Skin Trade

Great casting, cinematography and choreography, but the directing and/or editing wasn't that great, and the screenplay certainly needed some fine-tuning. The score was annoying and too evident. The runtime and pacing were decent. Nevertheless, it was actually better than I expected.

Every inch of 'Skin Trade' feels like a B-movie, but the good thing is that it doesn't try to pretend to be more. A passion project of Dolph Lundgren who started work on its script close to eight years ago, it knows exactly what buttons to push to get its core audience satisfied even as it tries to shed light onto a matter close to his heart, i.e. that of human trafficking. So if you're expecting a very angry Lundgren on a revenge rampage, or a mano-a-mano between Lundgren and Tony Jaa, or a similar one-on-one between Tony Jaa and Michael Jai White, we can reassure you that you won't be disappointed.

A brief prologue establishes the mechanics of Viktor Dragovic's (Ron Perlman) despicable business – under the guise of offering them employment, the former Serbian national's fourth son Janko (Leo Rano) and his accomplices lure gullible village girls from Thailand, Cambodia and Laos to leave their homes and journey to the city, where they are subsequently drugged and shipped to America and Europe to be sold as sex slaves. Lundgren's Newark police detective Nick Cassidy is tracking Viktor's latest shipment in order to apprehend him and his sons, while Jaa plays a Thai police officer Tony who is onto the same case from further down the food chain.

Their paths cross after Viktor is let loose upon diplomatic pressure and skips town, seeking refuge in a corrupt general's mansion near the Cambodian border. Unfortunately for Nick, Viktor's sons manage to get to his family before fleeing town, so after regaining consciousness from an RPG strike on his house, Nick decides to take his quest for revenge to Viktor. Thanks to Michael Jai White's rogue government agent Reed, Nick is framed for the murder of Tony's partner soon after setting foot on Royal Thai soil. Of course, who's good and who's bad will become clear quite quickly, but Lundgren and his co-writers have specifically engineered enough twists and turns precisely to fulfil their audience's expectations to see each one of the marquee action stars have a go at the other.

Much of the heavy lifting here is done by Jaa, whose speed and agility has not dimmed one bit since his 'Tom Yum Goong' and 'Ong Bak' days. While his Hollywood debut in 'Fast and Furious 7' may have been overlooked because of the crowded ensemble, Jaa's lead turn here will definitely not go unnoticed. His one-on-one with Lundgren in an abandoned warehouse is the film's halfway high-water mark, pitting a lean mean warrior against a much hulkier opponent – though there is no question in our minds just who is the one that is the better fighter.

It is no wonder then that Jaa is the one chosen to take on Jai White, the latter a much worthier opponent than Lundgren skilled in the art of kickboxing not unlike Jean Claude Van-Damme in his heydays. The fight between them is brutal and ferocious, choreographed specifically to illustrate the strengths of either actor, and next to the noisy and overblown finale at a remote airstrip that it precedes, is easily the climax that the film deserves to be remembered for. Indeed, while a sizeable amount of the limited budget on which the film is made for has been reserved for explosions and other fireballs, it is the raw thrill of seeing these natural born fighters go at each other knuckle-to-knuckle that is where its charm lies.

And in that regard, Lundgren deserves more credit than what may be apparent. It is no doubt thanks to Lundgren that we get to see Jaa in such a significant capacity – not only in a movie that respects the actor's Oriental roots but also one that gives him a role with both the breadth and depth for Jaa to showcase his abilities as an actor and as an action star. It is probably also thanks to Lundgren that the likes of Jai White, Ron Perlman, Peter Weller and Cary- Hiroyuki Tagawa have come together in the same film, a combination that is any self-professed B-action movie fan's wet dream. And it is Lundgren who manages to pull a movie with so many potential clichés together in a respectable fashion – as the latter scenes demonstrate, its director Ekachai Uekrongtham has a long way to go in learning how to stage a proper action sequence.

Like we said at the beginning, 'Skin Trade' doesn't pretend to be more than what it is – and much as there is a social message in here, it never tries to drive it too hard. Indeed, it is precisely by embracing its B-movie roots that it truly delivers, not just in the fact that it makes no compromises in keeping its action hard- hitting but also by ensuring that its actors are right up there without any doubles performing each and every one of the stunts. More than sex, that is the skin trade which truly matters, and which we suspect its audience will be more than happy to partake in.

