Lo imposible

Maria (Naomi Watts) and Henry (Ewan McGregor) are on vacation with their three young kids in Thailand. It's a picture perfect trip at a coastal hotel. Suddenly a tsunami hits and the family is scattered.

Naomi Watts gives a harrowing performance. It's a true life story of a family dealing with the 2004 Christmas Indian Ocean tsunami. The action scenes are unbelievable. The scale of it all and the danger it depicts is truly realistic. The performance that Naomi gives is absolutely Oscar worthy. She is truly believable as a mother fighting for her life as she loses track of her family. There are a lot of tear jerking moments here. Some of them pushes a little too far. But it never gets completely fake. Ewan McGregor plays the father who has an incredible scene with a cell phone. Highly recommended.

At first I did not think this movie was something I would like to see. I felt it would be one of those movies that once the disaster happened it would become dis-interesting and would be boring the second half of the movie. I am very happy I had the opportunity to see it. The only reason I did not give it a 10 was I thought the character build up was a little shallow. I would have liked to get know the family a little better before the disaster. Other than that I feel that the movie was fantastic. Once the inevitable happened the film kept my interest and was very compelling throughout. The special effects were realistic and not over done. I wish foreign movies like this would make a bigger release in the United States to show Hollywood how to make a movie especially a true story movie. I felt when I was watching this film that I was seeing it actually happening with no to very little exaggerations. That is where I feel Hollywood falls short and puts allot of drama in a film that really did not occur in the true event. If there were exaggerations in this movie they were seamless and not over done. If you have a chance to see this movie I feel it is "a must see movie" you will not be disappointed.

I checked this movie out because of the actors, and damn did they deliver. Ewan McGreggor and Naomi Watts are superb, as always, but it's Tom Holland (in his first breakout role) that steals the show. Arguably, he's the central character (although all three of those actors take center stage at various times), and he easily showcases a star on the rise.

The film itself is a sucker punch. It hits hard and keeps you hooked either through suspense or heartache. One caveat though: this is by far the most intense and difficult PG-13 film I've ever seen. I'm sure it was rated R until it was toned down for the MPAA, and it probably squeaked by with it's PG-13 rating by only a hair. If you're have difficulty with reality based trauma or are in a headspace that might not tolerate this well, give it some time before you see it--it doesn't hold back what being in a tsunami would feel like. I actually thought it WAS rated R until I checked out the IMDb page.

Overall, this is a good watch and a story that should be seen.

A film that captures real life the way J.A. Bayona captures it in his newest film The Impossible is a rare occurrence in filmmaking. Not only does he pay respect to the countless victims that were lost in the devastating tragedy, he makes artistic choices and liberties only the most seasoned directors can take. Starring Academy Award Nominee Naomi Watts and Ewan McGregor, the film tells the TRUE story about a family vacationing in Thailand when one of the worst natural disasters of our time separates them.

In the opening credits of the film, Bayona tells the audience that the story is true, but what may bother viewers and critics is how coincidental and inflated the story can seem. If it weren't in fact true, the film would fail within the first few moments. It's the notion that this did occur that demonstrates and heightens the execution of Bayona and writer Sergio G. Sanchez so brilliantly. The Impossible is the most emotional and devastating picture seen since Paul Greengrass' United 93 (2006). In the first several minutes, I was already in tears. Letting up only for short breaths, I feel like I didn't stop crying the entire time. I was invested, full body and soul, riding among the victims in a frightening state of mind. I could only imagine myself there, terrifyingly so and with appreciation now that I wasn't. The brave and committed performance by Naomi Watts is the miracle of the film and possibly the entire year. Watts falls into the role of "Maria" with perfect precision and accuracy. As a person who's only been a father for a year-and-a-half, Watts puts me right in the moment of unimaginable fear and pain. An Oscar-caliber turn as I've ever witnessed. The entire first half of the film is shared with Tom Holland, a child actor that can only be described as well beyond his years. Holland is motivated and equally as afflicting as Watts. A performance like his can only lead to more roles for him in the future. Ewan McGregor, who unbeknownst to me as gone this long without receiving any type of Oscar attention is pure magic. He shows an effortless approach as Henry, a father desperate to find his family. If there's one poor criticism about the film it's the first half of the film, where Holland and Watts dominate, is so gut-wrenching and brilliant that when McGregor and his story enter the screen, it unfortunately just pales by comparison. McGregor isn't given the most of character development to chew through but it's still an admirable work.

