Durante el verano de 1979, un grupo de amigos presencia un accidente de tren e investiga los extraños eventos que suceden en su pequeña ciudad.Durante el verano de 1979, un grupo de amigos presencia un accidente de tren e investiga los extraños eventos que suceden en su pequeña ciudad.Durante el verano de 1979, un grupo de amigos presencia un accidente de tren e investiga los extraños eventos que suceden en su pequeña ciudad.
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- 11 premios ganados y 71 nominaciones en total
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- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Abrams has proved to be a talented cameraman. I don't mean this in a condescending manner, at least not entirely. But that's all there is with him, shape and contour. He's yet to situate himself within a worldview - so he borrows from where it is convenient to fit into. Here it's Spielberg - his world of wondrous discovery, magical escapade into comfortable menace, but where everything is wistfully made right again.
So you probably know by now how this is a pastiche built from other stuff; Close Encounters, The Host, The Goonies. The point-of-view is from the children (who are, perhaps, the only characters worth watching), the monster stalking the perimeters. The military is the faceless inhuman machine of cruel intentions.
What Abrams does is perfectly in tune with post-modernist ideas. But whereas the Coens appropriate raw essentials and even whole chunks of preconceived world but build from them their own notion of a universe, Abrams is merely an itinerant garbage collector.
It's all so derivative, so uniformly processed, it makes me wonder why anyone would take time out of their lives to make it - assuming one has creative aspirations about the art. Is Close Encounters really that old? So, like the myth of Prometheus; some artists risk to steal the fire that will renew our lives, a dangerous fire, others merely spend their time bound in the confines of earlier discovery.
So you probably know by now how this is a pastiche built from other stuff; Close Encounters, The Host, The Goonies. The point-of-view is from the children (who are, perhaps, the only characters worth watching), the monster stalking the perimeters. The military is the faceless inhuman machine of cruel intentions.
What Abrams does is perfectly in tune with post-modernist ideas. But whereas the Coens appropriate raw essentials and even whole chunks of preconceived world but build from them their own notion of a universe, Abrams is merely an itinerant garbage collector.
It's all so derivative, so uniformly processed, it makes me wonder why anyone would take time out of their lives to make it - assuming one has creative aspirations about the art. Is Close Encounters really that old? So, like the myth of Prometheus; some artists risk to steal the fire that will renew our lives, a dangerous fire, others merely spend their time bound in the confines of earlier discovery.
Look, I'm biased. When I first saw the movie in 2011 while I was still just in middle school, I was enamored. Now, 8 years later, as a film student inspired by this movie, I can honestly say that it still holds up. A lot of the love I have for this movie is purely fueled by nostalgia, but even aside from that, the thrills and heartstring tugs this movie delivers still stand up to the test of time so far. This movie is always going to mean the world to me, and I hope someone out there sees this and gives it a shot. It's so criminally underrated and under-appreciated.
Steven Spielberg and J.J Abrams working on a project together. That idea alone is great however the finished project is a masterpiece. I was expecting a lot when I walked into the theater, when I walked out, not only were my expectations met but it was much better than i thought it would be. Let's start off with the actors, they all did a great job, but I was really impressed with Elle Fanning's acting, she added lots to the movie. I know it won't happen for this movie but I think she deserves an Oscar for her performance. Next, let's talk about the overall movie, it was great, it had, action, comedy, Mystery, romance, and suspense. The special effects were amazing, best this year. Now, the ending, i'm not going to say what happens, but many people hated it but I thought it was perfect, great way to end the film. Overall, suspense, action packed movie with great special effects and great acting from underrated stars makes the best movie of 2011, and one of the best movies ever. 10/10
Overtly nostalgic movie about a bunch of kids stumbling on a secret weapon blunder while making a zombie flick. Yes, it is an obvious hommage to Spielberg, that much have been said.
The kids are remarkable, everyone of them. In fact, as soon as the movie moves away from them, it suffers, althought Kyle Chandler, reliable, does a good job with non-verbal acting. The one kid I liked most was the "directing" one, reacting with slight disgust at the thought that his own sister (she must have been ugly when younger) could actually be attractive to others, but all of them had their quirps that made them likeable in their own ways.
When compared with contemporary Stephen King's "It" adaptation, which is similar in many ways, it is less lurid and graphic, and adults are less of a threat, but the nostalgia factor is doubled. I especially liked the middle-class settings and realities, the small Ohio town. My favorite moment was when they actually showed the full movie the kids made ("The Case") during the end credits, which makes it the most agreable end credits I ever witnessed.
Alas, not all was perfect and the main CGI creature is somewhat of a wet petard, and some characters were less than convincing, like the stoner guy. It is however a movie with a heart. Or maybe it's me who's getting too old.
