No sin ella

The movie was inspired by the Oscar winning documentary and several of the real life folks have cameos in the film. Julianne Moore and Ellen Page play a couple that falls in love and then deals with a cancer diagnosis and then a fight for a police pension after twenty three years of service to be granted to her domestic partner. Well done as some of the characters you truly begin to despise over the course of the film. It's always good to be on the right side of history.

Greetings again from the darkness. A touching story based on the struggles of two people in love … that description fits, but leaves out the crucial details that make the saga of Laurel and Stacie so poignant and important. Laurel Hester was an Ocean County, New Jersey police officer who, like most non-heterosexual people of the era, went to extremes to conceal that part of her life for fear of personal and professional reprisals.

We catch up with Laurel (Julianne Moore) and her police partner Dane Wells (Michael Shannon) while on a drug bust in 2002. This scene is meant to quickly establish that Laurel is an excellent cop who is fully trusted by other cops. Soon after, we find Laurel and her god-awful volleyball skills flirting with Stacie (Ellen Page), a much younger auto mechanic. The two strike up a romance that leads to buying a house and jumping through the legal hoops required under the Domestic Partnership Act.

When Laurel is diagnosed with late stage lung cancer, the battle for her pension benefits begins as she goes up against the Freeholders who control Ocean County. While Stacie holds out hope for a cure and full recovery, Gay activist Steven Goldstein (Steve Carell) swoops in to generate media attention through protests and chants against the County. His cause is Gay marriage, while Laurel simply wants equality. It's an odd differentiation that the movie dwells on, but never quite explains.

A significant social issue, a stroll on the beach, a pet dog, and a terminal illness … this sounds like the TV Guide synopsis of the latest Lifetime Channel movie. Perhaps that was the goal of screenwriter Ron Nyswaner (Philadelphia, 1993), whose next movie is a sex-change love story. Fortunately, the extremely talented cast elevates the material to an emotional level that allows viewers to connect. Those opposed to the issue include the macho cops from Laurel's own squad room, and the ultra-conservative faction on the County board – who predictably runs and hides when the conflict reaches its peak.

Julianne Moore and Ellen Page do outstanding work in allowing us to accept a romance that at times looks more like a mother/daughter relationship due to the age difference. Humor is injected with a rare drywall joke and possibly the first ever on screen tire-rotation contest. However, this isn't a story for laughs. Rather, director Peter Sollett (Nick and Norah's Infinite Playlist, 2008) shows one of the many personal stories that have led to the legal authorization of gay marriage and rights. We view this acceptance through the eyes of Laurel's partner Dane, and Michael Shannon's low key performance prevents the role from being too clichéd. The film suffers a bit with Steve Carell's over-the-top portrayal of the over-the-top Goldstein, but it does ring true in that desperate times call for desperate measures.

Certainly the film suffers from technical and script issues, yet the true story and the emotional subject matter, along with the fine performances, provide a clear look and reminder of some of the obstacles faced by good people over the years. Be sure to watch the closing credits for photographs of the real Laurel, Stacie, Dane and Goldstein – each (except Laurel, of course) have cameos in the film.

Not long ago I saw 'Carol', thankfully it is not another that and better than that. It was based on the documentary short of the same name about a real life same sex couple who fought for the equal rights and the pension benefits, while one of them was treated for cancer. It is a great drama about fighting for justice than the romance as it states, but that part as well very impressive.

Ellen Page and Julianne Moore, both were awesome, except Moore was a bit old. By seeing them I felt being a lesbian is sweetest than straight, hetero and even gay. The first half was all about the relationship, but very decently narrated romance tale. And in the next half once Steve Carell enters the scene, the film diverted to another side of the story. All the actors were very good, including Michael Shannon.

Obviously the story was predictable and that is expected often in a biography. Because if they want to alter it, then they should pen a very cleverest script the audience never saw one like that before. I think telling a true story as it is is the point and that's what this filmmaker did. So don't complain about the storyline, just consider whether it is inspiring or worth a watch for other reasons.

For me it was almost a sentimental piece, but the second half story compromised and then I realised what this film was trying to say. Underrated film of the year for sure. Anytime I suggest it, especially for the grown ups and with a neutral mindset, because it is not all about the same sex romance, but the battle for equality in society.

8/10

Even though it treads a lot, and I mean it, a lot of ground that has been covered by countless films before, especially recently, "Freeheld" is a well-crafted film that has committed and passionate work behind it that manage to make it come through a lot more than it could have in many other situations.

I am baffled by Juliane Moore honestly, that is the first and only thing that comes off the top of my head thinking of the film. She is so talented it is ridiculous. Because even if this is a performance that we have seen so many times before, even by Moore herself last year, she still manages to make it fu**ing interesting, new and genuine. This actress is a legend really. Right from her way of moving on screen she just lives and breathes the characters she is given and makes them so much more of what is on paper, which is also the main reason this film succeeds.

Because the film does recycle a lot. Both in ideas and style. It fits right into the streak of true story films that we have had in recent years and doesn't really emerge. It doesn't have a personal stamp, it doesn't really say anything special or new and what it says it really throws in your face without space for a more subtle or emotional narrative. As always with true story movies it gets deep into manipulating your emotions by pulling very, very easy heartstrings and doesn't make an attempt at trying to make a movie first before a recounting of the true story.

Yet, you feel that much of it, despite being standard, is truly heartfelt by the cast. Micheal Shannon is really, really good, Ellen Page doesn't always find her place on screen, but still manages to come off as the very good actress she is.

So in the end what we have is something that excites and moves in a way too conventional and seen-before way, that comes off as a pleasant experience thanks to its actors' commitment. I will never, ever watch this film again, but I will also never regret having seen it.

This film tells the story of a well respected and very competent police officer in New Jersey, who fights against the county to give her pension to her partner after she is diagnosed with terminal cancer.

It is really beyond me that "Freeheld" is not getting any award nominations. It is way more touching, captivating and engrossing than the other film that is getting a lot of attention. Julianne Moore is superb in the film. Steve Carell is very good as well, he is likable as the flamboyant activist. The story is so touching that I literally kept reaching out for tissues to wipe my tears and blow my nose. I thoroughly enjoyed the film!