Fugitivo

That's the German title translated into English. It takes the name of the main character and tries something with it. Aaron Eckhardt is always good and he delivers here too. Even in moments you see him being weak (or making mistakes, especially concerning his daughter or his relationship with her). Having said that, his daughter does act very crazy. Now you could excuse that behavior by saying she's a teenager, but you might also be very annoyed by this.

Either way, the relationship daughter/father does work nice for the movie. There is also a theme running with the father and his trust issues, that is not fully explored. But it still has some fine moments. The tension is high and the movie delivers on the chase scenes too. Not a masterpiece by a long shot, but a nice watch

I recently saw this film just based on its stars, Aaron Eckhart and Olga Kurylenko. Having watched it, I wonder why it was not better promoted.

An action/suspense flick, it features Eckhart as a CIA agent whose cover suddenly disappears, putting himself and his daughter (Liana Liberato) in mortal danger. No surprise, it looks like some kind of ruthless cover-up conspiracy. Yes, we've all seen movies like this before, but this is a tense, taut, and well-made suspense movie with very good casting. Eckhart is perfect for his role as the pseudo-good guy; handsome, dapper, chiseled. Kurylenko is also great as Anna, the subtly beautiful and inscrutable former colleague and possibly lover, who has the task of bringing him in, whatever that means. Liana Liberato does a credible job as the estranged daughter who just finds out that her Dad is or was a killer.

The plot moves quickly from story setup to action, and the suspense never lets up from there. While it doesn't quite have the thrills of a 'Bourne' film, it kept me interested. And while you kind of know (or hope) how it will end, it is definitely fun getting there.

It is a good movie that I will probably watch again.

The expatriate and widower Ben Logan (Aaron Eckhart) has moved from New York to Anrwep with his estranged teenage daughter Amy Logan (Liana Liberato) to work for the technology corporation Halgate Group. When he breaks a sophisticated security code from a device, he notes that its patent has no record in Halgate and he calls the attention of his boss Derek Kohler (Neil Napier). Ben meets Amy and they do not go home; later Ben goes with Amy to his office and they find it completely empty. Further, all the records of his phone calls, e-mails, payslip and bank account have vanished. Out of the blue, a coworker abducts Ben and Amy in the bank but Ben kills him in self-defense. Ben finds a key from a locker in the Central Station and he finds photos of his daughter, himself and his coworkers. His further investigation shows that all the workers are dead in the morgue except Derek Kohler. Soon Ben discovers a huge conspiracy of Halgate Group relative to illegal arms sales to Africa with the involvement of rogue CIA agents. But Ben is in disgrace with the Agency and does not have any reliable contact to recur.

The unoriginal "Erased", a.k.a."The Expatriate", is an action thriller with a promising and intriguing beginning. Unfortunately the stupid and annoying daughter Amy with her silly attitudes makes any viewer lose the temper. The story has many flaws and holes, but the plot is fast-paced and distracts the viewer that is not aware. For example, the killers kill a lot of residents in Belgium; Ben blows-up the car with important guys; the police is chasing Ben and Amy; and he arrives at the airport dirty and ready to embark to the USA and probably without documents. My vote is six.

Title (Brazil): "Perseguição Implacável" ("Relentless Manhunt")

Erased (2012)

Can we make a new genre here? British/American executive/spy/father gets in trouble in Europe and has to go on the run with corporate/government/counterspy evil everywhere.

I could list some (never mind the great Bourne films, which are extremes of the type). Certainly the "Taken" films (there are three now) are the closest parallel, but even "The International" comes to mind in the same vein. All of these have a sense of fear and darkness about the global order that glooms down on the characters.

And "Erased" is powerfully made, with good claustrophobic and jittery camera-work, believable acting, and a reasonable (if roughly familiar) plot. You get swept up quickly, as Aaron Eckhart juggles a high-security job and a teenage daughter going to private school. Through a quick (a peanut allergy) he avoids an early death and the movie takes off. All along the daughter is both emotional fodder for the feeling side of the film and a bit of a formative action figure (now and then). But it's dad who is really showing his smarts and fighting skills as an ex-CIA man.

Set in beautiful Belgium, the scenes range from those gorgeous old Europe streets and government buildings to the new Europe and high end glass corporate life. And then to the new, growing minority areas where Arabs and other Muslims live. Part of this emphasis might come from the main writer on the story, Arash Amel, who surely paints the division of cultures in a sympathetic way. Director Philip Stolzl is one of the newer generation of German mainstream directors with an eye for sweeping fast visuals and a solid plot ("North Face" is highly recommended). He, perhaps too much like Tom Tykwer, is taking a detour into some well-worn territory here, but showing his chops.

Expect to never be bored, to never know quite what might happen next, and to enjoy the ride kinetically. Even if nothing quite original happens. Ever.

An otherwise decent flick, the one-dimensional daughter drags down what could have been a better film with a real actress in that role.

The plot is not new, but Eckhart plays his role well. Worth a watch, but the daughter's one expression acting is deplorable.