CALIFICACIÓN DE IMDb
5.3/10
22 k
TU CALIFICACIÓN
Tras ser rescatada, envían a una desafortunada reportera de televisión a un viaje transocéanico, pero el virus mortal que la ha atormentado junto a muchos otros la sigue de cerca.Tras ser rescatada, envían a una desafortunada reportera de televisión a un viaje transocéanico, pero el virus mortal que la ha atormentado junto a muchos otros la sigue de cerca.Tras ser rescatada, envían a una desafortunada reportera de televisión a un viaje transocéanico, pero el virus mortal que la ha atormentado junto a muchos otros la sigue de cerca.
- Dirección
- Guionistas
- Elenco
- Premios
- 2 premios ganados y 11 nominaciones en total
María Alfonsa Rosso
- Invitada Boda
- (as Mª Alfonsa Rosso)
Khaled Kouka
- Seguridad 2
- (as Khaled Kouka Ajmi)
Amadeo Rodríguez
- Seguridad 3
- (as Amadeo Rodríguez 'Drako')
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
While the first REC was a very atmospheric, genuinely scary movie with some new genre elements added, especially in the way the action was captured, by now the REC series has slipped into the cliché trap.
This time around it's zombies on a boat. The director tries to emanate the claustrophobic feeling of a setting like the isolated camp in The Thing, but falls short.
The production is quite good for a horror movie, especially the acting stands out, but one can not help but feeling this is a cash machine franchise that has been milked too far by now. It's still a far better production than most straight to video horror flicks, but by now REC is not the captivating (low budget) horror sensation of the first movie, it's slightly better than run of the mill zombie movies.
Not essential and only if you are a big fan of the series.
This time around it's zombies on a boat. The director tries to emanate the claustrophobic feeling of a setting like the isolated camp in The Thing, but falls short.
The production is quite good for a horror movie, especially the acting stands out, but one can not help but feeling this is a cash machine franchise that has been milked too far by now. It's still a far better production than most straight to video horror flicks, but by now REC is not the captivating (low budget) horror sensation of the first movie, it's slightly better than run of the mill zombie movies.
Not essential and only if you are a big fan of the series.
It's a good go-ahead but a bad one. The film is about Angela's story after she escaped the building. The surprises inside the film obviously liked it. Especially the images shown from the 1st and 2nd movies were beautiful. It's really ridiculous in some parts of his fiction. The end result is the same as many virus-related films. Apart from the first one, I would say that three other films were definitely shot for money.
The reason is that I think the concept of other films is more action oriented. If you do not watch movies other than the first REC.
⭐ 100/50
⭐ 100/50
(TIFF'14 Intro) The film premiered as part of the midnight madness lineup. Jaume Balagueró and Manuela Velasco introduced the movie. Velasco announced that this would be her first time watching the movie as well. Balagueró thanked a bunch of people involved and restated that this is the final movie in the series, and effectively ends the story.
(Review) I'm a huge fan of the first two Rec movies. The first one is widely considered a genre buster, invigorating the hand-held found footage genre. The second one managed to build on the original, while delivering some truly intense moments and hitting all the high marks. They were intelligent, smart films, a rarity in horror movies. However, Rec 3 was a truly awful mess and thankfully not really canon (you can pretend it never happened). While directors Jaume Balagueró and Paco Plaza collaborated on both Rec 1 and 2, they decided to split up directorial duties among the last two films. After sitting through a painful viewing of Plaza's Rec 3, I could only conclude that the talent and potential gleamed in the first two films must lay with Balagueró. With that in mind, I had pretty high expectations for Rec 4.
