CALIFICACIÓN DE IMDb
7.6/10
23 k
TU CALIFICACIÓN
Un drama que narra diez años de la relación de un transexual, un hombre que cambia de sexo para convertirse en mujer, con su amante.Un drama que narra diez años de la relación de un transexual, un hombre que cambia de sexo para convertirse en mujer, con su amante.Un drama que narra diez años de la relación de un transexual, un hombre que cambia de sexo para convertirse en mujer, con su amante.
- Premios
- 29 premios ganados y 48 nominaciones en total
Susan Almgren
- Journaliste
- (as Susie Almgren)
Magalie Lépine Blondeau
- Charlotte
- (as Magalie Lépine-Blondeau)
Opiniones destacadas
This is one of the most impressed movies that I've ever seen. This movie is about a couple, Laurence and Fred, who love each other and have been together for long time. One day, Laurence opens his heart to her that he wants to be woman. Fred confuses and thinks about their future. Then, Fred decides she becomes Laurence's best friend and she teaches him how to make up, but they are troubled by prejudices of the society. Also, the mood of this movie and camera-work are fresh. Many colors are used and music invites us into story, so we can't be bored in spite of complex story. The director of this movie, Xavier Dolan, became my favorite one after I watched this movie, and this is the most favorite one of his movies. Therefore, I want everyone to see this. I recommend very much, but you will be tired a little because you are dragged very much.
this film is one of the most breathtakingly stunning films i've seen in years. it is remarkable not only in its challenging subject matter, its ability to convey true, raw, complex human emotions and relationships, but also its painfully beautiful cinematography and artistic skill. it puts you inside the heads and minds of its truly human characters, the way it was filmed....amazing. it is one of those films that defies expectations, is multi-dimensional, is funny and heartbreaking...
i was riveted at every single moment, unable to tear my eyes away from the film...i needed to go to the bathroom early on in the movie, and yet sat through two more hours of agonizing bladder suffering because my mind was unwilling to let me tear myself from the screen. and afterwards, my friends and i were all shaking from the film. we couldn't stop talking about it.
watch laurence, anyways. it'll change your life.
i was riveted at every single moment, unable to tear my eyes away from the film...i needed to go to the bathroom early on in the movie, and yet sat through two more hours of agonizing bladder suffering because my mind was unwilling to let me tear myself from the screen. and afterwards, my friends and i were all shaking from the film. we couldn't stop talking about it.
watch laurence, anyways. it'll change your life.
As a trans woman. Seeing this film made me feel very conflicted. I had high hopes for a film that took trans characters seriously and portrayed them delicately. Sadly, it did anything but.
The first part of the film, when Laurence is pre-transition, is very good at depicting Laurence's inner stress of being perceived as a man, and was very powerful. The problem is that the film never really allows Laurence to transition. The way she is depicted, she remains, as the top review says, "a man who wants to be a woman", never a transgender woman. No real change, physical or psychological, occurs with transitioning, except for minor cosmetic alterations and failed attempts at clothes and makeup. This feeds into the classic trope of the "pathetic transsexual" who is doomed to forever remain a man who fails at womanhood.
Much of the problem lies with the decision to cast a cis male actor as Laurence. Melvile Poupaud does not succeed in portraying a trans woman. No trans woman I know is remotely like this. The lack of realism and sensibility to trans life is especially jarring since Laurence is an intelligent and resourceful character whom would be able to learn to navigate the norms of womanhood. Also, the film moves many years into transition, and even if hormones is mentioned at an early point, they don't seem to have any effect on Laurence except for some supposed breasts.
This type of depiction is dangerous. It feeds into a collective imagination of us as essentially men, which is what makes us susceptible to homophobic violence and lack of access to basic material needs, such as bathrooms and proper healthcare.
ALL THAT BEING SAID, the film is otherwise very good. The cinematography is excellent, the colors, the camera work, the locations, the use of sound and music. Except for Laurence, the acting is great. And the love story, that serves as the main plot of the film, is captivating. All in all, there were many parts of the film I could enjoy and where I felt immersed. And while I felt a deep discomfort with the depiction of Laurence as the film progressed, the early parts of pre- and early transition was relatable and emotional and found resonance with my own trans experiences.
