Any Human Heart

An outstanding TV drama, superbly made and never less than engaging. The three-part ANY HUMAN HEART is in some ways a portrait of the 20th century, taking us through wars, political tribulations and the loneliness of modern times. Poignancy, romance, sex, death and drama, everything you could wish for in a show is present here.

The actors are excellent. Jim Broadbent embodies weariness and Matthew Macfadyen gives a career-best turn. Hayley Atwell is simply glorious, while Gillian Anderson deservedly won a BAFTA for her turn as the terrifying Wallis Simpson. The production values for this are top-notch and the story draws the viewer in from the very beginning. I repeat, outstanding.

Certainly very well made and exceptionally well-acted. An interesting story of a man's life and the trials and happiness he is subjected to. The main character seems often irrevocably drawn back to memories of his past, painful ones and the melancholy of happiness which has missed his grasp. Tom Hollander was incredible, the release he had in some of his scenes and his whole characterisation was immaculate. Matthew McFaddyn too was engaging. Exceptionally good dialogue too which is essential for any drama, or any comedy for that matter, to work. Intriguing insight into corruption and the way people in positions of power are able to twist the lives of those beneath them.

Going into the Masterpiece Classic presentation of "Any Human Heart" on DVD, I had conflicting thoughts.

First up was that though I haven't read the book its based on by William Boyd, he is one of my favorite writers, with his last two thrillers, "Restless" and "Ordinary Thunderstorms," being two of the genre's best. And second, though as a Southerner I probably shouldn't admit this so regularly, I really can't much at all stand "Forrest Gump," so the story structure of "Any Human Heart," one man's life through most of the 20th century in which he rubs elbows with many famous people, gave me pause.

Thankfully, Boyd's story really borrows only that basic outline from "Gump," but with less overbearing sentimentality and a lot more, sometimes very dark, wit. Boyd's novel and the four-part BBC series presented here tell the story of "writer" Logan Mountstuart, with the quotation marks in place because though he accomplished and experienced many things in his long life, he only managed to write two novels.

Though the four-and-a-half-hour long series is a bit bloated by thoroughly unnecessary fantasy sequences that pop up throughout starring Mountstuart as a child, he's for the most part played by three very good English actors, Sam Claflin as the college-age Mountstuart, Matthew MacFadyen (who the ladies may remember from the version of "Pride & Prejudice" also starring Keira Knightley) as him in middle age, and the great Jim Broadbent as Mountstuart the elder.

Throughout Mountstuart's saga, however, it's the women he loved and lost that play the most important parts. As the story opens, Broadbent's Mountstuart, clearly in fading health, is putting back together the pieces of his life using his memories of the women who had made it memorable. Standing out in a large ensemble are the radiant Hayley Atwell as Freya, the real love of his life, Kim Cattrall as Gloria, who gives the series much of its soul, and an unrecognizable but very funny Gillian Anderson as the Duchess of Windsor, Wallis Simpson.

Anderson and co-conspirator Tom Hollander as the duke bring a comic edge to the story as Mountstuart, enlisted as a "spy" during World War II, mostly spends his time tracking down what happened to the former king after the story told in "The King's Speech," at least as Boyd imagines it. Often dark humor thankfully runs throughout "Any Human Heart," as when later in life Mountstuart, simply in search of cheap health care, ends up brushing up against Germany's Baader Meinhof gang and later, in his last romantic conquest, gets involved with a French woman more than a little confused about her ancestry.

But the beauty of "Any Human Heart" often comes not from these grand adventures (he also manages to meet Ernest Hemingway and Ian Fleming, who recruits him into the spying ranks), but in the failures that make for a well-rounded life. As Mountstuart manages to crap out on two marriages he was never terribly interested in and then get involved with his dead son's 16-year-old girlfriend (yes, he is more than a bit of a cad), it becomes harder and harder to cheer for him, but Macfadyen's layered performance makes you appreciate the man in whole, many warts and all.

In the end, though, it's Broadbent who both gives the story its arc and brings it home with tenderness, particularly in his scenes with Cattrall, ultimately making this well worth checking out when it hits DVD next Tuesday, April 5 (yes, I'm writing this a bit early because it doubles as a newspaper column that comes out on Friday.) P.S.: One final note about editing: Though I didn't manage to catch this when it aired on PBS, I've heard that it was rather poorly edited, perhaps to remove some of the racier scenes that make Mountstuart's life so enjoyable, but this is the complete BBC version, so there's no need to worry about that.

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What a delicate human story of a real man and his very real and messy life, filled with all of the missteps into discovering the world and himself. While it is at once sentimental, it isn't overly romanticized or filled with self-pity.

A curious and fascinating sub-plot around the Duke and Duchess of Windsor, took me into an internet search to learn more around a historical incident involving all the characters.

Filled with flashbacks of Oxford friends, wives, lovers and children are the cast of characters illuminating our main character, Logan's, mind. Every flashback moves us through Logan's life, as he seems to outlive all of the unfortunate illnesses and accidents of his friends and family. The extensive ensemble of actors play their characters, with the grace and elegance you expect from such highly acclaimed actors as James Broadbent.

The real thread of sweetness, in this series, is seeing how we assign value to our relationships and perception of the world. This is a story for every person, to feel connected to their own humanness and find purpose and human connection at every stage of their lives.

I read somewhere that Any Human Heart had poor viewing figures. If so, that's quite sad, because this series was excellent. Ridiculous sometimes yes, but it was also a classy and entertaining series and I actually think it did have heart.

The book is a beautifully written and compelling one. And I think this series does a respectable job adapting it. Is it as good? Probably not, but the characters are faithful and great to watch and the story is told in an adept way. The script is often funny, touching, edgy, heart-warming and especially in the final episode reflective.

That's not all. The production values are exquisite. The scenery is beautiful, the photography stunning and the costumes ravishing. The music fits the mood of each scene perfectly, while the direction is fully competent and the pace right on the money.

The acting is excellent across the board. Julien Ovendon is good as Ernest Hemingway, while Kim Catrall's Gloria is the epitome of class and Gillian Anderson's Duchess of Windsor pinched and terrifying. Though it is the character of Logan who drives the drama, a very interesting if flawed character Logan is played by a different actor through different stages of his life. Logan as a child is played appealingly by Connor Nealon, while Logan as a young man is nicely portrayed by Sam Claflin. Matthew McFadyen is dashing, sympathetic and very convincing as a more middle-aged Logan, while Jim Broadbent comes off best in a brilliant, heartfelt and very reflective performance as Logan in his older age.

In conclusion, I thought it was wonderful especially for the production values and the acting. 10/10 Bethany Cox