The movie opens (seemingly) moments after the end of Rec 2. The apartment building returns to set up the script before the film shifts to the interior of a cramped oil tanker, with hardly any transition. It is by doing this that Balagueró masterfully switches out one claustrophobic stage for another, without ever giving the audience a moment of relief, or the characters, any reprieve. After a slow-burn first act, the action kicks into high gear as we are told the hope for saving, or destroying the virus lies on that oil bunker. Balagueró is a true horror movie buff, and Rec 4 is littered with references from all over the genre: movies (Aliens, RE, Deep Impact) and games (RE Revelations). Speaking of the horror movie elements, the zombie/demons look and sound more authentic than ever. And as for the new entry in the enemy roster, well, it might seem a little gimmicky but it works and Balagueró has a lot of fun with it (Everybody cheered as Angela Vidal screamed M******!). I'm not sure if this would be the goriest entry in the franchise, but it certainly delivered in that department, especially once the final act kicks in, which is, more or less, an intense bloodbath in true Rec style: Never letting up until the end, yet sprinkling the final act with small moments of black comedy. The most pleasant surprise were the characters. Fleshing out characters is hardly a priority in most horror scripts, but Rec 4 surprised me by turning the tables on usual stereotypical characters, and by the end, I was rooting for the unlikeliest of them. And I loved that about this movie. The whole thing is propelled forward by an amazing score and excellent sound work.
The bad? Balagueró has to work with narrow halls and almost no corners (sadly he could not construct the hallways around his shots like James Wan did for The Conjuring) and as such, the shots are tight and cramped. I was onboard with the directors' decision to move past hand-held, but that does not seem to have helped with shakycam. And while the movie captures some moments of pure intense action and manages to outdo Rec 3 in every way possible, it does not twist the genre like the first two films did, nor will it blow you out of the water.
In the end, Rec 4 is a satisfying, gory, visceral and intense conclusion to a great and (mostly) unique series. While the first two movies were made with the aim of creating genre-busters, Rec 4 is made for the fans who've followed the series, and Angela Vidal from the start. And you will not be disappointed.
(Review) I'm a huge fan of the first two Rec movies. The first one is widely considered a genre buster, invigorating the hand-held found footage genre. The second one managed to build on the original, while delivering some truly intense moments and hitting all the high marks. They were intelligent, smart films, a rarity in horror movies. However, Rec 3 was a truly awful mess and thankfully not really canon (you can pretend it never happened). While directors Jaume Balagueró and Paco Plaza collaborated on both Rec 1 and 2, they decided to split up directorial duties among the last two films. After sitting through a painful viewing of Plaza's Rec 3, I could only conclude that the talent and potential gleamed in the first two films must lay with Balagueró. With that in mind, I had pretty high expectations for Rec 4.
The movie opens (seemingly) moments after the end of Rec 2. The apartment building returns to set up the script before the film shifts to the interior of a cramped oil tanker, with hardly any transition. It is by doing this that Balagueró masterfully switches out one claustrophobic stage for another, without ever giving the audience a moment of relief, or the characters, any reprieve. After a slow-burn first act, the action kicks into high gear as we are told the hope for saving, or destroying the virus lies on that oil bunker. Balagueró is a true horror movie buff, and Rec 4 is littered with references from all over the genre: movies (Aliens, RE, Deep Impact) and games (RE Revelations). Speaking of the horror movie elements, the zombie/demons look and sound more authentic than ever. And as for the new entry in the enemy roster, well, it might seem a little gimmicky but it works and Balagueró has a lot of fun with it (Everybody cheered as Angela Vidal screamed M******!). I'm not sure if this would be the goriest entry in the franchise, but it certainly delivered in that department, especially once the final act kicks in, which is, more or less, an intense bloodbath in true Rec style: Never letting up until the end, yet sprinkling the final act with small moments of black comedy. The most pleasant surprise were the characters. Fleshing out characters is hardly a priority in most horror scripts, but Rec 4 surprised me by turning the tables on usual stereotypical characters, and by the end, I was rooting for the unlikeliest of them. And I loved that about this movie. The whole thing is propelled forward by an amazing score and excellent sound work.
The bad? Balagueró has to work with narrow halls and almost no corners (sadly he could not construct the hallways around his shots like James Wan did for The Conjuring) and as such, the shots are tight and cramped. I was onboard with the directors' decision to move past hand-held, but that does not seem to have helped with shakycam. And while the movie captures some moments of pure intense action and manages to outdo Rec 3 in every way possible, it does not twist the genre like the first two films did, nor will it blow you out of the water.
In the end, Rec 4 is a satisfying, gory, visceral and intense conclusion to a great and (mostly) unique series. While the first two movies were made with the aim of creating genre-busters, Rec 4 is made for the fans who've followed the series, and Angela Vidal from the start. And you will not be disappointed.