The first part of the film, when Laurence is pre-transition, is very good at depicting Laurence's inner stress of being perceived as a man, and was very powerful. The problem is that the film never really allows Laurence to transition. The way she is depicted, she remains, as the top review says, "a man who wants to be a woman", never a transgender woman. No real change, physical or psychological, occurs with transitioning, except for minor cosmetic alterations and failed attempts at clothes and makeup. This feeds into the classic trope of the "pathetic transsexual" who is doomed to forever remain a man who fails at womanhood.
Much of the problem lies with the decision to cast a cis male actor as Laurence. Melvile Poupaud does not succeed in portraying a trans woman. No trans woman I know is remotely like this. The lack of realism and sensibility to trans life is especially jarring since Laurence is an intelligent and resourceful character whom would be able to learn to navigate the norms of womanhood. Also, the film moves many years into transition, and even if hormones is mentioned at an early point, they don't seem to have any effect on Laurence except for some supposed breasts.
This type of depiction is dangerous. It feeds into a collective imagination of us as essentially men, which is what makes us susceptible to homophobic violence and lack of access to basic material needs, such as bathrooms and proper healthcare.
ALL THAT BEING SAID, the film is otherwise very good. The cinematography is excellent, the colors, the camera work, the locations, the use of sound and music. Except for Laurence, the acting is great. And the love story, that serves as the main plot of the film, is captivating. All in all, there were many parts of the film I could enjoy and where I felt immersed. And while I felt a deep discomfort with the depiction of Laurence as the film progressed, the early parts of pre- and early transition was relatable and emotional and found resonance with my own trans experiences.
It is Canadian prodigy Xavier Dolan's third feature, after I KILLED MY MOTHER (2009, 7/10) and HEARTBEATS (2010, 5/10), the first one he doesn't hog a leading role for himself. LAURENCE ANYWAYS chronicles a 10 year up-and-down relationship between Laurence Alia (Poupaud), a man with GID (Gender Identity Disorder) and determines to dress up like a woman, and his girlfriend Fred Belair (Clément) from 1989 to the looming millennium.
Scale wise it is Dolan's boldest and most ambitious one (save his two subsequent films TOM AT THE FARM 2013 and MOMMY 2014, which I haven't seen yet), extending around 168 minutes, Dolan strenuously spells out a panorama of struggles of Laurence and Fred, for the former, it is a life-or-death judgement call, without opening up to embrace his true id, life is pointless and meaningless to him; more thoughtfully and unconventionally, the film generously grants maximum space for the latter, to zoom in on Fred's striving for breath and co-existence when her world is equally capsized by the blunt decision made by the man she loves.
As early as the opening introduction of Laurence through onlookers (deceitfully) spontaneous responses till the very end, Laurence and Fred separately exit the barroom with posh slo-motion against the brisk gust, stylistically Dolan comes much more at ease with his ostentatious aesthetic codes, Day-Glo disco, subdued lighting, kitschy ornamentation, pop art, avant-garde tableaux vivant, chic party, campy or crammed locale confinement, highlighted by Les Five Roses, and all aided by a killing mixtape (from Fever Ray, The Cure, Visage to Moderat) to leaven the zeitgeist and propel the storytelling.
It is a pure melodrama, spearheaded by two impressive leading performances by Poupaud and Clément, especially the latter, her explosion which bookends the midway of this drawn-out feature is intensely electrifying and utterly breathtaking. She also impeccably handles the unvoiced implosion of her character, shepherded by hairstylists, costume designers and Dolan's unerring determination to lay bare all the subtlety with abstract symbolism and his own perceptive sensations.
Most of the time, Poupaud conceals his handsome contour under a ridiculous wig, heavy make- up doesn't help either, but nothing can hide Laurence's intrepidity, sensitivity and charm through his less flamboyant but more realistic rendition. Nathalie Baye, plays Laurence's negligent mother, pungently bespeaks both parenting and gender-identity are not innately fitting to anyone.
LAURENCE ANYWAYS is a solid corroboration of Dolan's prowess to explore and conquer a wider scope out of his comfort zone, visually distinct and artistically eclectic, although in any event he needs to be polished up a little bit and get himself out of the self-indulgent pitfall, let me just suppress a dash of jealousy and get ready to rejoice in the wunderkind's another output, hopefully is the much-anticipated TOM AT THE FARM.
Scale wise it is Dolan's boldest and most ambitious one (save his two subsequent films TOM AT THE FARM 2013 and MOMMY 2014, which I haven't seen yet), extending around 168 minutes, Dolan strenuously spells out a panorama of struggles of Laurence and Fred, for the former, it is a life-or-death judgement call, without opening up to embrace his true id, life is pointless and meaningless to him; more thoughtfully and unconventionally, the film generously grants maximum space for the latter, to zoom in on Fred's striving for breath and co-existence when her world is equally capsized by the blunt decision made by the man she loves.