Cinematographer Oscar Faura's orange and yellow camera work demands the utmost attention from the viewer, gaining a near first-person view of what could have been. It's a technical achievement of the highest levels. Fernando Velasquez's somber score will only build the tears even more as your catapulted through this reenactment of terror. J.A. Bayona's direction is simplistic but delivered with reverence. A fine directorial turn.

This is a film that must be experienced by all. As you lay in your cozy beds tonight, take your loved ones for granted as they walk by you, and breath the air you so blindly feel entitled to, think about if at one moment, one single moment, from now, it was all gone. The Impossible dared me to be a better human being, a notion not many films will or attempt to convey. I'll try to listen.

It's one of the best pictures of the year!

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It would be impossible to try and capture the widespread loss and destruction of this horrible, devastating event. The scope was so large and far too many people lost their lives to even attempt to portray on film. Instead, director Juan Antonio Bayona and screenwriter Sergio G. Sánchez focused smartly on the true story of one family's struggle for survival amongst all that had happened on December 26th, 2004.

This allows the film to be much more intimate, and the audience is quickly able to connect with the Bennett family, starting simply with their arrival to Thailand. While the audience was filled with dread in anticipation of what was to come, the Bennetts were blissfully unaware and enjoying themselves over vacation. However, everything soon takes a terrifying turn as the tsunami hits their resort in a horrifyingly realistic manner, sweeping up people as they attempt to flee before it or protect themselves from its awesome power.

At this point, I, too, felt like I was drowning. The camera bobs in and out of darkness, in and out of the water, as the family's matriarch, Maria, struggles for breath. Then, clinging hopelessly onto a palm tree, she screams all too realistically for anyone who could possibly help her in a desperate, surprisingly shocking moment. It is at this point where she spots her son, Lucas, floating in the fierce waves, and I held my breath as the struggled for what seemed like an eternity to reunite in the water.

In a way, Lucas, brilliantly portrayed by newcomer Tom Holland, carries the film from this point forward. He takes on the role of protecting his stubborn yet badly injured mother, and in the process he's forced to mature far too quickly. During every moment, his emotions and facial expressions convey more than any words ever could, as she shies away from and is frightened by his mother's injuries and nudity, all the while attempting to deal with the scope of the pain and devastation.

However, it is his mother, Maria, whom the film truly centers around. Naomi Watts gives quite possibly her finest performances to date, portraying harrowing desperation, stubborn determination in the face of incredible pain and agony, and, ultimately, a sense of love and care despite her deteriorating state. True, she is bedridden for about half the film, but it is during this time where there are these small moments of tenderness and humility which undoubtedly makes Watts's performance one of the best of the year.

In fact, the entire cast was exceptional, including Ewan McGregor, the father desperately trying to put together his family again, and the two littlest sons, Thomas, played by Samuel Joslin, and Simon, played by Oaklee Pendergast, both of whose innocence prevented them from thoroughly capturing the extent of this tragic event. The story of these three is intertwined with that of Maria and Lucas, as they all struggle for survive amidst the destruction and reunite amidst the chaos.

Ultimately, this is a touching and heartwarming film, as the true kindness of humanity can be seen in this time of great loss. Yes, the tsunami is terrifying, the injuries gruesome and shockingly realistic, and the pain and suffering visible on just about everyone's faces. However, the Bennetts' story is a remarkable one of love, determination, and hope, and it simply cannot be missed.