CALIFICACIÓN DE IMDb
7.2/10
18 k
TU CALIFICACIÓN
Una mujer sometida a abusos mentales, físicos y sexuales en una isla remota busca una salida.Una mujer sometida a abusos mentales, físicos y sexuales en una isla remota busca una salida.Una mujer sometida a abusos mentales, físicos y sexuales en una isla remota busca una salida.
- Premios
- 18 premios ganados y 17 nominaciones en total
Lee Ah-In
- Kim Yeon-hee
- (as Ji-eun Lee)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
This film, of which the international title "Bedevilled" is a lot easier to remember than the original South Korean one, and its director Cheol- Soo Jang seemingly appeared out of nowhere but nevertheless left quite an impression at several internationally acclaimed film festivals around the world. Perhaps this is simply because the director is an acolyte of Kim Ki-Duk, or perhaps it's because he actually delivered a unique and hard-to-categorize motion picture that spooks through your head long after you finished seeing it. Throughout approximately 75 minutes (three quarters of the full running time), "Bedevilled" is a very slow and harrowing drama focusing on the life of one poor woman. Then suddenly, almost when you totally don't expect it anymore, the film converts into a harsh and downright savage tale of revenge and oppressed anger. The sudden transition is abrupt and shocking, but also strangely justified and efficient. One moment you're witnessing the "Via Dolorosa" of a seemingly timid and vulnerable young woman, yet the next moment this timid and vulnerable young woman is coloring the entire island blood red with a primitive sickle.
The story opens in modern day Seoul, where the egocentric and obnoxious Hae-Won is close to reaching an emotional and professional burnout. She goes on a vacation to Moodo, the island where she spent her childhood holidays with her friend Kim Bok-Nam. Kim Bok-Nam is very happy to see Hae-Won, because she thinks her friend has come to save her and her daughter, like she begged her to in all those letters. Kim Bok-Nam's life is worse than that of a slave. She's abused and humiliated by her husband and the rest of the island's population, both male and female. Another long series of events, including the disinterested reaction of her friend, slowly lead to a gigantic tragedy.
The first three quarters of "Bedevilled" may come across and dull and eventful – especially when shown at 2am on a Saturday morning in a theater full of horror junkies – but the slow pace and melodramatic atmosphere are fundamental for the film. Cheol-Soo Jang carefully takes his time to illustrate that Moodo truly is a very isolated setting, completely devoid of legislation and social evolution. The elderly intimidate the younger and the men dominate the women, probably just like the generations before them did as well. Kim Bok-Nam endured as much anger and agony as humanly possible, and this is painfully illustrated in great detail during the film's long awakening. I've rarely seen a cinematic character who's vengeance is so legitimatized and substantiated. My hat's off to debuting director Cheol-Soo Jang, scriptwriter Kwang-young Choi and lead actress Yeong-Hie Seo. Furthermore, "Bedevilled" benefices from the truly breathtaking island filming locations and staggering photography. Don't know if it's true, but I read somewhere that the location was selected out of nearly 3.000 islands surrounding the South Korean shore. The selection was based on size, nature and available facilities. Great choice, I'd say. Faint- hearted viewers beware, however, as the extended finale features a large number of grim and shocking images.
The story opens in modern day Seoul, where the egocentric and obnoxious Hae-Won is close to reaching an emotional and professional burnout. She goes on a vacation to Moodo, the island where she spent her childhood holidays with her friend Kim Bok-Nam. Kim Bok-Nam is very happy to see Hae-Won, because she thinks her friend has come to save her and her daughter, like she begged her to in all those letters. Kim Bok-Nam's life is worse than that of a slave. She's abused and humiliated by her husband and the rest of the island's population, both male and female. Another long series of events, including the disinterested reaction of her friend, slowly lead to a gigantic tragedy.