The kids are remarkable, everyone of them. In fact, as soon as the movie moves away from them, it suffers, althought Kyle Chandler, reliable, does a good job with non-verbal acting. The one kid I liked most was the "directing" one, reacting with slight disgust at the thought that his own sister (she must have been ugly when younger) could actually be attractive to others, but all of them had their quirps that made them likeable in their own ways.
When compared with contemporary Stephen King's "It" adaptation, which is similar in many ways, it is less lurid and graphic, and adults are less of a threat, but the nostalgia factor is doubled. I especially liked the middle-class settings and realities, the small Ohio town. My favorite moment was when they actually showed the full movie the kids made ("The Case") during the end credits, which makes it the most agreable end credits I ever witnessed.
Alas, not all was perfect and the main CGI creature is somewhat of a wet petard, and some characters were less than convincing, like the stoner guy. It is however a movie with a heart. Or maybe it's me who's getting too old.
The concept of "Super 8" is combining the elements of J.J. Abrams and Steven Spielberg. The trailer made you think it's like E.T. plus Cloverfield. Well, it's true. There is nothing new about "Super 8" but it brought us back to the good old classic times, it's funny, it's exciting, and it's amazing.
"Super 8" is another intriguing monster movie by J.J. Abrams. Yes, you really wanna know what it looks like but I'm not gonna tell you. The sad thing is it's not as intriguing as Cloverfield. But It's easy to ignore that problem because there is something better than being another Cloverfield. It feels like you are watching a good old classic movie. Great characters, Good old fashion score, and kids intrigued by the situation.
The story is really about the characters' zombie movie making and the family tragedy while there's a monster attacking their town. The monster is like the background or the subplot of this film. But the movie still got suspense. The movie is indeed beautiful and plenty of heart. The movie is just nostalgic stuff. It's not trying to be new. It just wants to show how J.J. Abrams is inspired by Steven Spielberg's movies.
There are some amazing scenes in this film. Example, the train collision was breathtaking. The movie sure has a lot of humor. It's like a relic to the old family movies. The CGI is good enough. The performances were good. The kids gave a lot of personality to their roles.
"Super 8" is a J.J. Abrams film with Spielberg's trademarks all over it. It's not a blockbuster that has a lot of action and less talking. This movie is made in old fashion style. Yep, this movie is nostalgic if you saw Spielberg's old movies and it's good to see another one like it.
Note: There is something interesting in the credits. You might wanna check it out.
"Super 8" is another intriguing monster movie by J.J. Abrams. Yes, you really wanna know what it looks like but I'm not gonna tell you. The sad thing is it's not as intriguing as Cloverfield. But It's easy to ignore that problem because there is something better than being another Cloverfield. It feels like you are watching a good old classic movie. Great characters, Good old fashion score, and kids intrigued by the situation.
The story is really about the characters' zombie movie making and the family tragedy while there's a monster attacking their town. The monster is like the background or the subplot of this film. But the movie still got suspense. The movie is indeed beautiful and plenty of heart. The movie is just nostalgic stuff. It's not trying to be new. It just wants to show how J.J. Abrams is inspired by Steven Spielberg's movies.
There are some amazing scenes in this film. Example, the train collision was breathtaking. The movie sure has a lot of humor. It's like a relic to the old family movies. The CGI is good enough. The performances were good. The kids gave a lot of personality to their roles.
"Super 8" is a J.J. Abrams film with Spielberg's trademarks all over it. It's not a blockbuster that has a lot of action and less talking. This movie is made in old fashion style. Yep, this movie is nostalgic if you saw Spielberg's old movies and it's good to see another one like it.
Note: There is something interesting in the credits. You might wanna check it out.
¿Sabías que…?
- TriviaRiley Griffiths (Charles Kaznyk) played an April Fool's prank on director J.J. Abrams during filming: "On the verge of crying, I told him I had lost my script, lost it at a mall in L.A., somebody took it, and it's online. He totally fell for it... I think I might have been more scared than J.J. I was trembling."
- ErroresAfter the train wreck, Alice's car is dirty, covered in ash and debris When the kids get in the car to leave the train station, the car is clean.
- Créditos curiososCharles Kaznyk's completed zombie movie is shown during the closing credits.
- Versiones alternativasIn the original theatrical version some shot of Jen Kaznyk walk to Donny in the evacuation center are cut from the DVD version
- Bandas sonorasDon't Bring Me Down
Written by Jeff Lynne
Performed by Electric Light Orchestra
Courtesy of Epic Records
By arrangement with Sony Music Publishing
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Detalles
Taquilla
- Presupuesto
- USD 50,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 127,004,179
- Fin de semana de estreno en EE. UU. y Canadá
- USD 35,451,168
- 12 jun 2011
- Total a nivel mundial
- USD 260,095,986
- Tiempo de ejecución1 hora 52 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
- 2.39 : 1
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