As early as the opening introduction of Laurence through onlookers (deceitfully) spontaneous responses till the very end, Laurence and Fred separately exit the barroom with posh slo-motion against the brisk gust, stylistically Dolan comes much more at ease with his ostentatious aesthetic codes, Day-Glo disco, subdued lighting, kitschy ornamentation, pop art, avant-garde tableaux vivant, chic party, campy or crammed locale confinement, highlighted by Les Five Roses, and all aided by a killing mixtape (from Fever Ray, The Cure, Visage to Moderat) to leaven the zeitgeist and propel the storytelling.
It is a pure melodrama, spearheaded by two impressive leading performances by Poupaud and Clément, especially the latter, her explosion which bookends the midway of this drawn-out feature is intensely electrifying and utterly breathtaking. She also impeccably handles the unvoiced implosion of her character, shepherded by hairstylists, costume designers and Dolan's unerring determination to lay bare all the subtlety with abstract symbolism and his own perceptive sensations.
Most of the time, Poupaud conceals his handsome contour under a ridiculous wig, heavy make- up doesn't help either, but nothing can hide Laurence's intrepidity, sensitivity and charm through his less flamboyant but more realistic rendition. Nathalie Baye, plays Laurence's negligent mother, pungently bespeaks both parenting and gender-identity are not innately fitting to anyone.
LAURENCE ANYWAYS is a solid corroboration of Dolan's prowess to explore and conquer a wider scope out of his comfort zone, visually distinct and artistically eclectic, although in any event he needs to be polished up a little bit and get himself out of the self-indulgent pitfall, let me just suppress a dash of jealousy and get ready to rejoice in the wunderkind's another output, hopefully is the much-anticipated TOM AT THE FARM.
Fist of all, I should tell ya that I never been excited to watch a movie for a really long time; you know that excitement when you watch the trailer over 10 times in a row. yeah, I got excited this much to watch Laurence Anyways. and as a Xavier Dolan's huge fan that makes me know for sure that this movie is gonna be a pure art. and I don't even really care that much about directors. but DAMN! Xavier Dolan is the perfect man. No, I really mean it. he's gorgeous and talented in so many ways. Although all of the films he directs are about homosexuality, but what the heck! sometimes I hesitate to recommend any of his films to people I know cause I fear they might be narrow minded about all of the homosexuality stuff. Personally, I wouldn't mind watching a Xavier Dolan's film everyday and I'd still enjoy it as if it was the first time I watch it. I killed my mother, heartbeats, and now laurence anyways.
Laurence Anyways is almost 3hrs long. I thought I'd be bored. but somehow, something kept me watching. maybe it's wanting to know how the story ends. or maybe it's the great soundtrack, or the scenes that feed your soul visually. I mean really, why bother going to a photo gallery or a concert or whatsoever when you can simply watch Laurence Anyways or any film of Dolan's, and you'll find everything you love combined together beautifully. maybe I'm just exaggerating but that's because I'm this amazed.
At first, I thought Laurence and his girlfriend weren't' good looking enough, but anyone who watches this film will absolutely fall in love with every single character in the film. and somehow you'll find them extremely beautiful because you just feel their passion and stuff.
When I posted on twitter that I'm so excited to watch it. my friend replied saying, "it's a bold movie." well, I don't know how dirty films like the hangover are okay to watch and a masterpiece like this is "bold"! One thing I noticed about Xavier's Dolan films, is that he tries not to show us nude scenes, cause it ain't pretty. nobody wants to see butts or whatsoever, well, maybe perverts want to, but that's not the point. that is to say, even sex scenes are somehow beautiful and amazing, like the sex scene in 'I killed my mother' with all the painting and the sad sex desperate sex scenes in 'heartbeats'. you can clearly understand what Dolan is implying. In Laurence Anyways, Dolan portrays the relationship between Laurence and his girlfriend as a happy couple who are madly in love with each other, before they gradually collapse. What I'm truing to say here is that Dolan never fails at impressing his audience.
The soundtrack was painfully amazing, as always. the film stats with a song by 'fever ray' which made me realize that Dolan is a fan of this band. yeah? you remember the scene in the woods in 'heartbeats'? No? Okay. I swear if I had to steal one thing from Xavie Dolan it'd be his ipod or iphone or whatsoever. the man has an amazing taste in music.
