Skin Trade

Every inch of 'Skin Trade' feels like a B-movie, but the good thing is that it doesn't try to pretend to be more. A passion project of Dolph Lundgren who started work on its script close to eight years ago, it knows exactly what buttons to push to get its core audience satisfied even as it tries to shed light onto a matter close to his heart, i.e. that of human trafficking. So if you're expecting a very angry Lundgren on a revenge rampage, or a mano-a-mano between Lundgren and Tony Jaa, or a similar one-on-one between Tony Jaa and Michael Jai White, we can reassure you that you won't be disappointed.

A brief prologue establishes the mechanics of Viktor Dragovic's (Ron Perlman) despicable business – under the guise of offering them employment, the former Serbian national's fourth son Janko (Leo Rano) and his accomplices lure gullible village girls from Thailand, Cambodia and Laos to leave their homes and journey to the city, where they are subsequently drugged and shipped to America and Europe to be sold as sex slaves. Lundgren's Newark police detective Nick Cassidy is tracking Viktor's latest shipment in order to apprehend him and his sons, while Jaa plays a Thai police officer Tony who is onto the same case from further down the food chain.

Their paths cross after Viktor is let loose upon diplomatic pressure and skips town, seeking refuge in a corrupt general's mansion near the Cambodian border. Unfortunately for Nick, Viktor's sons manage to get to his family before fleeing town, so after regaining consciousness from an RPG strike on his house, Nick decides to take his quest for revenge to Viktor. Thanks to Michael Jai White's rogue government agent Reed, Nick is framed for the murder of Tony's partner soon after setting foot on Royal Thai soil. Of course, who's good and who's bad will become clear quite quickly, but Lundgren and his co-writers have specifically engineered enough twists and turns precisely to fulfil their audience's expectations to see each one of the marquee action stars have a go at the other.

Much of the heavy lifting here is done by Jaa, whose speed and agility has not dimmed one bit since his 'Tom Yum Goong' and 'Ong Bak' days. While his Hollywood debut in 'Fast and Furious 7' may have been overlooked because of the crowded ensemble, Jaa's lead turn here will definitely not go unnoticed. His one-on-one with Lundgren in an abandoned warehouse is the film's halfway high-water mark, pitting a lean mean warrior against a much hulkier opponent – though there is no question in our minds just who is the one that is the better fighter.

It is no wonder then that Jaa is the one chosen to take on Jai White, the latter a much worthier opponent than Lundgren skilled in the art of kickboxing not unlike Jean Claude Van-Damme in his heydays. The fight between them is brutal and ferocious, choreographed specifically to illustrate the strengths of either actor, and next to the noisy and overblown finale at a remote airstrip that it precedes, is easily the climax that the film deserves to be remembered for. Indeed, while a sizeable amount of the limited budget on which the film is made for has been reserved for explosions and other fireballs, it is the raw thrill of seeing these natural born fighters go at each other knuckle-to-knuckle that is where its charm lies.

And in that regard, Lundgren deserves more credit than what may be apparent. It is no doubt thanks to Lundgren that we get to see Jaa in such a significant capacity – not only in a movie that respects the actor's Oriental roots but also one that gives him a role with both the breadth and depth for Jaa to showcase his abilities as an actor and as an action star. It is probably also thanks to Lundgren that the likes of Jai White, Ron Perlman, Peter Weller and Cary- Hiroyuki Tagawa have come together in the same film, a combination that is any self-professed B-action movie fan's wet dream. And it is Lundgren who manages to pull a movie with so many potential clichés together in a respectable fashion – as the latter scenes demonstrate, its director Ekachai Uekrongtham has a long way to go in learning how to stage a proper action sequence.

Like we said at the beginning, 'Skin Trade' doesn't pretend to be more than what it is – and much as there is a social message in here, it never tries to drive it too hard. Indeed, it is precisely by embracing its B-movie roots that it truly delivers, not just in the fact that it makes no compromises in keeping its action hard- hitting but also by ensuring that its actors are right up there without any doubles performing each and every one of the stunts. More than sex, that is the skin trade which truly matters, and which we suspect its audience will be more than happy to partake in.

Obviously just going through the list of names should and will get people excited (who are into the action genre that is and know their favorites). Having Dolph "team up" with Tony Jaa is a great move. Though it doesn't really matter which side of the law people are, based on the decisions they make during the course of the movie. Which also means, there is quite a bit of fighting ahead of you.

