30 minutos o menos

The film's plot is just how it is presented, so I will just focus on where the film fell short despite all the ingredients for success.

I saw the trailer for this and was hoping for a good, not great, summer comedy. The quality of writing in this genre can be difficult to predict based on trailers because we see two minutes of footage trying to bring us to the theater, which often leaves the best jokes spoiled before the first minute. The main reason I chose to watch 30 Minutes or Less was because of Jesse Eisenburg. Coming off of his solid performance in The Social Network and his previous roles in comedy, surely he is in a position to wait for a good script.

There is a good cast here of actors who have had supporting roles or just a brief scene in big comedies over the past few years (Aziz Ansari and Nick Swardson in particular), who outside the comedy circuit aren't recognizable names yet. Danny McBride is getting perfect at playing this kind of character (the drug dealer in Observe and Report comes to mind) who projects the pure alpha male ego and aggression of someone of authority - all while misusing every quote, saying and fact considered to be common knowledge.

I just erased a long analysis of my gripes, which aren't necessary to explain in such detail. The script was just flawed for comedy in my eyes and no one could save it. Mainly, the movie went back and forth between crazy but theoretically possible and not trying at all to seem believable. The characters are sometimes exaggerated kinds of people that exist and those who cannot, and with whom no one could relate to. Good comedies require more than lots of good jokes and actors. It all must come together in some way that works on the level presented, because context is what humor plays off. The best jokes of the film could be put essentially anywhere in any film and work the same.

This could have been a fun movie...there is a plot, the casting is good...but once again, we have a prime case of screen writers who really aren't. It's as if, in half the movies these days, and this is a perfect example of one, the writers have no clue as to how to write dialogue, so they decide to talk dirty for an hour and a half and call it good. It isn't. It's awful. If this is still the remains of trying for shock value in movies, it doesn't work anymore. It's boring. It's dull. It's repetitive. Viewers don't want shock value. We want entertainment. Somewhere out there in Hollywood land, there have to be writers who can actually write - who have imagination - who have creativity. But, unfortunately, none were hired for this movie. Blah!

Though the screenwriter Michael Diliberti denies it, it's pretty clear with the striking similarities that 30 Minutes or Less is trying to mirror the 2003 incident where a pizza delivery man was forced to rob a bank with, what he thought, was a fake bomb around his neck. Unfortunately it wasn't, and the bomb exploded killing him. Diliberti was said to be "vaguely aware" of it, but after you watch the film, then read the story, it becomes pretty clear that he was more than that.

30 Minutes or Less is a highly energetic comedy with many laughs, but way too many action set pieces. It relies on that instead of the chemistry between Jesse Eisenberg and Aziz Ansari. The film is about Nick (Eisenberg), a pizza man who promises your pizza in thirty minutes or less. His best friend Chet (Ansari) is disgusted when he learns that Nick is sleeping with his twin sister Kate (Vadsaria). They fight and then go on with their merry way.

Meanwhile we are also introduced to Dwayne (McBride) and Travis (Swardson), two losers who work for ten dollars an hour cleaning Dwayne's father's pool. Dwayne's dad (played by Fred Ward who scores some of the biggest and dirtiest laughs in the film) was in the military and won the ten million dollar jackpot on the lottery years ago. He spends his money worse than a drunken sailor on big screen TVs, pools, and cars, but somehow has managed to not blow all ten million yet. This causes much dismay amongst Dwayne who is sick of his father's spending habits and his unpleasant personality.

One night at a strip club, a dancer convinces Dwayne that she should call her hit-man (Pena) to kill Dwayne's father so he can inherit the money so that she can make quite a few bucks off of him. The problem is that the hit-man needs $100,000 or he won't do it. So, Dwayne and Travis call an unsuspecting pizza man, who of course has to be Nick, strap a bomb vest to him, tell him that he needs to rob a bank in less than ten hours or the bomb will detonate. When he gets the money he'll be given a code that will disarm the bomb.

That is one bloated comedic premise, and it astonishes me everyone in the film is stupid enough to actually go through with all that. Director Ruben Fleischer who worked with Eisenberg on Zombieland two years ago has unfortunately made him take about ten steps back from the genius he played in The Social Network.

Eisenberg and Ansari seem like they could assist in making some lovable, Harold and Kumar-like chemistry. The problem is the film doesn't ever want to let the characters go off on their own, and at the fear of the audience becoming bored, they decide to throw in so many cliché action set pieces. Once the heist happens, the film doesn't have any purpose else so it decides to throw in a bunch of typical twists and turns hoping to extend the plot past an hour and twenty minutes. It already barely sustains a full length film.

30 Minutes or Less does pack in some pretty heavy laughs, most of them coming from Aziz Ansari as he shows why he should be involved as the lead in more R-rated comedies. He's different and funnier than most comedy actors and he almost compliments the mediocre Danny McBride and Nick Swardson. All I can say is that 2011, along with Your Highness, has not been a kind year for Danny McBride. And when considering Bucky Larson: Born to Be a Star it hasn't necessarily been Swardson's year-to-remember either.

The premise is cute, the actors are energetic and lively, and some big laughs are achieved. Ultimately, this is the work of a first time screenwriter and instead of working on something much, much easier, he decided to dive into a film with sizable stars with basic skills. I wouldn't mind seeing Jesse Eisenberg and Aziz Ansari in a film together again, in fact, I'd commend it, but hopefully next time they'll be in a film where there is more laughs and less yelling.

Starring: Jesse Eisenberg, Aziz Ansari, Danny McBride, Nick Swardson, Fred Ward, and Michael Pena. Directed by: Reuben Fleischer.

The second feature film from Zombieland director Ruben Fleischer (but not the same film's writers) is ostensibly an "original" comedy, but borrows heavily from the true case of a pizza delivery guy who got kidnapped by two crooks, strapped with a bomb and forced to go and rob a bank. In his case it was not a comedy at all, and the guy did die (the bomb was also strapped to his head, kind of a different and more f***ed-up scenario this film wouldn't touch even if it could try). But for Fleischer and company, who needs to make it all dramatic? Or even make much sense in terms of plot?

The movie carries its moments, mostly through improvisation (or what would appear to be just going off on small tangents by actors like Danny McBride and Jesse Eisenberg, the latter the pizza guy who gets the bomb strapped to him by McBride and his co-hort). And there were even those few moments where I found myself laughing hard at the actors' repore, especially when Eisenberg and Aziz Ansari get into a good groove riffing off each other about, say, their foolishness in messing each other's respective ex-girlfriends and/or sisters. And the actual bank robbery carries some real thrills (if capped by a mediocre car chase aided by some weak 80's car-chase parody).

Ultimately I couldn't get over how needlessly complicated the plot was in McBride's plot to knock off his father, played by Fred Ward (who actually steals his scenes completely as a crazed ex-Major who won the lottery), as a plot to make millions comes down to a pizza delivery boy. Perhaps if Elmore Leonard was brought in for a rewrite it could've been made brilliant.

As it stands it's a stupid story perked up by a stupid series of comic-suspense set-pieces as Eisenberg and Anzari prepare for the robbery. For some the crazy hijinks will be enough. For me, it could have done a lot more, despite the principal cast members doing their best to bring it up to something better.

While some movies boast both an intriguing premise and a strong plot, this particular film failed to capitalize on these potential strengths. Despite its low budget, the execution by the makers and actors left much to be desired, resulting in a poorly made mess. My initial expectations were met with disappointment, even though I approached the movie with a positive mindset on a Saturday night. However, it's not all bleak; there are sporadic moments of comedy and a decent storyline that salvage it from being a complete disaster.

Though the movie may not leave a lasting impression, it does offer some entertainment value, making it suitable for passing the time. While it falls short of greatness, it can serve as a diversion for a laid-back viewing experience.