It is our belief that about ten years removed from the end of the franchise that the REC films will be considered horror classics that delivered from first entry until last. The first REC was released in 2007 and followed a television reporter and a cameraman as they accompanied emergency workers who were called to an apartment complex where a terrifying outbreak had been reported. Produced and shot in Spain, the film was interesting enough for Hollywood studios to remake the film with Jennifer Carpenter in 2008.
REC2 followed in 2009 and put a whole different slant on things. What we thought was an outbreak of a disease was brought into question. A possibility of demonic possession was introduced as a potential cause for the horror and this twist added multiple layers to an already engrossing story.
REC3 was an all-out blood fest. The setting was moved from the interior of a dark building to what was supposed to be a joyous wedding. As the wedding party fights for their survival, the red messy stuff covers the screen in an absolute gem of a whimsical horror film.
And as all good things come to an end, we have REC4 to close the books on the franchise. The setting is again changed for the third sequel. Our survivors are now fighting within the confines of an ocean liner where the zombie/rage-induced hordes. Manuela Velasco again plays Angela – the lone survivor of the REC2. It is her awakening on a high-security facility floating on the ocean that catapults the story.
Angela is able to team up with a small group of survivors and together they use just about every tool or weapon not nailed down on the ship to fight off the apocalypse and ensure their survival. Jaume Balagueró, who co-directed REC and REC 2 with Paco Plaza (Plaza directed REC 3 solo), returns to helm the fourth instalment of the saga and finish the series off with a spectacular and bloody bang.
There is a tremendous amount of fun to be had in REC4. The floating vessel is the perfect setting to induce a claustrophobic and seemingly hopeless feel. The kills in the REC series have gotten more and more flamboyantly violent in cartoonish escalation and REC4 has some kills that had our packed house audience clap and cheer in unison with its execution.
There are some interesting turns in the overall story arch some which are fun and others are almost groan inducing. The characters in REC4 are not as interesting as the other installments and once every character was trotted out, I was dead on in my assumption as to who would make it to the closing credits. Still, this is horror. Fans of the genre and the series are sure to find enough in REC 4 to make the experience enjoyable. The series never really lost steam from its opening in 2007 as it reinvented itself a few times along the journey. This journey is just bloody fun.
www.killerreviews.com
REC2 followed in 2009 and put a whole different slant on things. What we thought was an outbreak of a disease was brought into question. A possibility of demonic possession was introduced as a potential cause for the horror and this twist added multiple layers to an already engrossing story.
REC3 was an all-out blood fest. The setting was moved from the interior of a dark building to what was supposed to be a joyous wedding. As the wedding party fights for their survival, the red messy stuff covers the screen in an absolute gem of a whimsical horror film.
And as all good things come to an end, we have REC4 to close the books on the franchise. The setting is again changed for the third sequel. Our survivors are now fighting within the confines of an ocean liner where the zombie/rage-induced hordes. Manuela Velasco again plays Angela – the lone survivor of the REC2. It is her awakening on a high-security facility floating on the ocean that catapults the story.
Angela is able to team up with a small group of survivors and together they use just about every tool or weapon not nailed down on the ship to fight off the apocalypse and ensure their survival. Jaume Balagueró, who co-directed REC and REC 2 with Paco Plaza (Plaza directed REC 3 solo), returns to helm the fourth instalment of the saga and finish the series off with a spectacular and bloody bang.
There is a tremendous amount of fun to be had in REC4. The floating vessel is the perfect setting to induce a claustrophobic and seemingly hopeless feel. The kills in the REC series have gotten more and more flamboyantly violent in cartoonish escalation and REC4 has some kills that had our packed house audience clap and cheer in unison with its execution.
There are some interesting turns in the overall story arch some which are fun and others are almost groan inducing. The characters in REC4 are not as interesting as the other installments and once every character was trotted out, I was dead on in my assumption as to who would make it to the closing credits. Still, this is horror. Fans of the genre and the series are sure to find enough in REC 4 to make the experience enjoyable. The series never really lost steam from its opening in 2007 as it reinvented itself a few times along the journey. This journey is just bloody fun.
www.killerreviews.com
The fourth & final instalment in the REC franchise, REC 4: Apocalypse concludes the horror that began in 2007 with REC, which still remains one of the scariest horror flicks ever made, was followed by an inferior yet effective sequel in 2009 before hitting an absolute low with a needless third entry that was more a spin-off than a sequel and replaced the nerve-racking tension of the first two films with elements of comedy to serve as a parody of the series.