When I done watching this film, I realized that 3 hours weren't enough. I wouldn't mind if it was 10 hours long or a series with a thousand seasons. it's just pure perfection. you know when you watch a perfect film that is so perfect to the extent that you wouldn't mind if it ends after only 5 minutes or in the middle of it because it's so perfect, and whatever the end is it'd still be great and perfect. yeah, Laurence Anyways is one of those films. and I'm still happy and impressed with the ending scene. the song was oh-my-god amazing. it's like it came into my soul and said hi and settled there. I can never get bored watching the ending scene; so simple yet perfect.
And before I forget, I love the almost 5 seconds Xavier appeared in the party scene. yeah keep it up babes.
In short, Laurence Anyways is 3 hours long, BUT, it's 3 hours of love, joy, regrets, tears, emotions, passion, and XAVIER DOLAN'S PERFECTION. Go watch it! and if you watch it and hate it then I'll hate you back.
Thank you
Laurence Anyways is almost 3hrs long. I thought I'd be bored. but somehow, something kept me watching. maybe it's wanting to know how the story ends. or maybe it's the great soundtrack, or the scenes that feed your soul visually. I mean really, why bother going to a photo gallery or a concert or whatsoever when you can simply watch Laurence Anyways or any film of Dolan's, and you'll find everything you love combined together beautifully. maybe I'm just exaggerating but that's because I'm this amazed.
At first, I thought Laurence and his girlfriend weren't' good looking enough, but anyone who watches this film will absolutely fall in love with every single character in the film. and somehow you'll find them extremely beautiful because you just feel their passion and stuff.
When I posted on twitter that I'm so excited to watch it. my friend replied saying, "it's a bold movie." well, I don't know how dirty films like the hangover are okay to watch and a masterpiece like this is "bold"! One thing I noticed about Xavier's Dolan films, is that he tries not to show us nude scenes, cause it ain't pretty. nobody wants to see butts or whatsoever, well, maybe perverts want to, but that's not the point. that is to say, even sex scenes are somehow beautiful and amazing, like the sex scene in 'I killed my mother' with all the painting and the sad sex desperate sex scenes in 'heartbeats'. you can clearly understand what Dolan is implying. In Laurence Anyways, Dolan portrays the relationship between Laurence and his girlfriend as a happy couple who are madly in love with each other, before they gradually collapse. What I'm truing to say here is that Dolan never fails at impressing his audience.
The soundtrack was painfully amazing, as always. the film stats with a song by 'fever ray' which made me realize that Dolan is a fan of this band. yeah? you remember the scene in the woods in 'heartbeats'? No? Okay. I swear if I had to steal one thing from Xavie Dolan it'd be his ipod or iphone or whatsoever. the man has an amazing taste in music.
When I done watching this film, I realized that 3 hours weren't enough. I wouldn't mind if it was 10 hours long or a series with a thousand seasons. it's just pure perfection. you know when you watch a perfect film that is so perfect to the extent that you wouldn't mind if it ends after only 5 minutes or in the middle of it because it's so perfect, and whatever the end is it'd still be great and perfect. yeah, Laurence Anyways is one of those films. and I'm still happy and impressed with the ending scene. the song was oh-my-god amazing. it's like it came into my soul and said hi and settled there. I can never get bored watching the ending scene; so simple yet perfect.
And before I forget, I love the almost 5 seconds Xavier appeared in the party scene. yeah keep it up babes.
In short, Laurence Anyways is 3 hours long, BUT, it's 3 hours of love, joy, regrets, tears, emotions, passion, and XAVIER DOLAN'S PERFECTION. Go watch it! and if you watch it and hate it then I'll hate you back.
Thank you
¿Sabías que…?
- TriviaThe man who shows the apartment to Laurence is played by Xavier Dolan's father, Manuel Tadros, just like he did in Dolan's first movie.
- Citas
Julienne Alia: You changed your sex. I changed my address.
- ConexionesFeatured in Xavier Dolan: à l'impossible je suis tenu (2016)
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- How long is Laurence Anyways?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- І все ж Лоранс
- Locaciones de filmación
- 2600 Rue Ontario, Montreal, Quebec, Canadá(opening scene: Laurence walking in the street)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total a nivel mundial
- USD 399,784
- Tiempo de ejecución2 horas 48 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.33 : 1
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