Ron Pearlman does a good job with his accent (playing a Serbian) and there is one particular fight scene (about 20 minutes before the movie ends) that is really good. But there are also cuts in the movie that seem to take note on the "jump cut" book, but don't really work. The overall story is easy to tell, the core of it is something that unfortunately is happening all over the world.

Also Tony Jaas English performance was captured a lot better in Fast 7, there are some weird lines he has to deliver here (not convincingly then). Decently made then, but could've been better

Action fans might be familiar with Skin Trade theme or actors. It has mainstay names of the genre and the addition of brazen stunts by Tony Jaa with his vicious stunts. The plot revolves around the titular skin trade or human trafficking as the back drop of high octane combat sequences. It's not an in-depth commentary of the subject nor does it overcome the occasional narrative familiarities, however the fast pace clash of knuckles and barrage of bullets will entertain the genre aficionado.

Story follows two different cops whose interests are aligned as they uncover the a human trafficking industry led by Dragovic (Ron Perlman). Nick (Dolph Lundgren) is a police at New Jersey, he has to resort to unorthodox method as Dragovic is raising the stake as he utilizes brutal methods. Tony (Tony Jaa) works on different angle in Bangkok by performing his own investigation. The direction of story doesn't veer too much from revenge or rescue theme.

There are a lot of subplots that could be explored, but the film focuses on the fundamental premise only. Human trafficking issue is a delicate one, the film takes a safe route and it doesn't always pay off. Sometimes it rehearses the material too often and becomes trapped in hero saving damsel in distress stereotype. Antagonist side has some potential as Dragovic has several sons vying for his approval, however the characters aren't fully fleshed out. One of the sons even snorts cocaine in every scene he's in, almost as a comedic effect.

Fortunately, the veteran actors are robust enough to carry the plot and action. Props to Tony Jaa as he brings a decent performance even in almost entirely English spoken movie. His acting isn't that developed yet, but he's definitely presentable as international action star. Perlman and Lundgren are already famous name, and they deliver what is expected from them. Michael Jai White also has a charismatic presence on screen as he rounds up the cast.

Action is where the movie is at its best. Practically any Tony Jaa's movie has unabashed ferocious stunts. There are many well-choreographed fights here, along with vehicular mayhem and a couple of acrobatic or parkour scenes. It also brings the Rambo carnage at some points with one man army gimmick, the movie is an amalgamation of western and eastern action.

Though the plot might be simplified and familiar, the collision of big names in bigger brawls is a spectacle for genre fans.

"How do you sleep at night. How can you do this?" Nick Cassidy's (Lundgren) family has just been killed by an international criminal syndicate. His quest for revenge leads him to Thailand where he teams up with Tony (Jaa) a Thai detective who is investigating a human trafficking network. When they realize they are looking for the same group they join forces and try to put an end to the all of it. I have said before these are hard movies to review. Movies with Segal, Van Damme or Lundgren are essentially all the same. Same plot, same idea, same acting. This one is no different, either you like these movies or you don't. That holds true for this one. The biggest problem with this one is that is seemed like the middle part of a 3 part series. The movie opens to what feels like halfway through the actual story. There is really no intro to what is going on and you are trying to play catch up throughout. The way the movie ends felt like, we are out of money, if we can't get more funding we will end it here. There is still more that could have happened to tie it all up but it left you hanging. All that said, most people don't watch these movies for the story or acting and the action is decent enough to keep them interested. As for me, this is just another Lundgren movie. Overall, fans of Dolph will like this, otherwise I would avoid it. I give it a C.

"There is no such thing as a bad Tony Jaa movie." Well this could be the exception.

On paper this was a "dream team" movie and I was anxious to see it.

Lundgrin both produced and wrote. That sounded very promising.

Not only is Tony Jaa in the film but he speaks English and his character is named "Tony." Also very promising.

Also starring Michael Jai White. In my review of Falcon Rising I called him "the most under-used action hero" in the business. Very very promising.

But here the total is less than the sum of its parts:

1. Lundgren wrote himself into a part meant for a 40 year old and he himself is pushing 60. Not cool.

2. Jai White is completely wasted (again!) and wears a suit all the time...?

3. The script is weak and the direction is terrible. Even the action scenes seem "off" by a few seconds here and a few seconds there.

Could have been so much more. The opening is the best part and is downhill from there. Perlman is great. but he never gives less than a great performance anyway.