Un chico y una chica deciden llevar su amistad al siguiente nivel pero sin convertirse en pareja. Pronto descubren que el sexo conlleva complicaciones.Un chico y una chica deciden llevar su amistad al siguiente nivel pero sin convertirse en pareja. Pronto descubren que el sexo conlleva complicaciones.Un chico y una chica deciden llevar su amistad al siguiente nivel pero sin convertirse en pareja. Pronto descubren que el sexo conlleva complicaciones.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 premio ganado y 5 nominaciones en total
Opiniones destacadas
I was unsure what to expect going into Friends with Benefits at an advanced screening a few weeks ago. It always seemed a bit too close in plot to No Strings Attached (made extra odd as the female leads Mila Kunis and Natalie Portman had literally just starred together in Black Swan), a film that came out less than six months ago, and while the trailers looked amusing, they seemed to look a little too close to an atypical romantic comedy. But the film actually ended up surprising me. Well, the first half at least.
Jamie (Kunis) is a headhunter in New York City who helps aspiring graphic design artist Dylan (Justin Timberlake) land a prestigious job at GQ. They become good friends, and after a discussion about their relationship failures, decide to start having sex without the relationship schmaltz (hence the titular phrase). But the good times cannot stay uncomplicated for long.
Rather surprisingly, the first half of Friends with Benefits is a ridiculously raunchy sex comedy that is sweeter than it is crude. The dialogue and one-liners drop at a steady pace, and there is plenty of laugh out loud moments. I was genuinely surprised at just how much I was enjoying the film, and how well co-writer/director Will Gluck (who knocked Easy A out of the park last year) helped capture the tropes and stereotypes of romantic comedies, and went entirely against them. The scene that starts the initial sexual antics is a complete dissection of the genre, and seeing the film twist and turn around the familiar plot devices was wonderful to see. It made the film feel hilarious, but also made it feel like it was attempting to do something different at the same time. Adding in a couple of random cameos from notable actors was a bit wacky (which the trailers have ruined slightly), but helped add to the humour.
Except the film comes to a screeching halt just about halfway in when Jamie and Dylan come to the all too obvious realization that they may want something more. The film then becomes drastically more dramatic, a lot less sweet, and significantly more ordinary. Even the laughs suffer, landing less with a snicker and more with a groan. Everything it does to shift itself away from the romantic comedy genre feels wasted because it falls into all of the stereotypes quicker than it poked fun at them. It almost feels like they wanted to desperately feel different, and then decided to just go the safer route as opposed to sticking with its offbeat early tactics. I was really enjoying the film significantly more than I imagined, but suddenly felt bored and totally thrown off by the drastic tonal shift.
While sketch comedy has proved to be one of his strong suits, Timberlake seems to have a lot of trouble carrying the film. We know he has the chops to command the screen and be absolutely magnetic (we have David Fincher and The Social Network to thank for that), but here he seems to be struggling with every other scene. He lands most of his jokes well, does decently with the dramatic bits and has plenty of chemistry with Kunis, but he lacks the spark I think most people will expect him to have in this role. He comes off as just okay, and more amateur than anything else. He would have been better suited in the film as a key supporting player, as opposed to the lead.
Kunis on the other hand, is significantly stronger and proves that her turn in Forgetting Sarah Marshall may have been an early suggestion of the formidable comedic talent she may quickly become. Gluck is not able to achieve the same level of breakthrough that he got from Emma Stone in Easy A from Kunis, but she manages to carry the film almost single handedly. Even at the script's weakest moments, she grins and pushes forward, never once appearing to be struggling as much as Timberlake does. I think my only complaint against her is that she spends a good portion of the film completely nude, yet ends up wearing all too obvious pasties under a white shirt in one scene. It seems more like a complaint against a horrendously bad editing and lighting decision than against her, but it was a scene that made her seemingly-realistic character feel a whole lot less believable.
Patricia Clarkson and Richard Jenkins both deliver good performances, but sadly feel like they are just plagiarizing from characters they have played better in the past. Jenna Elfman (who I did not realize was still acting) does a little better in a warm and significantly low-key role as Dylan's sister Annie. But it is Woody Harrelson who steals the entire show as gay sports writer Tommy. He plays the character ridiculously over-the-top, but never feels like he is encroaching on any stereotypes. He makes it his own, and is almost too good in the role. He gets all of the film's best dialogue quips, and runs circles around everyone on screen. In more than one instance, Timberlake looks legitimately shocked at some of the things Harrelson says and gets away with. I think the film could have only benefited from including more of him.
In the end, Friends with Benefits is both surprisingly well done and unsurprisingly ordinary. It tries so hard initially to be the anti- romantic comedy, and then just ends up falling into the same predictable elements that every other film in the genre has already done countless times before. The film is genuinely hilarious when it wants to be however, and this does save it from being a total waste. But it could have been so much more.
