speak Pushto, surprisingly.

The only annoying thing was that the cinematography got carried away with unnecessary anamorphic blue streaks that looked rather out of place, but that's a minor quibble.

If you're at a loose end, worth a look.

I won't give this a number. It's true that it's unreal that Mirko never runs out of ammunition. I noticed and I didn't care. I think it strange that he seemed to move faster and yet, somehow the "insurgents " always seemed to be right behind him. I'm sure that SEALS are better marksmen. He certainly was mistaken to have trusted the obvious enemy and more so to leave the child behind with him, but the rescue effort had to be set up. No one can cover so much challenging terrain and do it with no food and almost no water. There are many faults in the plot and the reflections when looking skyward were annoying to me. So what! I was entertained and amazed at everything that was conveyed in Zoe's expressions. I don't think that can be coached. It has to be natural talent. True, as 1 professional reviewer pointed out, one who acts with children or animals is sure to be upstaged, and Athena Duren did it without having to have a single word of dialogue. That smile...