With REC 4, the tense & claustrophobic atmosphere of the first two films makes its return & so does the ever-adorable Manuela Velasco. Set right after the events of REC 2, the story of REC 4: Apocalypse follows Ángela Vidal who after being rescued from the doomed building is taken to a ship, that's miles off the shore, for further examination. However, things are set in motion when a test subject escapes from the lab and ends up infecting the ship crew.
Co-written & directed by Jaume Balagueró, REC 4 discards the found footage style that was so expertly employed in the first film and replaces it with conventional photography but with that, the effectiveness of those chaotic, frenzy camera-work also diminishes. It still uses the shaky cam technique but it fails to recreate the same chilling vibe of the original. The story isn't compelling enough for a final chapter and what Balagueró has done with Ángela's arc is just absurd.
Despite picking up the story from where it left off in the second chapter, REC 4 spends too much time in setting up its premise by introducing characters no one gives a damn about, and even when the terror begins, it's all poorly executed. The scares are cheap & ineffective and the film as a whole feels more like a generic action flick than a visceral horror. It's good to have Manuela Velasco back but her character undergoes a sudden transition which never works in the film's favour.
On an overall scale, REC 4: Apocalypse is definitely a step up when compared to the turd that was REC 3: Genesis, is similar in look & tone to the first two chapters of the franchise and although by no means it is a fulfilling conclusion of the series, there is no denying that it could've been much worse. Failing to completely tie up all the loose ends, leaving a few questions unanswered and utterly devoid of any scares, REC 4 may not be a total disaster but it's still finishes as a forgettable finale.
With REC 4, the tense & claustrophobic atmosphere of the first two films makes its return & so does the ever-adorable Manuela Velasco. Set right after the events of REC 2, the story of REC 4: Apocalypse follows Ángela Vidal who after being rescued from the doomed building is taken to a ship, that's miles off the shore, for further examination. However, things are set in motion when a test subject escapes from the lab and ends up infecting the ship crew.
Co-written & directed by Jaume Balagueró, REC 4 discards the found footage style that was so expertly employed in the first film and replaces it with conventional photography but with that, the effectiveness of those chaotic, frenzy camera-work also diminishes. It still uses the shaky cam technique but it fails to recreate the same chilling vibe of the original. The story isn't compelling enough for a final chapter and what Balagueró has done with Ángela's arc is just absurd.
Despite picking up the story from where it left off in the second chapter, REC 4 spends too much time in setting up its premise by introducing characters no one gives a damn about, and even when the terror begins, it's all poorly executed. The scares are cheap & ineffective and the film as a whole feels more like a generic action flick than a visceral horror. It's good to have Manuela Velasco back but her character undergoes a sudden transition which never works in the film's favour.
On an overall scale, REC 4: Apocalypse is definitely a step up when compared to the turd that was REC 3: Genesis, is similar in look & tone to the first two chapters of the franchise and although by no means it is a fulfilling conclusion of the series, there is no denying that it could've been much worse. Failing to completely tie up all the loose ends, leaving a few questions unanswered and utterly devoid of any scares, REC 4 may not be a total disaster but it's still finishes as a forgettable finale.
¿Sabías que…?
- TriviaIf you watch [REC] (2007), [REC] 2 (2009) and this film back to back without watching the end credits, the three movies would play out as one entire sequence of events.
- ErroresThe boat motor that is being used as a weapon and also to propel the escape raft has no fuel source.
- Créditos curiososThere's a scene during the end credits.
- ConexionesFeatured in [REC] 4: Making of (2015)
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- How long is [REC] 4: Apocalypse?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- EUR 3,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 837
- Fin de semana de estreno en EE. UU. y Canadá
- USD 708
- 4 ene 2015
- Total a nivel mundial
- USD 4,915,757
- Tiempo de ejecución1 hora 35 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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By what name was [REC] 4 - Apocalipsis (2014) officially released in India in English?
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