7/10.
Jamie (Kunis) is a headhunter in New York City who helps aspiring graphic design artist Dylan (Justin Timberlake) land a prestigious job at GQ. They become good friends, and after a discussion about their relationship failures, decide to start having sex without the relationship schmaltz (hence the titular phrase). But the good times cannot stay uncomplicated for long.
Rather surprisingly, the first half of Friends with Benefits is a ridiculously raunchy sex comedy that is sweeter than it is crude. The dialogue and one-liners drop at a steady pace, and there is plenty of laugh out loud moments. I was genuinely surprised at just how much I was enjoying the film, and how well co-writer/director Will Gluck (who knocked Easy A out of the park last year) helped capture the tropes and stereotypes of romantic comedies, and went entirely against them. The scene that starts the initial sexual antics is a complete dissection of the genre, and seeing the film twist and turn around the familiar plot devices was wonderful to see. It made the film feel hilarious, but also made it feel like it was attempting to do something different at the same time. Adding in a couple of random cameos from notable actors was a bit wacky (which the trailers have ruined slightly), but helped add to the humour.
Except the film comes to a screeching halt just about halfway in when Jamie and Dylan come to the all too obvious realization that they may want something more. The film then becomes drastically more dramatic, a lot less sweet, and significantly more ordinary. Even the laughs suffer, landing less with a snicker and more with a groan. Everything it does to shift itself away from the romantic comedy genre feels wasted because it falls into all of the stereotypes quicker than it poked fun at them. It almost feels like they wanted to desperately feel different, and then decided to just go the safer route as opposed to sticking with its offbeat early tactics. I was really enjoying the film significantly more than I imagined, but suddenly felt bored and totally thrown off by the drastic tonal shift.
While sketch comedy has proved to be one of his strong suits, Timberlake seems to have a lot of trouble carrying the film. We know he has the chops to command the screen and be absolutely magnetic (we have David Fincher and The Social Network to thank for that), but here he seems to be struggling with every other scene. He lands most of his jokes well, does decently with the dramatic bits and has plenty of chemistry with Kunis, but he lacks the spark I think most people will expect him to have in this role. He comes off as just okay, and more amateur than anything else. He would have been better suited in the film as a key supporting player, as opposed to the lead.
Kunis on the other hand, is significantly stronger and proves that her turn in Forgetting Sarah Marshall may have been an early suggestion of the formidable comedic talent she may quickly become. Gluck is not able to achieve the same level of breakthrough that he got from Emma Stone in Easy A from Kunis, but she manages to carry the film almost single handedly. Even at the script's weakest moments, she grins and pushes forward, never once appearing to be struggling as much as Timberlake does. I think my only complaint against her is that she spends a good portion of the film completely nude, yet ends up wearing all too obvious pasties under a white shirt in one scene. It seems more like a complaint against a horrendously bad editing and lighting decision than against her, but it was a scene that made her seemingly-realistic character feel a whole lot less believable.
Patricia Clarkson and Richard Jenkins both deliver good performances, but sadly feel like they are just plagiarizing from characters they have played better in the past. Jenna Elfman (who I did not realize was still acting) does a little better in a warm and significantly low-key role as Dylan's sister Annie. But it is Woody Harrelson who steals the entire show as gay sports writer Tommy. He plays the character ridiculously over-the-top, but never feels like he is encroaching on any stereotypes. He makes it his own, and is almost too good in the role. He gets all of the film's best dialogue quips, and runs circles around everyone on screen. In more than one instance, Timberlake looks legitimately shocked at some of the things Harrelson says and gets away with. I think the film could have only benefited from including more of him.
In the end, Friends with Benefits is both surprisingly well done and unsurprisingly ordinary. It tries so hard initially to be the anti- romantic comedy, and then just ends up falling into the same predictable elements that every other film in the genre has already done countless times before. The film is genuinely hilarious when it wants to be however, and this does save it from being a total waste. But it could have been so much more.
7/10.
I was expecting to have to compare this movie with No Strings Attached (or whatever that movie with Ashton Kutcher was) all the way through however I was pleasantly surprised that the story was a bit more complex despite the obvious parallels.
Yes it's the typical "boy and girl decide to be friends only but end up loving each other" movie .... but I must admit that it was a lot smarter in the delivery. Timberlake and Kunis have a lot of chemistry on camera ... It's shot primarily in new york so expect the clichéd new york locations ...
The complexity of Timberlake's character is slowly revealed through the show as opposed to being revealed in the first 3 minutes like most other movies.
A good watch ... not slap your knee funny but certainly entertaining to the end ... clichés and all
Yes it's the typical "boy and girl decide to be friends only but end up loving each other" movie .... but I must admit that it was a lot smarter in the delivery. Timberlake and Kunis have a lot of chemistry on camera ... It's shot primarily in new york so expect the clichéd new york locations ...
