Guan yun chang

Donnie Yen is really good at Martial Arts, but you already knew that. Some don't think he's a very good actor though. But the role he has on hand here, is really serving him good. He plays a loner and that suits him very well. The action scenes are phenomenal as expected and the story is good enough (while you could argue there is too much kitsch in it, I think it's the right amount).

It's not a masterpiece, but I think it's a good movie overall, with great story points and turns that while you might expect them, they still come down crashing on you. What's also true, the movie does not loose much on a second viewing. I even liked it better the second time around, because I knew where it was heading and could see small touches in between the settings.

This film, based on a story from the 'Romance of the Three Kingdoms' opens with warlord Cao Cao attending the funeral of Guan Yu. The action then moves back twenty years; it is a time of conflict. Guan Yu has been separated from his brother and is serving Cao Cao. During a battle he slays a senior general of Cao Cao's enemy and is later tasked with escorting his sister-in-law through hostile territory; people have been ordered not to stop them but this order is frequently flouted and Guan faces many battles.

Not knowing the original story I can't say how well this film captures its essence. As a piece of entertainment I found it to be pretty good. The story isn't too complex... a good thing given that the subtitles on my DVD were quite hard to read (small and often white on a pale background). Guan moves from one action set piece to the next; each is exciting and well-choreographed. They could have felt repetitive but the action was varied. Donnie Yen does a fine job as Guan and Jiang Wen impresses as Cao Cao, Sun Li also impresses as Qilan, Guan's sister in law/ potential love interest. Overall I'd recommend this to fans of Chinese historical action films.

--This is the only thing I don't like about foreign films, is the cruelty to animals that some of them have, at At 44:49 they clearly bust the legs of a horse. This disappointed me as I was trying to get into it, finally found a martial arts movie with out people flying around. --I wish I could post something good, but the horse thing blinds me to any merits the movie may or may not have.

The subtitles are done well, costumes look good, the gals are youngish.

I just wish movies like these with killing animals in this fashion were censored or something, its not the first time i've seen modern foreign films with this kind of footage, my take is its a lot cheaper for movie makers in other countries to implement this kind of thing, instead of a lot of CGI.

I really cannot praise it enough. It is probably the best Chinese film I have seen in years, and easily one of the best period films I have seen. Of Donnie's recent films, I really cannot find a comparison, this is truly stellar. Wen Jiang is so amazingly charismatic as Cao Cao. I couldn't help but be engaged whenever he was on screen, he is probably my current favorite actor, including Hollywood. He may be the best actor in the World currently. Betty Sun is very enjoyable in her role, and added another level of depth to the story.

From the opening, I knew I was in for something special. The soundtrack, the cinematography, the acting, just excellent.

In short, if you enjoy Asian Cinema to any degree, this film will be nothing but a delight.

It took these people quite a while, didn't it? Who else did they think could don that imposing armour, wield that threatening blade and still exhibit grace and agility? Who else did they think could command enough screen presence to sport a scholarly moustache and beard? And who else did they think could take on the role of real life Han dynasty general Guan Yu who personifies courage and righteousness? The perfect candidate is none other than Hong Kong action superstar Donnie Yen, of course. After a decent success that was Ip Man (2008), Yen has been wowing his fans with his slick moves (okay, the redundant All's Well Ends Well 2011 was a breather) in one action flick after another. Here, he takes on the titular role in a historical epic drama based on one of the characters in the classic novel Romance of the Three Kingdom. A fictionalised tale set in AD 200, this high budget production has its attention on the relationship between General Guan and the infamous Cao Cao, who is out to conquer the whole of China. Despite Cao Cao's repeated attempts to recruit Guan Yu, his loyalties lie with Liu Bei, whose concubine Guan Yu has a soft spot for. The 107 minute movie follows Guan Yu as he faces treacherous ambushes while escorting the lady home to his sworn brother. Yen has proved his acting chops in works like Bodyguards and Assassins (2009) and Legend of the Fist: The Return of Chen Zhen (2010), and he delivers a decent performance here as the recognised deity in Buddhism, Taoism and Confucianism. He personifies the gallantry, trustworthiness and uprightness that Guan Yu is known for. But all eyes are on Mainland actor Jiang Wen as the tyrannical Cao Cao. The acclaimed actor steals the show with his ability to instill an intelligently sly sense of intimidation in all the scenes he appears in. Supporting characters are played by Sun Li (Fearless), Andy On (True Legend) and many other Mainland artistes (Li Zonghan, Shao Bing and Hei Zi amongst them), ensuring ticket sales in the Mainland China market. Familiar faces like Alex Fong (as Liu Bei) and Chin Siu Hou (as a slain general) also appear as cameos. The spectacular actions scenes are no doubt the highlight of this highly recommended movie. Guan Yu's famous expedition of "crossing five passes and slaying six generals" plays out in an episodic manner, with each sequence showcasing a unique martial arts style. Choreographed by Yen himself, action fans will be pleased to see various blades, spears, crossbows and arrows on display, as they come into use during the countless fight scenes. Action scenes aside, the drama is often intense and serious, with elevated dialogues written by directors Alan Mak and Felix Chong. This may not be Infernal Affairs material, but expect to be engaged in a high octane drama that features some truly intelligently dramatic lines. Those unfamiliar with the original novel may be thrown off balance with the massive setup of this period piece. But given its very impressive production values, you will be taken along for the ride. With luscious cinematography by Chan Chi Ying (Detective Dee and the Mystery of the Phantom Flame), masterful production design by Bill Lui (Lust, Caution), and an emotional score by Henry Lai (Echoes of the Rainbow), this is one Chinese production truly worth watching on the big screen.