Obviously just going through the list of names should and will get people excited (who are into the action genre that is and know their favorites). Having Dolph "team up" with Tony Jaa is a great move. Though it doesn't really matter which side of the law people are, based on the decisions they make during the course of the movie. Which also means, there is quite a bit of fighting ahead of you.

Ron Pearlman does a good job with his accent (playing a Serbian) and there is one particular fight scene (about 20 minutes before the movie ends) that is really good. But there are also cuts in the movie that seem to take note on the "jump cut" book, but don't really work. The overall story is easy to tell, the core of it is something that unfortunately is happening all over the world.

Also Tony Jaas English performance was captured a lot better in Fast 7, there are some weird lines he has to deliver here (not convincingly then). Decently made then, but could've been better

aHere's a movie of it's worn ilk, that comes off better than you think it will, thanks to some nice little plot differences, it's realistic end, a surprise, leaving a kind of sting in your tale. Face it. There's been so many movies on Human Trafficking, almost more than I've had hot dinners. ST is almost a fresh take on these movies. An aging Dolph who heads a task force against human trafficking, butts heads with a slave trade owner (Ron Pearlman, a nice choice of casting) who in an act of family revenge, (think The Punisher) kill's his beautiful half Asian wife (what a waste) and supposedly daughter. Lundgren's not the only aging actor. His boss and friend, is an almost bald Peter Weller, who looks (pardon me) bloody awful. We also don't have a team player in this task force. Lundgren's furious and no holds barred vendetta to kill Pearlman, becomes the driven plot, in what is an engaging and well made action pic, with not just action to boot. Dolph's force is not the only ones with eyes on Perlman. A Japanese task force is also in operation, a female colleague, working undercover as one of the bought girls. Lundgren's rage and wild antics of course, jeopardizes the Asian operation, headed by Tony Laa. When Dolph enters their territory, being mistaken for the guy who shot Laa's partner and close friend, now he too becomes fueled with revenge. Cary Haya Tagawawa co stars as a another corrupt force and we see a familiar Asian face, at the start, we've seen in too many of these movies, again playing a low down pimp. Skin Trade is exciting action entertainment, a few notches better than others in this weathered slave trade/genre. Don't snub it just cause of it's stereotypical appearance.

What's extra entertaining about SKIN TRADE is knowing that 57-year old Dolph Lundgren gets to fight Hellboy a.k.a actor Ron Perlman and Spawn a.k.a actor Michael Jai White, and that Ong Bak dude, Tony Jaa, in this one movie. All joking aside, with all of the superpowered superhero movies out there that keep bombarding our theaters every weekend, it's a nice change for us action fans to receive something like SKIN TRADE, a throwback to those 80s R-rated brutal B action flicks that you and I grew up watching.

In this Ekachai Uekrongtham-directed film, co-scripted and co-produced by Lundgren, a tough NY Cop named Nick (Lundgren) is on a task to hunt down Russian mob and human trafficking kingpin Viktor (Ron Perlman) but in the process, Nick kills Viktor's son and of course, that comes with a retaliation, such that forces Nick to go all the way to Bangkok, the hub of Viktor's activities. Meanwhile, a Thai detective (Tony Jaa) is made to believe that Nick is the bad guy until he learns otherwise. Then they team up to terminate Viktor's human trafficking business OK, I admit, the plot is very thin and if you've seen Liam Neeson's "Taken" a thousand times (the first movie, not the sequels that blew) then the concept of SKIN TRADE is nothing new, in both cases you have this very hard pressing and present modern slavery problem as the background, but most of the time, the action takes a front seat. It's a treat to see Lundgren duke it out with Tony because they have different styles, and the fight choreography itself is more intense than Lundgren Vs. Jet Li in "The Expendables" movie. I think the way the production utilizes the streets of Bangkok is very intricate. The sequences are fast-paced and brutal. You can't help but be impressed at the fact that after all these years, even when his better days and better movies are way, way behind him, Dolph Lundgren managed to get something like SKIN TRADE made just to satisfy us old school action fans Read more at Ramascreen.Com