Ip Man - Nace la Leyenda

Producer Checkley Sin had long wanted to make a movie about Ip Man, but it wasn't until he met veteran producer Raymond Wong that his plans came to fruition. Raymond brought on board undeniably the two most crucial elements that made Ip Man and Ip Man 2 such resounding successes- lead star Donnie Yen and action director Sammo Hung. With newfound interest in the subject and his newfound credibility, the real-life Wing Chun practitioner and disciple of Ip Chun (eldest son of Ip Man) has finally been able to make his own movie about Ip Man- without for that matter, Donnie or Raymond.

"Ip Man: The Legend is Born" takes place before the first Ip Man movie and chronicles the younger days of the Wing Chun pugilist. From a young age, Ip Man was already learning Wing Chun from Chan Wah-Shun (played by Sammo Hung), and then subsequently from Leung Bik (played by Ip Chun) when his father sent him to Hong Kong's St Stephen's College to study. Unlike the first two movies which arguably took some creative liberties with Ip Man's story, this prequel tries to be a more accurate biography of the life of the Grandmaster.

I say more accurate because audiences should know that though this film takes itself very seriously, sometimes too seriously, as a biography of Ip Man, it is only a semi-biography. Those familiar with Ip Man's history will immediately know that he had no adopted brother by the name of Ip Tin- Chi (played by Louis Fan Siu-Wong) and by extension, no romantic triangle with Tin-Chi and a fellow disciple (Rose Chan). Why these characters were added into the film becomes clear only much later- but this also ultimately proves to be its undoing.

For almost two-thirds of the film, director Herman Yau sets up an interesting premise about the rivalry between descendant schools of the same martial arts form. Leung Bik was in fact Chan Wah-Shun's elder fellow-disciple, and son of Wah-Shun's master Leung Jan. When Ip Man returns to Foshan after learning a modified form of Wing Chun from Leung Bik, Brother Chung Sok (Yuen Biao) who is in charge of the Wing Chun school after Wah-Shun's passing objects to Ip Man's new techniques and declares those movies unfitting to be called Wing Chun.

The opposition among different schools of Wing Chun is no doubt an interesting and in fact prescient topic to explore, considering how the number of Wing Chun schools would have increased dramatically in recent years following the success of the Ip Man movies. How many of them can claim to be teaching authentic Wing Chun? Have the techniques been modified over the years? Does any form of refinements in fact dilute their essence? Despite a promising discourse on the subject between Chung Sok and Ip Man, screenwriter Erica Li abruptly casts the matter aside in favor of more dramatic tension by way of Ip Man and Ip Man 2.

Ah yes, both Ip Man and its sequel advocated a strong sense of nationalistic pride for the Chinese as Ip Man fought against the Japanese in the first movie and the 'gwai-los' in the sequel. The threat of the Japanese is once again revived in this prequel- which accounts for the sudden change in tone in the last third of the film- as someone close to Ip Man turns out to be more than meets the eye. Yes, the filmmakers have tried to work in a twist at the end, but it is not only rushed, it is also unconvincing.

It doesn't help that the climax is only barely more interesting than the rest of the unspectacular fight sequences in the movie. Though the film tries to showcase some rarely before seen Wing Chun techniques, these are lost amidst a bland performance by Dennis To. He may bear the physical resemblance to Donnie Yen, but Dennis lacks Donnie's screen charisma and acting prowess. Obviously imitating Donnie's understated performance as Ip Man, Dennis takes it one step too far by not injecting enough emotion especially in the fight sequences. Sure Dennis can fight, but by playing it too low-key, one never gets the sense that Ip Man is in any sort of real trouble.

But really, the fault isn't with Dennis since neither director Herman Yau, screenwriter Erica Li nor of course producer Checkley Sin seem adventurous enough to move out of the shadow cast by the earlier two Ip Man movies. So the cast remains largely similar (except for swapping of roles), the theme remains largely similar and Dennis tries to portray similarly Donnie Yen's performance as Ip Man. That's a shame- given that there is much wasted potential here that could have been used to take this prequel in a bold new direction away from the earlier films. This prequel could very well have taken a leaf from its own advice from Ip Man to Chung Sok- without change, how can there be progress? Indeed, how true.

I had heard positive things about the Ip Man films and I generally have found Donnie Yen to be an enjoyable and engaging martial arts star so, sight-unseen I decided to check out the sequel when the chance came up on an airplane recently. That it turned out to be a prequel to the original film didn't really bother me, since I didn't really have any expectations on the film in this regard and the lack of Donnie Yen didn't really bother me either (albeit this was because I expected the film to transition to him as the film progressed in time!).

Anyway, the story here sees the rise of Man as he is trained up from a child, adapts his style thanks to input from the brother of his former master before returning to his original school to find shadowy plans from a Japanese influence moving into the area and making deadly political power moves. The plot generally does enough to provide a structure for the action sequences, but there is really nothing more to it than that. It had the potential to build character development and thus character tensions as well as making the most of the local political machinations and deceptions to add to the tension, but it doesn't really do either of these because it doesn't seem interested in making this more than a frame. It is still a semi-decent frame, but it is only a frame.

