CALIFICACIÓN DE IMDb
6.3/10
20 k
TU CALIFICACIÓN
La periodista Elsa Casanova es tomada como rehén por un violento grupo Talibán.La periodista Elsa Casanova es tomada como rehén por un violento grupo Talibán.La periodista Elsa Casanova es tomada como rehén por un violento grupo Talibán.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 nominación en total
Opiniones destacadas
I couldn't be bothered to look if this is based on a true story. Nor will I compare this to heroism as seen in American movies of similar genre fair. But I can tell you that with all it's faults and flaws (and there are quite a few), this still manages to grip you, if you have a good surround sound system and a neat television set. Of course that shouldn't be the argument to rate a movie (Bruckheimer would be happy though), but the action is well choreographed, you always know where you are and the actors are not too bad either.
Having said that, I do understand if you feel like you've been cheated when you watch the movie. But don't start asking yourself, why this, why that, it'll spoil your movie experience. And after all, this is just a movie, so don't start comparing it to the real thing! If you do, it'll fail on a major scale!
Having said that, I do understand if you feel like you've been cheated when you watch the movie. But don't start asking yourself, why this, why that, it'll spoil your movie experience. And after all, this is just a movie, so don't start comparing it to the real thing! If you do, it'll fail on a major scale!
Starts as the expected showy advertising for French armed forces (I love the genre but I understand it may not be everybody's cup of tea), then masquerades as some attempt at a lame military action storyline... And then before you know it you find yourself emotionally pulled into a story that provides its share of insights into the contemporary meaning of being a professional soldier. Obviously heavy support from the French armed forces to the production enables the attention to detail that provides credible full immersion into the environment through many vignettes. Stunning landscapes make that even better. Sure, a couple of tactical choices and implausible coincidences pivotal to the story look like concessions to the necessities of a Hollywood movie scenario... But I'll gladly forgive that - and the use of music too : the temptations of becoming a documentary or a caricature have been resisted after all, and what's left is an engaging survival story that will catch an audience far wider than the military niche.
If you like war stories, if you like survival, if you like army movies...
Look no further.
This wonderful movie is about a group of 6 special forces, lost somewhere in the Middle East, without communications or vehicles.
They have to walk through the mountains to reach Afghanistan and their base.
The whole movie is not based on the travel, but it takes a big place.
This is an action and emotional film.
There are some good real action scenes and a lot of feelings during the long and hard travel.
Look no further.
This wonderful movie is about a group of 6 special forces, lost somewhere in the Middle East, without communications or vehicles.
They have to walk through the mountains to reach Afghanistan and their base.
The whole movie is not based on the travel, but it takes a big place.
This is an action and emotional film.
There are some good real action scenes and a lot of feelings during the long and hard travel.
While a tad overlong and light on character development, SPECIAL FORCES nevertheless delivers a fairly solid entry in the modern warfare genre. The plot is rather simple: a French special forces unit (the movie is French/French-produced) is sent in to rescue a journalist from Afghanistan who has been captured by a Taliban warlord. Right off the bat, you are introduced to the principal characters, but not much is given in the way of character development or making the audience care, aside from some small character moments interspersed throughout the latter half of the film. The performances are adequate, with the best being given by Diane Kruger (as the journalist) and Djimon Hounsou (one of the special forces guys). The actor who portrays the Taliban warlord also does a good job, probably adding some depth to his character by having him be Western-educated and somewhat caught between Western culture and his own culture and beliefs, but not much attention is paid to his character either. It also doesn't help that his demise later in the film is done so haphazardly and unceremoniously. As far as the combat sequences go, they were fine and done in current "en vogue" style of somewhat shaky "cinema verite" realism to give a sense of the chaos of battle. The violence was effective and not gratuitous in any way. However, towards the end the movie drags a little bit as we're shown day after day passing of the core group trying to get away from their pursuers and safely back into Afghanistan (they've been wandering around in the Pakistani desert for most of the movie). Overall, the movie is effective in the combat sequences and showing how the special forces team bond with the people they try to rescue. Over the course of the film, you do grow to care a little bit more about the characters but not because you feel like you really know them, just because you empathize with the sticky situation they're in. The movie aspires to be SAVING PRIVATE RYAN (made by the French, and set during the Afghan war), but it falls short of the mark. Still, it makes for a somewhat entertaining, slightly taxing, viewing experience.
You get what you pay for and - when compared to Black Hawk Down - the budget for this movie would get you an Oyster card for Zone 1-2 for a month. This isn't Hollywood dollars and it shows.
Some of the scenes are a tribute (or plagiarism) to the Ridley Scott masterpiece. There is a decent opening sequence and the acting is reasonable, but you just feel that you're being dragged into B-movie territory despite wanting it to work.
Weirdly, what really lets down the move is the music. Its all low-end production music and has nothing to do with the supposed location, making it harder to believe it was shot on location.
Had there been more zeros on the production bill, this could have been an eight but it'll need to be a low six I'm afraid.
Some of the scenes are a tribute (or plagiarism) to the Ridley Scott masterpiece. There is a decent opening sequence and the acting is reasonable, but you just feel that you're being dragged into B-movie territory despite wanting it to work.
Weirdly, what really lets down the move is the music. Its all low-end production music and has nothing to do with the supposed location, making it harder to believe it was shot on location.
Had there been more zeros on the production bill, this could have been an eight but it'll need to be a low six I'm afraid.
¿Sabías que…?
- TriviaBased on their respective beret colors and badges, Kovax, Lucas, Victor and Marius are all "Commandos Marine" of the French Navy, while Elias is most likely from the "No. 10 Air Parachute Commando" unit of the French Air Force and Tic-Tac is a Commando from the French Army's "1st Marine Infantry Parachute Regiment". France's Special Operations Command (COS) has direct operational command of all special operation units, and thus are able to select members from different branches based on mission needs.
- ErroresWhile the opening scene is set in Kosovo, the cars have French license plates.
- ConexionesFeatured in ACS France (2018)
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Detalles
Taquilla
- Presupuesto
- EUR 10,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 10,759
- Fin de semana de estreno en EE. UU. y Canadá
- USD 10,759
- 14 oct 2012
- Total a nivel mundial
- USD 3,424,648
- Tiempo de ejecución
- 1h 49min(109 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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