Violet & Daisy

this movie has almost it all. it includes friendship, money problem AND killing.. it's not a lame romantic movie, it makes you think and it is beautiful done! you should give it a try. I mean it's about two teenage girls who are not sure what to do with life and they are just trying to get enough money so they can buy some dresses, but when they think that all they have to do is kill someone they're wrong because it's so much more than that... they're about to learn such a big part in life and accepting how things are, try to make the most of the situation. this might not be a movie you'll re-watch but it's really enjoyable and very beautiful done. it's a movie which will leave you not empty, but not full it will leave you thinking.

I had the chance to check out Geoffrey Fletcher's directorial debut on its premiere at the Toronto Film Festival and I was blown away. Geoffrey Fletcher is known as the Academy winning screenwriter of the film Precious, and his debut as a director took me by surprise because it did not at all offset any element from his writing work on Precious. He goes from social consciousness, inner-city story, black American social issues, etc.. and does a complete 180 degrees to create a world where two (white) teenage girls go on killing sprees for a living. but then again, Precious was adapted from a book, so he can kind of get away with this. Nevertheless, this really took me by surprise!

Alexis Bledel and Saoirse Ronan play the title characters, who seem like they spun out of a Tarantino movie. Violet and Daisy are hit girls in New York, casually amoral about assignments with their only real concern being what dresses to buy with the pay. The movie unfolds in 10 chapters with the first being the most Tarantino-esque, which actually establishes the wrong tone for what is to come. Saoirse Ronan will definitely be mentioned come award time! I must admit that the film was entertaining and filled with great comedic timing and actions scenes that came straight out of a Tarantino flick. In fact, If I didn't know who had directed this film, my first guess would be Quentin Tarantino. Violet and Daisy are given a new assignment — an easy one for an increase in pay,they are assured — takes the film into much trickier terrain. The target, played as a wry and rumpled sad sack by James Gandolfini (Tony Soprano) actually welcomes the girls' visit to his dumpy apartment. This bothers them: Shooting a willing victim seems unprofessional. The movie now devolves into a three-hander, with any number of incidents and other "guests" causing interruptions but the movie essentially becomes a play and delves into a poetic set of scenes filled with symbolic imagery to reveal each character's motives in life. The key confrontation in this life-or-death situation between killers and a eager victim forces self-examination on the parts of all three.

I applaud Fletcher's first effort, but can't really define him until I see more from him, which should be interesting to see what's next.

Violet & Daisy is about 2 teen girls assassins who take on one last job in order to buy some dresses they really want. This is the first movie I watched from writer/director Geoffrey Fletcher, reviewing his profile he didn't do much else beside this movie and you can kinda tell.

The movie is somewhat disjointed and the script feels like it's been written by a 12 year old girl. Strangely enough the somewhat childish dialogue and behaviour of the characters combined with the well-done action/violence kinda works for this movie and I was quite sucked in. The 2 teenage assassins played by Alexis Bledel and Saoirse Ronan are well cast and perfectly fill the role of naive assassins.

I wouldn't recommend this movie to anyone expecting an action flick or a deep/moral story. If you're just looking for an easy to watch movie with some good-looking young woman you'll probably like it 7/10

What a poetic massacre drama! I love the absurd pitch - it is crazy. Love the girls motivated by getting a dress and the assassin crying behind the trash after an intimidating encounter. It's like a Japanese manga. This is so much fresher than a Tarantino, I like better this genre ! Tarantino takes himself way too seriously ! I regret though that the girls seem to not be enough professional, and that there was not more action. I really missed the action ! But the poetic sweet mood is very innovating, I'd like more of this please. Loved this line "What's with the cookies?! Wait, what if it's only the tip of the iceberg? What if he also makes brownies ???" Excellent !

Violet (Alexis Bledel) and Daisy (Saoirse Ronan) are two innocent looking hired guns. Daisy just turned 18. They worship style icon Barbie Sunday. Russ (Danny Trejo) has an easy gig for them. The Guy (James Gandolfini) stole from their boss Chet. However the job gets a little more complicated.

Precious screenwriter Geoffrey Fletcher tries to do a Tarantino style assassin movie. He has the central concept of girls with guns. He brings in a Gilmore Girl and the great Saoirse. He has Gandolfini who always has his A game. However he doesn't have the sharp quirky dialog or any new inventive style. This is rather bland. Despite all the great pieces, it doesn't add up to anything interesting.