The first three quarters of "Bedevilled" may come across and dull and eventful – especially when shown at 2am on a Saturday morning in a theater full of horror junkies – but the slow pace and melodramatic atmosphere are fundamental for the film. Cheol-Soo Jang carefully takes his time to illustrate that Moodo truly is a very isolated setting, completely devoid of legislation and social evolution. The elderly intimidate the younger and the men dominate the women, probably just like the generations before them did as well. Kim Bok-Nam endured as much anger and agony as humanly possible, and this is painfully illustrated in great detail during the film's long awakening. I've rarely seen a cinematic character who's vengeance is so legitimatized and substantiated. My hat's off to debuting director Cheol-Soo Jang, scriptwriter Kwang-young Choi and lead actress Yeong-Hie Seo. Furthermore, "Bedevilled" benefices from the truly breathtaking island filming locations and staggering photography. Don't know if it's true, but I read somewhere that the location was selected out of nearly 3.000 islands surrounding the South Korean shore. The selection was based on size, nature and available facilities. Great choice, I'd say. Faint- hearted viewers beware, however, as the extended finale features a large number of grim and shocking images.
This movie crosses the borders of Drama and Horror with an intense story of a young woman who is mistreated and almost slaved by her husband and the rest of the (few) people who live in a small island near the mainland, in South Korea. However the movie doesn't really start with this character but with another girl who lived in that island when she was a child but now lives in Seoul and is a "modern woman" in opposition to the people of the isle who live like farmers. The plot begins when this second girl after some problems in Seoul decides to take a rest and visit the isle. Is in that moment we met the girl who is mistreated and the paths of these two women cross again like in the past
It's a crossed story about friendship, about courage, vengeance and redemption. The movie is intense mostly on the psychological side and shows us that when one person is mistreated to the edge can one day search for revenge! I appreciated the end and its message of redemption.
It's a crossed story about friendship, about courage, vengeance and redemption. The movie is intense mostly on the psychological side and shows us that when one person is mistreated to the edge can one day search for revenge! I appreciated the end and its message of redemption.
"Bedevilled" is the tale of two women.Hae-won is depressed by her empty corporate financial job.Close to an emotional break-down she decides to visit her childhood friend Bok-nam who is living on the tiny islet of Mundo.Bok-nam is often abused by her violent husband and his retarded brother.Finally this horribly victimised human being decides to retaliate against her tormentors."Bedevilled" is slow-moving and depressing drama that suddenly turns into bloody revenge movie.The cast is strong,especially Seo Young-hee gives a truly memorable performance as bullied Bok-nam.Consumed by growing anger she becomes a beast.The script is horrific with several scenes of sexual and verbal abuse and plenty of bloody violence.Very brutal pay-off has to be seen to be believed.Check out this savagely beautiful drama.8 islets out of 10.
"Bedevilled" is another and once again brilliant tale of revenge coming from South Korea which is in the vein of already now legendary masterpieces such as "Oldboy" and "I saw the devil".
What distinguishes this movie from the other ones and justifies itself to merit a place in the top notch of this genre can be told in three little points. First of all, this movie tells the tale of revenge from the point of view from a person that is neither the central evil nor the central avenger part of the movie. Thanks to many flashbacks and secondary story lines, the culpability and responsibility of the main actress is though revealed all over the movie and gives us philosophical and introspective insights while the person witnesses a tale of revenge.
Second, the movie takes its time to introduce all the important characters very slowly. This develops a dark empathy with the main victim that is treated and slowly becomes a monster. The movie creates cruel and gripping personalities and shows us the degree of culpability for all of them. The acting in this intense but slow paced movie is very well done and authentic and it's a very positive and refreshing aspect that the true revenge tale only kicks off after more than the half of the movie has already passed.
Third, this movie focuses especially on the relationship between the avenger and the person that introduces slowly us to the main story line. It's the first time I see two equally convincing female characters in this kind of tough, cruel and highly emotive roles in this kind of genre and they have done such excellent jobs that I'm looking forward to have a closer look at their filmographies.
