7 Khoon Maaf

I went to watch 7 Khoon Maaf today. I had been waiting for this movie for quite some time. Based on the short-story by Ruskin Bond's short story "Susanna's Seven Husbands", starring Priyanka Chopra (as Susanna) was enough to get me excited. Susanna, who leaves behind a trail of dead husbands.

Movie was good, not great. But since it is not a clichéd overdone love stories it was fun to watch something different for a change. Before I go and tell you about what I didn't like about the movie, Priyanka Chopa has indeed done an amazing job as Susanna and that it premiered in 61st Berlin International Film Festival, which I think is a big deal.

First half hour of the movie, I was wondering if it was a bad joke. The nightmare of sitting through another "Whats your Rashee" was daunting. But as the movie progresses, it did turn into something amazing. Though I was never too engrossed in the movie or brooded for Susanna or her husbands, it was a good watch. Oh! And now I know what a black comedy is.

For all the moviegoers, I would say go watch it, it is watchable. For those who want something more, it is not worth it.

Who says its difficult to find a good script these days!Direct those people to Vishal Bhardwaj who again shows us as he has done many times before that you just have to know where to look!

Agreed you know most of the story on the papers and TV, but is there anything else that could draw you attention to one of the most artistic yet satisfying movies of the year.

All the 6 husbands and the mysterious 7th one are played impressively and effectively by all the actors that you genuinely feel the difference in the characters. Everyone makes a lasting impression probably depicting various nuances of the male psyche and end up in the coffin just for doing so!

Having said that its far from a feminist movie, the director doesn't really want to elicit sympathy for Suzanna nor does he make a point that all the killings are justified.Therein lies the shrewd wickedness of the director who also manages to insert real life events of the past 2 decades into the script which are discreet yet unmissable.

Yes the narration is linear and simplistic, doesn't hold back any surprises, but after you sit down to watch the movie draws you in completely and gets satirical, black and comical at times as the story smoothly sails along.

Music and background score add to the artistry and Priyanka Chopra breaks new ground playing the difficult role of Suzzana with a daring elan.

Watch it for her and for the filmmakers who are taking Bollywood to a new level.

Saat Khoon Maaf is a daringly different film that falters under the weight of its own ambition. Bhardawaj has taken great care in crafting the aesthetics; every frame is splendid, from staging to cinematography and costume/sound design. From the panoramic vistas of Pondicherry, Kashmir, and Moscow, to the hushed, dark tones used for the grittier portions of the tale, the film is dripping with ambiance and style. In Bhardawaj style, this is a dark, brooding work in lieu of other genre favorites such as Sympathy for Lady Vengeance & Kill Bill. Though not as hyper-stylized as those films, 7 Khoon Maaf has a far more engaging, drawn out plot that is involving and emotionally fulfilling, yet ultimately disappointing due to a few of the stories being half-baked. At times, it seems that Susanna's (Priyanka Chopra) faults with each husband she eventually murders is of her own vocation, stemming from rushing into one affair after another. For the majority of the film, however, the outcome of these relationships is rightfully on the masquerading male, each with a fatal flaw that is hidden until the knot is tied. The ultimate problem with the narrative is not with the flaws, but the majority of her husbands are not fully developed, for the most part their personalities and actions seem archetypal and single-minded. To Bhardawaj's credit, the majority of the supporting characters are three-dimensional, especially Susanna's adopted son Arun & her servants. Moreover, Susanna's emotional plight resonates and the conclusion is affecting and satisfying. Priyanka Chopra owns every frame of the film. Susanna's character is one that is rarely seen in Hindi cinema, her ability to display the complexity and various shades of Susanna across a period of sixty-years cements her position as an actress of great depth. While this is by far her best role, this is not Bhardawaj's most accomplished film. As daring and innovative as the theme and treatment of the film are, the lack of depth afforded to Susanna's husbands ultimately affects the films narrative and emotional quotient. Even so, the screenplay is engaging, the film looks decadent, and Ms. Chopra's brilliant performance is worth a watch and a few accolades.

Firstly, I would like to applaud Vishal Bhardwaj for pulling off this caper. Adapting books into movies is hard enough but to adapt such literary dark comedy into Indian cinema is even harder. He has made everyone in this film act, and not just deliver their lines as seen in most Hindi movies these days.

I don't think the Indian audiences have seen something like this before. How many dark comedies are made here anyways? Coupled with concepts that most people would not relate to.

Priyanka Chopra has shown her acting prowess before. But in this movie she has really pushed herself. I think there are movies that show a person's acting talent and this movie really explores Priyanka's acting skills and does her justice. I think only she could have carried a role such as this. I would not like to pick apart her work, but the only thing in her acting that bothered me - was as she aged, even though the makeup did a great job of depicting her age, her mannerisms, speech showed no changed. She could get up easily even when she played a much older woman. But besides that Priyanka's work is definitely a 10/10.