In terms of fight sequences the film is also decent enough without being thrilling. The individual fights are well choreographed and are filmed without the frantic editing that western films often use to cover up that the cast are only able to do one move at a time – here the performers are the ones with the skill, not just the editors. This isn't to say that they are thrilling though, but at least they are impressive in terms of technical skill. It isn't till the final fight where a bit of passion and danger gets into the film, prior to this it is noticeably lacking and it did mean I was "watching" the action rather than getting into it. Although a lot of this feeling is from the film as a whole, a good chunk of it has to rest with Yu-Hang because he is frankly dull. In the same way Seagal tends to have the same expression in all manner of scenes, so Yu-Hang tends to have a slightly simple bland expression whether he is fighting off sideshow bullies or talking with a girl he likes. I imagine if I'd seen Yen in the first film, this comparison would be unbearable because, even on its own merits he is a remarkably bland presence in the lead. Sammo shows up so briefly you wonder why he bothered apart from being a known name to help sell the film. The rest of the younger cast are pretty average as well – skilled for sure, but mostly bland or limited; the only performance that really stuck in my mind was the girl who played the Japanese general's daughter) as she showed some colour and heart in the (albeit one-note) character she had.

Overall Ip Man Legend is a solid martial arts film which delivers solid fight sequences in a so-so plot populated by mostly bland or limited performances. It carries itself with a rather worthy air that doesn't help escape the feeling of being a bit of a trudge, but it is still an "OK" film although nothing more than that.

"The Legend Is Born: Ip Man" is a film which chronicles Ip Man in his teenage years which focuses much on his learning of Wing Chun. The film is a prequel to the previous two Ip Man films which starred Donnie Yen as the titular character of Ip Man. Now, the star has been changed and the film has gotten a different style.

First, let me tell you about the cast. The cast choosing here in this movie can be called really bizarre. Dennis To who became a temporary minor antagonist on "Ip Man 2" became the teenage titular character in this prequel. That totally got me shocked. It's so rare to see such happening. Then, we have some of the same cast used in the previous Ip Man films on a different role such as Sammo Hung (plays the teacher of the teenage Ip Man) and Louis Fan (plays the brother of Ip Man). That was really confusing. But, something surprised me. A character named Leung Bik was played by the son of Ip Man no other than Ip Chun.

Secondly, there are quite a lot of perspectives. There are around six perspectives here which really got me confused. There's one from Ip Man, then one for his brother, his love, his other jealous love and the enemy. It really got my mind turning around.

Next, the special effects were kind of cheesy. There were two scenes that showed a train leaving somewhere to somewhere. You know that those trains produce smoke. The smoke was pretty fake as it didn't suit the background. It was not good.

The acting of the characters. Not bad. Dennis To on Ip Man was not bad at all. The others were also normal. Just like a normal movie. The emotions were well acted by the actors.

Then we have the action scenes. They were also well directed. But, I still say the previous two films related to Ip Man still had better action scenes than this prequel. The moves were less cooler than the previous two pictures. But, it's not really cheesy. Not a problem.

This movie has a different style. It has a different theme. "Ip Man" and "Ip Man 2" had the theme where the people were seeking freedom (although "Ip Man 2" was not totally about seeking freedom). Whereas, this movie has a different theme of love. For me, the freedom theme from the previous two films is only a small percent of the film. The directing and division of the emotional moments are also differently set.

There's also another confusing thing. If you've watched "Ip Man" and "Ip Man 2", you might notice that the titular character of Ip Man doesn't know English at all. He didn't even speak any word in English language. But, in this PREQUEL, he is able to speak English quite fluently. He also spoke to an English or American person in this movie. That was strange and that totally made my mind confused too.

Well, the movie provided some sad moments too. But, they were not so sad, they were only like 40% sad moments for me. But, if you're easy to cry, you might want to just provide a piece of tissue in case you have tears flowing down your face.

The movie is different from the previous two Ip Man related films. I say this is worse than the previous ones. I'm not really satisfied with the result of the film. The previous films were much better than this. But, this movie might just entertain you with its action scenes. I half- heartedly recommend you this movie. It's still entertaining to be watched and not really a waste of time. 6 stars for this movie.

There has been a heap of movies about legendary Kung Fu master Ip Man in recent years, and each does portray a slightly different character.

With that said, then this 2010 version portrays the early years of Ip Man. And while being a newcomer to a lead role, then Yu-Huang To did manage to put on a persuasive and good performance of a young Ip Man. And his performance was good in martial arts and acting alike.

The story was good and captivating, and it does offer a good variety of drama, action, intrigue and romance, all mixed together in a manner that worked out quite well.

Being a martial arts movie, then the martial arts is crucial, and it needs to be impressive, well-choreographed and most importantly well-executed. The martial arts in this movie was good and varied; from street fights, playful sparring and deadly brawls. It was well-performed and looked impressive. And the movie was relatively free of 'Wire Fu'. There were some disappointing transitions into 'Wire Fu' though, which was a shame.

"The Legend Is Born: Ip Man" (aka "Yip Man chin chyun") has some good names on the cast list, including Yu-Huang To, Sammo Hung and Biao Yuen, to name but a few. Most impressive, though, is the fact that they got Ip Chun to be in the movie.

If you like Hong Kong martial arts movies, then "The Legend Is Born: Ip Man" is definitely well-worth watching.

Being this is a time based prequel to the first film it sets the tone of how Kung Fu Sifu became the legend he is IP MAN. The plot and story were enticing as it brought the viewer into the life he led prior to becoming a master. It was a action filled film with very well choreographed fight scenes.

The strength of the film lies within the story of the political ties to the school and how the Japanese tried to infiltrate to have double agents learn the art. Ip Man would not stand for this and took on the Japanese agents and became a direct link to his mastery. If you have an affinity to the martial arts and how Wing Chun became the style of Ip Man the you will enjoy the format of this film. I give it a solid 8/10