As a fourth very positive point I might finally add that this movie is also intriguing because it takes places on an isolated island and is a huge criticism towards past and contemporary society in South Korea. This movie is much more than just a bloody tale of revenge, at first glimpse it's especially a very intense drama with gripping characters.
In the end, I highly suggest anyone that likes South Korean movies to watch out for this film that has only recently been released in North America. This is another masterpiece of a unique genre coming from a unique country and you won't find this kind of high quality in any cinema or contemporary American blockbuster. South Korea is the best place for original, gripping and extreme contemporary movies and this movie underlines the country's unique status and will hopefully inspire our culture to take some inspirations from them without dishonouring their creative pieces of art.
What distinguishes this movie from the other ones and justifies itself to merit a place in the top notch of this genre can be told in three little points. First of all, this movie tells the tale of revenge from the point of view from a person that is neither the central evil nor the central avenger part of the movie. Thanks to many flashbacks and secondary story lines, the culpability and responsibility of the main actress is though revealed all over the movie and gives us philosophical and introspective insights while the person witnesses a tale of revenge.
Second, the movie takes its time to introduce all the important characters very slowly. This develops a dark empathy with the main victim that is treated and slowly becomes a monster. The movie creates cruel and gripping personalities and shows us the degree of culpability for all of them. The acting in this intense but slow paced movie is very well done and authentic and it's a very positive and refreshing aspect that the true revenge tale only kicks off after more than the half of the movie has already passed.
Third, this movie focuses especially on the relationship between the avenger and the person that introduces slowly us to the main story line. It's the first time I see two equally convincing female characters in this kind of tough, cruel and highly emotive roles in this kind of genre and they have done such excellent jobs that I'm looking forward to have a closer look at their filmographies.
As a fourth very positive point I might finally add that this movie is also intriguing because it takes places on an isolated island and is a huge criticism towards past and contemporary society in South Korea. This movie is much more than just a bloody tale of revenge, at first glimpse it's especially a very intense drama with gripping characters.
In the end, I highly suggest anyone that likes South Korean movies to watch out for this film that has only recently been released in North America. This is another masterpiece of a unique genre coming from a unique country and you won't find this kind of high quality in any cinema or contemporary American blockbuster. South Korea is the best place for original, gripping and extreme contemporary movies and this movie underlines the country's unique status and will hopefully inspire our culture to take some inspirations from them without dishonouring their creative pieces of art.
It is difficult to describe the movie. Actually to describe what is attractive and/or exciting about the movie for me. You could say that it begins more than slow, but will build up and be very disturbing toward the end. I'm not gonna give anything away from the story, but if you have seen some Korean movies, you might know what you are getting yourself into here!
It is sort of a character study and a very weird and dark social commentary to (if you want it to be). I liked the group dynamic, I liked the grey tones, I liked that it was different. I can't guarantee though that you will like it. And it might not be the ideal choice to start getting to know Korean cinema. I'm sure though that somewhere along the line, there is an US Remake waiting to happen (if they can pull it off ... they don't seem to be able to do so with Old Boy either).
It is sort of a character study and a very weird and dark social commentary to (if you want it to be). I liked the group dynamic, I liked the grey tones, I liked that it was different. I can't guarantee though that you will like it. And it might not be the ideal choice to start getting to know Korean cinema. I'm sure though that somewhere along the line, there is an US Remake waiting to happen (if they can pull it off ... they don't seem to be able to do so with Old Boy either).
¿Sabías que…?
- TriviaNothing is more deadly than a woman seeking revenge.
- ErroresTodas las entradas contienen spoilers
- ConexionesFeatured in Chris Stuckmann Movie Reviews: Bedevilled (2022)
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- Bedevilled
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 700,000 (estimado)
- Total a nivel mundial
- USD 1,129,687
- Tiempo de ejecución1 hora 55 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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