The complexity of Timberlake's character is slowly revealed through the show as opposed to being revealed in the first 3 minutes like most other movies.
A good watch ... not slap your knee funny but certainly entertaining to the end ... clichés and all
I want this New York and LA life, I'm tired of North Carolina! Strange concept that seems to work or at least it seems that way. I absolutely love the soundtrack, it makes for such a feel good movie! Friends with Benefits is really funny and has a bunch of really good points throughout! Justin Timberlake and Mila Kunis are a blast as close friends.
This movie was all things cliché and predictable. Even though you know what is coming, the honesty with life's little quirks and human behavior was incredibly well done.
Timberlake is an okay actor. I found him to be a fresh breath in this movie. The dialogue and scenario fit his charm quite well.
I found Mila Kunis to be quite funny, and she pulled off that cute, charming, awkwardly damaged woman, perfectly. She was chic, yet easy to relate too. Down to earth, but an air of success and confidence, hidden in all the girly dreams and fairy-tales.
If you want something original and never done before, this is the wrong movie to watch. If you wish to appreciate a good spin on an old concept with stellar humor and humanity, it is worth the watch..
Timberlake is an okay actor. I found him to be a fresh breath in this movie. The dialogue and scenario fit his charm quite well.
I found Mila Kunis to be quite funny, and she pulled off that cute, charming, awkwardly damaged woman, perfectly. She was chic, yet easy to relate too. Down to earth, but an air of success and confidence, hidden in all the girly dreams and fairy-tales.
If you want something original and never done before, this is the wrong movie to watch. If you wish to appreciate a good spin on an old concept with stellar humor and humanity, it is worth the watch..
I was able to see a sneak screening of this movie almost 1 month prior to it's official release. I honestly walked in simply thinking I was seeing another typical romantic comedy with my girlfriend. To my surprise it was much more.
Timberlake plays an LA Blog Art Director who has just been recruited to work for GQ in New York by Kunis who is a headhunter. The two had great chemistry through out the movie.
What's funny is that even though it does contain the usual Cliché scenes that most romantic adult comedies contain, it does tend to poke fun at them and have some sort of realism to the plot.
Both Timberlake and Kunis are likable and really funny. Woody Harrelson was the best addition to support this younger cast. Harrelson plays a flamboyantly gay sports editor who goes from making sexual advances to JT, to offering him some pearls of wisdom with his love life.
I would have to say this movie was very enjoyable and if your skeptical about seeing it in the theaters, definitely put it on your "must rent" list.
Timberlake plays an LA Blog Art Director who has just been recruited to work for GQ in New York by Kunis who is a headhunter. The two had great chemistry through out the movie.
What's funny is that even though it does contain the usual Cliché scenes that most romantic adult comedies contain, it does tend to poke fun at them and have some sort of realism to the plot.
Both Timberlake and Kunis are likable and really funny. Woody Harrelson was the best addition to support this younger cast. Harrelson plays a flamboyantly gay sports editor who goes from making sexual advances to JT, to offering him some pearls of wisdom with his love life.
I would have to say this movie was very enjoyable and if your skeptical about seeing it in the theaters, definitely put it on your "must rent" list.
¿Sabías que…?
- TriviaWhen Mila Kunis changes in a taxi's backseat, the filmmakers felt that the driver didn't sound like an authentic New York City taxi driver, so Mila's father Marko Kunis dubbed his voice. Marko worked as a taxi driver when he first arrived in the United States and still has a Ukrainian accent.
- ErroresWhen Jamie flies home to New York City from Los Angeles, she gets a text from Dylan asking if she got home safely. It's supposed to be July 4th, but the date on the phone is 08/24/2010.
- Créditos curiososThere are fake outtakes for the film's fake romantic movie at the very end of the credits.
- ConexionesFeatured in Guys Choice Awards 2011 (2011)
- Bandas sonorasRunaway Baby
Written by Bruno Mars, Ari Levine, Brody Brown (as Christopher Brown) and Philip Lawrence
Performed by Bruno Mars
Courtesy of Elektra Entertainment Group / Atlantic Recording Corp.
By arrangement with Warner Music Group Film & TV Licensing
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
Everything New on Hulu in July
Everything New on Hulu in July
There's a whole lot to love about Hulu's streaming offerings this month — get excited for brand-new series premieres and film favorites to watch at home.
- How long is Friends with Benefits?Con tecnología de Alexa
- What is the song when the crazy girl is annoying Dylan?
- Is there an extra scene after the end credits?
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- También se conoce como
- Friends with Benefits
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 35,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 55,802,754
- Fin de semana de estreno en EE. UU. y Canadá
- USD 18,622,150
- 24 jul 2011
- Total a nivel mundial
- USD 149,542,245
- Tiempo de ejecución1 hora 49 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta