Metal Hurlant Chronicles
- Serie de TV
- 2012–2014
- 22min
CALIFICACIÓN DE IMDb
5.7/10
1.9 k
TU CALIFICACIÓN
Cada episodio es una historia ambientada en un mundo diferente, con las historias vinculadas por un asteroide llamado Metal Hurlant, que está pasando cerca del planeta que es el foco del epi... Leer todoCada episodio es una historia ambientada en un mundo diferente, con las historias vinculadas por un asteroide llamado Metal Hurlant, que está pasando cerca del planeta que es el foco del episodio actual.Cada episodio es una historia ambientada en un mundo diferente, con las historias vinculadas por un asteroide llamado Metal Hurlant, que está pasando cerca del planeta que es el foco del episodio actual.
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Opiniones destacadas
When you watch bad science fiction, it can be nearly as mesmerizing as watching excellent science fiction. I've probably watched 'judge dread' as many times as I have 'the man from earth', or 'chronicles of Riddick' as many times as 'the color of magic', for very different reasons obviously. The problem that I am left with in the show, is that it isn't entirely bad. The bad parts are funny, like the line "2000 light years away, that's at the end of the universe." Wait, what? It is kind of disturbing that the writers thought that was true. or did they? are they intentionally writing bad dialogue to be funny? I'm not sure. But, make no mistake, the writing is terrible, intentionally, or not, which if you are in the mood, is actually bad enough to be funny. Some people are saying the rest of it is bad, and I disagree. Makeup, graphics, staging, and cgi are all done fairly well, there are points where you can see they clearly didn't have the money to make it perfect, but this isn't the hobbit or star wars, it is a low budget TV miniseries. All of the aforementioned areas seem authentic, and well done, if not perfect. Where it gets weird is that I almost feel bad for the actors. You see moments where acting talent comes through, and no matter how talented you are, you can't make dialogue that isn't researched or thought out, which often reads like stage directions, into Shakespeare, you just can't. Normally in bad scifi you get terrible actors like vin diesel in chronicles of Riddick, or Stallone in judge dread, but some of the actors here actually have some level of talent, detracting from the humor of it. When you hear Vin Diesel respond to the line 'how do you get eyes like that?' with 'you've got to kill a lot of people' it is almost transcendently terrible. When you hear Joe Flannigan of stargate atlantis fame say that it is 2000 light years to the end of the universe, that just breaks your heart a little. If you are looking for advice on whether to watch of not, I'd say give it a go for a good laugh. I for one will probably keep watching for that reason.
i have a pretty high tolerance for science fiction, even goofy campy science fiction, heck i liked lexx, but this the some serious dreck. a few of the episodes rise up towards mediocrity... sort of like a bad episode of the 80s show "tales from the dark side", with obviously telegraphed twist ends and sub par acting but at least a decent narrative structure and look. the others look like they are plays written and produced as class assignments for a middle school creative writing class and acted by people banded from normal TV for gross incompetence. i'll admit some of the problems may be from the source material, i remember the magazine when i read it in the 80s had a tendency toward ham handed plots and obvious twist endings, but you would think the producers would have at least cherry picked their story lines from the publications long run of issues.
Back in the 80s this would have been heralded as something quite special, and possibly even, cutting edge. Unfortunately, although still entertaining, this is poorly executed and a real missed opportunity.
I've been a fan of the Heavy Metal magazine ever since the early 80s, and although it could be regarded as sexist, misogynistic, puerile and overly graphic, especially today, it still has been the spawning ground for some pretty state-of-the-art stories and artists. The late great Jean (Moebius) Giraud being one of many that were ported over from Metal Hurlant to Heavy Metal.
This is why I find it sad that the Metal Hurlant Chronicles is so bad. The stories are hit and miss, some a lot better than others, the acting verges on laughable and the special effect.... well, some of those are not too bad to be fair.
To be totally honest, the first season was not too bad, and did have some pretty good stories. But the second season.... what the hell happened...!?!?!?!?!? The stories and acting took a nosedive. At the end of most the episodes I sit there thinking "Is that it????!!!!???" No clever twist or sting in the tail. Just a dull end to a dull story. I watched the episode "The Second Son" last night. Truly awful.
So my advice would be: > Switch your mind back to 80s thinking. > Maybe have a beer or 2. > And only watch the first season.
For the sake of nostalgia and that the first season is passable, I'll give it 4 stars.
I've been a fan of the Heavy Metal magazine ever since the early 80s, and although it could be regarded as sexist, misogynistic, puerile and overly graphic, especially today, it still has been the spawning ground for some pretty state-of-the-art stories and artists. The late great Jean (Moebius) Giraud being one of many that were ported over from Metal Hurlant to Heavy Metal.
This is why I find it sad that the Metal Hurlant Chronicles is so bad. The stories are hit and miss, some a lot better than others, the acting verges on laughable and the special effect.... well, some of those are not too bad to be fair.
To be totally honest, the first season was not too bad, and did have some pretty good stories. But the second season.... what the hell happened...!?!?!?!?!? The stories and acting took a nosedive. At the end of most the episodes I sit there thinking "Is that it????!!!!???" No clever twist or sting in the tail. Just a dull end to a dull story. I watched the episode "The Second Son" last night. Truly awful.
So my advice would be: > Switch your mind back to 80s thinking. > Maybe have a beer or 2. > And only watch the first season.
For the sake of nostalgia and that the first season is passable, I'll give it 4 stars.
