Wreckers

Those who, like us, are always hungering for fresh Cumberbatch might want to give this one a look. It's a bit like an updated version of a D.H. Lawrence story ("The Fox"?) or maybe one of those tales of depraved country life that are satirized in "Cold Comfort Farm." Time sequence and plot mechanics are sometimes a little vague; the contrast between the leisurely, naturalistic buildup and the stark, abrupt resolution ("at one fellow swoop" as a Netflix reviewer adorably put it) was a little unsettling as well. First-rate performances and camera-work, interesting locations. BC fans not fond of arty, impressionistic films should prob'ly stay away.

Dictynna Hood's film 'Wreckers' tells the story of a seemingly happy marriage put under stress when the husband's rather intense brother pays a visit. The strange character of the visitor turns out to be rooted in a dark family past and the deeply ambiguous nature of the relationship of the siblings both to each other, and to the place where they grew up. The film captures the awkwardness of human interaction well, but struggles a bit on motivations: the inside of the husband's mind remains closed to us, and a pair of unlikely sexual encounters each just happen. Perhaps telling the tale from the perspective of the relatively normal wife is the error here, but although the subject material is highly emotive, I struggled to connect with the story at an emotional level.

All is not as it appears. Quite a dark movie with character clues that need a bit of studying. Overall a film that held my attention, though the volume of the dialogue was way too low at times. Would be almost impossible for any not familiar with Brit accents.

The premise was good, the actor did a great job, but i don't know.. i feel like something's is missing. And the ending... it's suffocating me. But I do like the tone and how slow the plot goes. I'm such a sucker for slowburn indeed. I watched this because i want to know more about Benedict Cumberbatch and it's a good beginning.

A dialogue dependent movie, but unfortunately the producers were too cheap to provide subtitles for non-Brits around the world who have different English dialects; or those with little or no English; or those hard of hearing viewers. To make matters worse the audio levels as well as enunciation by the actors were inconsistent and uneven.

The acting was minimally acceptable given there wasn't a whole lot going on throughout a film that has the camera obsessed with looking at walls inside the house or out the window. The camera continued the preoccupation with focusing on non-essential scenes for prolonged periods e.g. chickens in a coup; figurines on a shelf; tree leaves blowing in the wind; pond lily pads; spider crawling up a window; the inside of a church both with/without singing.

Outside of that there is a sleepwalking visiting brother; two brief sex with someone else's partner scenes and a party.

Maybe this is a day-in-the-life storyline?