Enter Nowhere

A group of people begin to show up at a mysterious cabin. They must find a hidden connection before its too late...

This film is simple yet effective. I was shocked when I realized the budget was so low for such great production quality. With an airtight plot and solid acting this film is an instant hit. The story will offer clues and hints along the way that will come together in the end. I would not call this a horror but a thriller/suspense but its very effective. There is some aspects of this movie that reminds me of previous TV shows and movies but this one takes all those plot points and combines it into a solid gem. If this film is not on your watch list I suggest you put it on TOP!!!

"Something isn't right about this cabin."

This was right up my alley: time-slip genealogical horror like something out of The Twilight Zone. It's gloomy, claustrophobic, and will get you thinking about your future choices and the choices of your ancestors in the past.

It randomly appeared on Netflix Japan and I'm glad I decided to give it a try.

Scott Eastwood (son of Clint), Katherine Waterston (daughter of Sam) and Sara Paxton (who, to my knowledge is NOT the daughter of Bill) star in Jack Heller's impressive "Enter Nowhere" which manages to be both the most predictable movie ever made and the least predictable movie ever made. It's also quite an enjoyable and fun ride.

Essentially a cross between "The Cabin in the Woods" (though much better than that overrated film) and a "Lost"-style puzzle box, I saw most of the twists coming from a mile away but I still really, really enjoyed this movie nonetheless even though Paxton sports an unflattering "Lady Mullet" through most of the film.

Also the opening credits are simple awesomeness.....

Surprisingly good. This is obviously low budget, but it overcomes that & keeps you enchanted the whole time. There are definitely some interesting twists. I feel like there could be a sequel.

When I entered this movie ,I was expecting a routine horror movie,with a serial killer ,or some monster ( gentle beasts such as vampires,wolves,werewolves ).But it is not ;it is a gripping fantasy and horror work ,with a firm screenplay-although the last sequences -which were not so necessary - are déjà Vu.

As for the rest,it is above average fantasy stuff:only four characters -the latter appearing late in the story-,and interest is sustained throughout ;little by little ,clues are given to the viewer,who will not be able to guess the ins and outs of the question until the writers reveal the whole truth.

The stand- out is Sam Wasterton's daughter ,who looks like the all-American-girl-of-long-ago actress ,the likes of Teresa Wright or Cathy O'Donnell;her old-fashioned clothes are a vital clue.But I will not spoil your pleasure any longer.

It is noteworthy that the screenwriters give their characters substance ;they are not in here to be killed (or get laid)every fifteen minutes à la "Final Destination" .

Enter !

I like small but good films, ones done with imagination instead of just a CGI budget of millions. This one fits the bill. It's a cast of a dozen people, none of them actors I remember ever having seen before. It was done on location with a minimum of sets. Yet it has definitely taken advantage of the biggest advantage that a small movie like this can have and that's time for the writers to carefully craft a fine script.

I won't give away the progress basic story. Some of it they telegraphed by the vehicles and clothes, enough for me to organize the basic story. But it was fun and imaginative, a good blend of creepy and yet not too creepy. If special effects and buckets of blood aren't your thing then you will probably enjoy it.