Vivaan Shah who is a central character in the movie is fresh faced and fun to watch on screen. I really like the scene in which he laughs nervously at a funeral.

All the actors who played Susanna's husbands did a great job. The one that surprised me the most was Neil Nitin Mukesh. He outdid not only his contemporaries but also some of the senior actors in the movie. John Abraham has also played his role of a cocaine addicted, hedonistic, musician of a husband to his best. In an industry were most young established actors would consider such roles as career suicide, these two actors (John & Neil) have ventured out of their comfort zones to play such complex roles. So special kudos to them.

The other actors (Naseeruddin Shah, Annu Kapoor, Irfan Khan, Aleksandr Dyachenko) have all played their part well, some have more smaller parts than the others. Some of their exits not entirely justified by the plot. Among them one of the most challenging roles maybe the poet/pervert husband played by Irfan Khan, but then again few actors can do justice to a role like Irfan does.

I don't see this movie being a blockbuster but definitely a movie that will be talked about for a while. It may not bring in the big bucks but its definitely brought out the talent in this cast. The cinematography is superb especially the scenes captured in Kashmir, the ones through the carved wooden frames bringing in the right feel and atmosphere to the movie.

I think this movie will be for Vishal Bhardwaj what The Village was to M Night Shyamalan. Not everybody will get it but those who do will most certainly enjoy it!

The negative reviews this movie was given upon release did not discourage me from watching it, and I'm very happy for that, because I really enjoyed it. Okay, 7 Khoon Maaf is not the best movie of the year, nor is it Vishal Bhardwaj's best, but it is just good enough to make for an interesting watch. I was fascinated by the concept of a black widow who kills all the many of her husbands. The fact that it was directed by Bhardwaj, one of the finest directors in the Indian film industry made it more promising for me. This is the story of Susanna Anna-Marie Johannes and her constant search for happiness. She is beautiful, attractive, and she badly wants to be a wife to the ideal husband, but alas, in each of her husbands she finds major flaws which make them quite impossible to live with. The first is possessive, crippled, insecure and jealous; the second is a singer whose growing fame makes him start cheating on her and using drugs; the third is a sadomasochist; the fourth is a Russian spy who turns out to be leading a double life, having another family abroad; the fourth is a police inspector who Susanna reluctantly marries because he knows her secrets; and the sixth is a doctor who saves her life at first, but later tries to kill her in order to inherit her property. Well, six husbands there are and one may wonder who the seventh husband is... well, this is a secret that will be uncovered when you see the film.

With every husband, Susanna tried hard to handle the situation and believed she could change something, but when she realised she could not, she chose the easiest option of killing them. Each time, she was assisted by her faithful servants who loved her unconditionally. 7 Khoon Maaf is one very ironic and entertaining story which is very well executed. Bhardwaj's direction is excellent, and the film is dark and humorous. The cinematography is fantastic and the music also fits the film's mood to the max. I did not find the pace problematic at all, and according to me the movie flowed well. Of course, everything in the film depends on the character of Susanna, and it is a great, nuanced role which is written and presented very well. I badly tried not to sympathise with Susanna's character, but I failed. It's simply because despite everything, she is not presented as a villain but more as a victim. Of course nothing can justify what she did, but the thing is that she herself is actually portrayed as a caring, dedicated person who is just not ready to live in pain and wants to be happy. Additionally, each one of her husbands is a negative character and a semi-monster of sorts, more or less, so it was easy to dislike them. Not even once did I feel for any of them. More than anything, however, it is the film's darkly comic tone which makes the audience take everything easily and never worry too much.

Priyanka Chopra plays the film's main protagonist, and this modern femme-fatale is probably the best role of her career. Chopra really tries her best, but while she does well enough within the parameters of the film and is quite effective throughout, one thing is sure: she is not the best choice for the part and one can easily imagine this role played with much more conviction by a more competent actress. In all fairness to her, at times she is so good that she manages to outdo herself, but in most parts you just want more, or actually less. Chopra is a very sexy young lady, but something is missing there, and maybe it's just because she is not a mature enough actress and does not know when she has to push the right button. She does not really register the complexity of Susanna and her mysterious nature. It's a role that requires an actress who has the correct mix of beauty, sensuality and talent. Someone like Rekha in her younger days would have been a perfect choice for this part, because she had the ability to create a deeply troubled and at the same time cryptic and enigmatic persona. Having said that, it is Chopra's film and the guys are there only to support her. All of them do very well, but those who impressed me the most are Annu Kapoor as her fifth husband, and Vivaan Shah, who is the film's narrator. I recommend you to watch 7 Khoon Maaf, it's an impressive picture and an altogether worthy effort.