Millennium

This packs together the 3 movies into one or rather overall 6 parts - which means each movie becomes a two parter. That is because the running time is also extended for better or worse. And let me again emphasize that I have not read the source material, so I cannot attest to similarities or changes that have been made while transitioning this onto the big (or small) screen, depending on where you watched or will watch this.

The first two parts are really something different and set the tone. And they do not take any prisoners. From that we get the feeling that the two characters that are being highlighted here, also seem to be quite close to each other. And I don't mean sexually (though if you have issues with sex and nudity and all that, the movie will quite frankly really upset you) at all. Though there is some of that too - but I am talking about a spiritual connection. They are different ... really different ... which is why they make a good team.

Talking about sex, there is one scene that goes completely wrong for one of our characters ... the plan was different ... it sort of worked out, but it was not supposed to be as hardcore as it got to be. But that particular scene is more than just haunting! It will deliver ripple effects all through the movie world this created ... up until the end of it all ... For more insight, I reckon you can look up the individual reviews to the movies. And while this sparked a US remake, they only really went after the first movie (or two parts if you count it the way they do it here)!

Everytime they changed something from the books, I was a bit dissappointed and sometimes evem frustrated. Also the characters even the main ones fall short to the ones from the book. But when you look at it just as a movie-trilogy it is told in a captivating way, with a good pacing and good actors. The last one was my personal favourite of the three.

I decided to go all-out and give myself the full Millennium experience by watching the TV miniseries (9 hours in total) over the space of three nights.

Wow. I loved it. I'm not a huge fan of the crime genre, and I haven't read the books, but MILLENNIUM is a difficult series to fault. It's a mature and mannered piece of film-making, dealing with adult and taboo themes and wrapping the reader up in a realistic and conscious mystery yarn.

Despite the slow pacing, the miniseries is thoroughly engaging. Michael Nyqvist and Noomi Rapace are both excellent leads, bringing to life fully flesh and blood characters who engage the reader's sympathy and emotions throughout. The thriller aspects of the story are exciting and as a whole this is a mature and fully developed piece of work. The original storyline is built upon and expanded in a decent way.

There are slow spots and weaker moments that could have been done better, but overall this is an intelligent, emotionally satisfying mystery yarn. Great direction, great plotting, great acting, great cinematography...what's not to love?

I've seen all three original movies (plus the perfectly fine U.S. adaptation) and read the novels later. If one definition of a "10" rating is something that you know you will watch again (and again), then this six-part series from which three movies were "condensed" is the definitive version to watch and to collect. They expand the story back to its original scope, showing how the first movie is really just the beginning of the mysteries to be unearthed. They ultimately deliver a riveting story of cynical evil loosed by the amoral schemes of people who think they know what is "best."

Some have remarked on the violence, yet that violence is sparse and hardly what I would call "gratuitous." The first movie contains the only example of what might be called "triggering" (unless you have personally experienced bloodshed or war), and yet even that incident is balanced by a cathartic comeuppance.

Adult fans of mystery and intrigue on an international scale should not miss this excellent example.

I confess that I'm not sure what to think, but I believe this series in six episodes is, in fact, the television adaptation of an "extended version" of the three original films of Millennium trilogy. So, basically what I said in the reviews I made for each of the three films is perfectly suited for the respective episodes in this series. So I will try to be brief now.

The plot is well known and follows Lisbeth Salander, an irreverent young woman with a troubled past, strongly marked by instability and a family uprooting, which the series explains and explores. She is a punk, a hacker, has a prodigious memory and will establish an unusual friendship and collaboration with journalist Mikael Blomkvist, an extremely upright man who will be the victim of persecution, right in the first chapters, for telling uncomfortable truths. The first chapters will address a joint investigation that they will both do on a female killer, while the rest of the series will focus on Salander's family and personal past, and how she will fall victim, too, to an attempt at conspiracy at the highest level.

The series is extremely good, as good were the films that are at its origin. However, it is a very uneven series, which starts wonderfully and decreases in quality and interest. The work of director Daniel Alfredson, who directs the first two films, leaves much to be desired when compared to the careful direction of Niels Arden Oplev, who worked on the first film (corresponding to the first two episodes of this series). However, it is worth keeping track of because the story really is intriguing and mysterious enough to keep us stuck until the end.

The cast is equally good, and there are several characters who appear more or less fleetingly. Personally, I would highlight Noomi Rapace's extraordinary interpretation, which brought Lisbeth Salander to life in a way that I think will never be equaled. She is intelligent, sensitive but also provocative, brutal and aggressive when provoked. At his side, in stark contrast, the quiet journalist played by Michael Nyqvist, in an extremely noble and dignified way. I also really liked the work of Lena Endre, who gave life to Erika, editor of Millennium magazine who has a multi-year affair with Blomkvist, and Georgi Staykov, who brought one of the great villains of the series to life in a genuinely threatening way.

At a technical level, the series is a little uneven. The first episodes are extraordinary and everything comes together to create an atmosphere of tension and mystery that works wonderfully. From cinematography to sets and costumes! But from then on, things don't go so well, and it is only in the end that this environment will be recreated again, and in a rather lame way, with all the material suffering from a very un-cinematic appearance. Overall, the sets and costumes are good, and the choice of filming locations worked perfectly. The action scenes invite good visual effects, which almost always worked well. I really liked the initial credits, with all the excellent drawings and graphics, and the way the soundtrack was being used.