Enter Nowhere

A group of people begin to show up at a mysterious cabin. They must find a hidden connection before its too late...

This film is simple yet effective. I was shocked when I realized the budget was so low for such great production quality. With an airtight plot and solid acting this film is an instant hit. The story will offer clues and hints along the way that will come together in the end. I would not call this a horror but a thriller/suspense but its very effective. There is some aspects of this movie that reminds me of previous TV shows and movies but this one takes all those plot points and combines it into a solid gem. If this film is not on your watch list I suggest you put it on TOP!!!

An indy without benefit of name director or stars, this is still one worth catching for those who prefer their supernatural in the tradition of "Outer Limits" or "The Twilight Zone". In true Serling-esque fashion three strangers arrive separately at the abandoned cabin that forms the setting for most of the story, one that convincingly fleshes out recognizable relationships between a man and two women who at first share little more in common than a need to get home. Each failed trip into the woods reveals something of their situation and each other, moving steadily toward a final revelation kept well under wraps.

Limited locale puts extra reliance on the cast and they deliver solidly. Special credit though goes to Sara Paxton, who so impressed in "The Innkeepers", as the petty thief skirting the edge of control.

For an obvious work of limited resources, "Enter Nowhere" makes excellent use of them all to come up with one of the better small films I've seen in a while.

What starts as your generic suspenseful, broken down in the middle of nowhere, there's a cabin, who are you, how did you get here, etc etc movie becomes a putting the pieces together, well made film (think I ran on there for a second).

Watch it!!

"Something isn't right about this cabin."

This was right up my alley: time-slip genealogical horror like something out of The Twilight Zone. It's gloomy, claustrophobic, and will get you thinking about your future choices and the choices of your ancestors in the past.

It randomly appeared on Netflix Japan and I'm glad I decided to give it a try.

Scott Eastwood (son of Clint), Katherine Waterston (daughter of Sam) and Sara Paxton (who, to my knowledge is NOT the daughter of Bill) star in Jack Heller's impressive "Enter Nowhere" which manages to be both the most predictable movie ever made and the least predictable movie ever made. It's also quite an enjoyable and fun ride.

Essentially a cross between "The Cabin in the Woods" (though much better than that overrated film) and a "Lost"-style puzzle box, I saw most of the twists coming from a mile away but I still really, really enjoyed this movie nonetheless even though Paxton sports an unflattering "Lady Mullet" through most of the film.

Also the opening credits are simple awesomeness.....

Hollywood Executives could take a few notes from this film.

I came across this title by pure chance. I half read one review that mentioned "Lost" and Twilight Zone" and was sold.

This movie comes across as very low budget I guess $1.7 mil is low budget these days. But don't get me wrong there is nothing wrong with low budget...you know the old cliché'. "It's not how big it is it's what you can do with it that really matters." The movie is mostly shot in one ominous location which gives it a very claustrophobic and tense atmosphere. For the first half of this movie I had no idea what to expect. I was anticipating another horror fest but am happy to report it's nothing like that. About half way through the movie the characters begin to realize how they are all connected. When you find out how, it's a bit of a goose bump moment.

I really dug the moral of the story which is basically how one terrible decision can change not only your life but of those around you in such profoundly life altering ways.

The acting was pretty good, complete unknowns to me but that's a plus in this case. The script felt tight and real. While some may have to considerably suspend their disbelief I felt the premise really worked here.

Highly recommended for anyone into metaphysical contemplation.