Paranorman

I recently watched again, and reviewed here, MONSTER HOUSE, which is, like PARANORMAN, an animated horror movie for kids (actually, both feature as main character a boy who has a fat-and-funny friend). I'm not sure if MONSTER HOUSE appeared in the great Fangoria magazine, but PARANORMAN did. I was already interested in watching it on the big screen when I found out the Fangoria coverage, which was just the plus. I was interested for the obvious reason: stop-motion material from the people responsible of CORALINE (not Henry Selick tough). This is clearly the sort-of little stop-motion film of year (and I said sort-of little since it had a pretty big publicity campaign here in Mexico City) while Tim Burton's upcoming FRANKENWEENIE is like the big and long-awaited one.

There is some good news. While we wait to found out if Burton finally does something great after almost 10 years, here we have a film that will give movie geeks really cool stuff. Needless to say, kids won't enjoy some of the elements that most likely you will, fellow reader. Well, you will if you're into very cool horror tributes, in the way Quentin Tarantino would be proud, and nice takes on witch-hunt… and into zombies, of course. Talking about the zombies here, well, I recalled what Guillermo Del Toro's said about CRONOS; he said basically that the vampire from his film is like the saddest vampire ever. I won't say much, only that here we can think in the zombies as sad and confused human beings. The main character Norman is not the classic happy kid as well; you'll love him by just seeing his liking for horror – actually, not every day we have an animated movie that opens like something out of a Grindhouse. And there's good humor (and McLovin as a bully with stretched piercing – I watched the 2D Spanish dubbed version tough), so yes, it's worth watching!

*Watched it on 08 August, 2012

ParaNorman looks like a throwback to the good old campy stop-motion animated films. The concept may not sound so original, but the designs and the themes of the story are the main appeal here. The movie is fun and wonderful to look at. While it goes through a crazy adventure comedy, there is a surprising twist that made this so endearing. It is something that we don't usually see in an animated film, but because of that we intend to love it. ParaNorman is funny, creepy, smart, and affecting.

ParaNorman is oddly different as an animated family film. Unlike the others, this one has a dark and mature context, but by sentimental means. Although the story is about spirits and zombies, the true core of this film is the emotion and the message that it is trying to show us. There's a couple of moments that are quite affecting. Usually is when Norman is being alone in his gloomy life. In other parts, the film is ought to be funny. The comedy sometimes feel way apart from the drama, but they still work anyway.

The stop-motion animation indeed looks marvelous. These little figures really brought themselves to life as their voice actors provide their personalities. The campiest part, the zombies, are quite impressive to look at. It's undeniably solid. The music score sure knows which part is suppose to be gloomy, campy, or just ordinary. It's a great effect to the scenes and you'll love it. The rest of the movie is all ridiculous and fun little set pieces that are entertaining enough to enjoy.

ParaNorman is surprisingly strong. The depth of the story made this movie so special. It's still filled with comedy and lightheartedness. In the end, it turns out to be endearing. It's a rare kind of family film that is brave to show what it wanted to show. It might be hard for some to understand its sentiment, but if there's anything else why anyone would like this film then it's because of its majestic animation. ParaNorman is simply great and it's easy enough to recommend.

Stop motion movies always have a certain endearing quality and ParaNorman is no different. Norman is a unique, instantly likeable protagonist who earns a lot of sympathy for his struggles. This is the basic layout for the story, which isn't super deep, but is cute enough to compensate. I loved the horror aspect of the film and the comedy is pretty on point. There are some good twists on classic tropes that subvert expectations too. Laika has a strong track record and ParaNorman is another hit for the little studio that could.

The thing of it is, ParaNorman is pretty scary stuff for a PG movie, so you've been properly warned. This isn't some over-sanitized Disney movie. Everything from the lighting to the characters to the tense plot adds up to something you wouldn't want your six-year-old to drag you to, unless you don't mind paying for some therapy. But it's a terrific movie, with a style all its own and a madcap sense of ghoulish delight.

Norman (voice of Kodi Smith-McPhee) is an outcast. Know why? He talks to dead people. And indeed, we see them as well, chatting with our hero along his walk to school. Oh, and his grandmother (voice of Elaine Stritch) talks to him all the time while sitting on the couch in the living room. No one understands poor Norman, who's as resignedly freaked out as Haley Joel Osment in the Sixth Sense, so he has no one to talk to, not his parents (Jeff Garlin and Leslie Mann), not his sister (Anna Kendrick), and not the school bully (Christopher Mintz-Plasse) for sure.

It's only when Norman has an episode during the production of a school play (not coincidentally, about an old legend surrounding the town's dark past) that he gains a friend - another outcast, the portly Neil (Tucker Albrizzi), who teaches Norman that it's best not to let people bother you, to not let them get under your skin. Had the story ended there, we may have had a nice, tidy after-school special. Oh, but it does not! From out of almost nowhere, Norman's black-sheep uncle, Mr. Prenderghast (John Goodman), a heavily bearded, slightly loony chap, informs Norman that he - Norman! - must take the mantle of He Who Holds Off the Witch's Curse. Mr. P. has been doing it for all these years, but he thinks he's about to go. He warns Norman that it's all up to him and he must read from the book and then he dies. That was an intentional run-on sentence, for your pleasure.

Thereby our plot is set in motion! Norman must extricate said book from the dead uncle and then read it by the witch's grave in order to break the curse that no one really believes is real. They don't believe it on account of Mr. Dead Uncle has been reading from the book for his entire life, and someone before him, and so on. But now Dead Uncle is, you know, demised, and just before the witch is to rise from the ashes and wreak havoc! Oh, I should note that the curse goes like this - a little girl was suspected of witchcraft by the town elders and sentenced to death. So you can see why she might want to haunt those elders and the town itself for all eternity.

There are people raised from the dead, and the imagery is quite striking; bones, stringy hair, rent clothing, and the ability to remove an appendage and reattach it. Are these - uh - zombies - out to lay waste to the town? Or are they victims of their own device? It's up to Norman, his brain, and his innate ability to talk to dead people to somehow save the day. Despite being grounded, of course.

ParaNorman works on many levels. Adults will love the stylish, almost Gothic atmosphere; older teens will love the menace of both the zombies and the townspeople, not to mention the witch herself. There are, for an animated film, plenty of scares and dark themes - slightly offset by the themes of loneliness, friendship, heroism, and getting adults to just listen to you. For once! Ahem. Anyway, there's a sort of beauty in ParaNorman, as horror and light comedy are somehow blended to form a rich animated film.

Yes, like most "kids" movies, it had it's corny, funny, sometimes just plain silly parts, but... Paranorman left me pleasantly surprised. First and foremost, if you didn't like this movie because you compared it to Caroline, that's your problem. This movie stands well on its own and it's completely unfair to make comparisons. By the time the movie had finished, the beauty of it shone through and, without hesitation, I would say it stands up very well against "blockbuster" films designed for mature audiences. It's neither vulgar or obscene, but there are a few parts in the movie that will go straight over the youngster's heads but you will most certainly get it if you're over the age of thirty and haven't been living in a cave. If you take your kid(s) to see this, be ready; there are a few intense scenes that might have them a little frightened. Regarding the poor guy who didn't want to see the Expendables 2, I didn't see it, either, but I sure heard it. They poorly placed this movie the very next theater over from it.