The Metal Hurlant Chronicles is a good series. It is similar to The Twilight Zone telling six different stories. After seeing all six, I like the series very much. The stories have different themes and are good. Each one makes a person think. The producers hope to make more episodes telling new stories. I personally enjoyed Joe Flanigan's episode. The story was really good and Joe's acting was great. Hopefully, the series will be seen in the US. Right now, it can be seen in Europe on different networks and different channels. The series has been released on DVD and Blu-Ray in France. The producers are working on releasing the series in Australia on DVD and Blu-Ray
I would suggest that you go into this show thinking of it as more of an SF "cartoon" than a high concept SF show. There is some ok stuff going on in this show here and there, but its not Black Mirror, and unfortunately, it seems like the writers for this show are more like "professional" writers than they are genuinely imaginative. The successful pieces only happen occasionally, and even then, it's never quite as compelling, or even as weird, as it should be.
I have nothing against pop SF that is more candy than science, but with this in mind, this could have been a better show if they had perhaps found better writing. The ideas behind most of these episodes don't feel fleshed out or well constructed. In fact, many episodes feel like they are padding out the stories in order to fill the time requirements. Sometimes the show does hit a cool note, but if you compare this to other SF shows doing a similar thing (Black Mirror, Electric Dreams, or even Dimension 404) this seems the least inspired, which might seem perplexing to some, because the writers for this show are supposed to be some of "the best" comic book writers in the industry. Well, this is misleading. Most of these writers are well known comic book writers, but rarely does that equate to being the most inspired or creative, unfortunately. They are just names that everybody knows because they have been around for so long.
Metal Hurlant was originally a hugely successful adult comic book/magazine that hit its height of popularity in the late 70s and through the 80s. The magazine has managed to stay around in one form or another, and most of these episodes are taken from material that is relatively new. Originally Metal Hurlant was never really a high concept venue as much as it was an experimental venue. It thrived on trying new ideas and had a huge span of variety in style and substance. It was punk rock and edgy, entirely unconcerned with PC politics or standards of professionalism. It thrived because of it's willingness to explore. The rebel spirit that was a pervasive part of the independent comic scene in those days is really all but dead, across the industry as a whole, which is much more focused upon the abstract concepts of professionalism and sell-ability than being motivated by compelling creativity. You would think that this should essentially be the same thing, but in fact it isn't, and its a mindset that produces different results.
This show sometimes peeks through the window of the past and find some of that original glory, but it too often feels more sterile than it should. I get the sense that the producers of the show wanted to capture something of the old days for a new generation, but the material just doesn't pull out enough mystery or surprises.
My recommendation is to at least try it, and skip the weaker episodes. There is some ok stuff here and there, especially if you like SF, but don't expect the cutting edge.
I have nothing against pop SF that is more candy than science, but with this in mind, this could have been a better show if they had perhaps found better writing. The ideas behind most of these episodes don't feel fleshed out or well constructed. In fact, many episodes feel like they are padding out the stories in order to fill the time requirements. Sometimes the show does hit a cool note, but if you compare this to other SF shows doing a similar thing (Black Mirror, Electric Dreams, or even Dimension 404) this seems the least inspired, which might seem perplexing to some, because the writers for this show are supposed to be some of "the best" comic book writers in the industry. Well, this is misleading. Most of these writers are well known comic book writers, but rarely does that equate to being the most inspired or creative, unfortunately. They are just names that everybody knows because they have been around for so long.
Metal Hurlant was originally a hugely successful adult comic book/magazine that hit its height of popularity in the late 70s and through the 80s. The magazine has managed to stay around in one form or another, and most of these episodes are taken from material that is relatively new. Originally Metal Hurlant was never really a high concept venue as much as it was an experimental venue. It thrived on trying new ideas and had a huge span of variety in style and substance. It was punk rock and edgy, entirely unconcerned with PC politics or standards of professionalism. It thrived because of it's willingness to explore. The rebel spirit that was a pervasive part of the independent comic scene in those days is really all but dead, across the industry as a whole, which is much more focused upon the abstract concepts of professionalism and sell-ability than being motivated by compelling creativity. You would think that this should essentially be the same thing, but in fact it isn't, and its a mindset that produces different results.
This show sometimes peeks through the window of the past and find some of that original glory, but it too often feels more sterile than it should. I get the sense that the producers of the show wanted to capture something of the old days for a new generation, but the material just doesn't pull out enough mystery or surprises.
My recommendation is to at least try it, and skip the weaker episodes. There is some ok stuff here and there, especially if you like SF, but don't expect the cutting edge.
¿Sabías que…?
- TriviaStories taken from the original Metal Hurlant or Heavy Metal Magazine are; Season 1 Episode 1 King's Crown Based on King's Crown by Jim Alexander & Richard Corben from Métal Hurlant 142, and (Vol.2) 10 and 2 Episode 2 Shelter Me Based on Shelter Me by Dan Wickline & Mark Vigouroux from Métal Hurlant 142, and (Vol.2) 9, and. 1 Episode 3 Red Light/Cold Hard Facts Based on Red Light by Geoff Johns & Christian Gossett and "Cold Hard Facts" by R.A. Jones & Matt Cossin from Métal Hurlant 141, and (Vol.2) 2 ("Red Light"), and (Vol.2) N 8 ("Cold Hard Facts"), and 1 Episode 4 Three On a Match Based on 3 on a Match by R.A. Jones & Ryan Sook from Métal Hurlant 139, and 1 Episode 5 Master of Destiny Based on Les Maîtres du Destin by Alejandro Jodorowsky & Adi Granov from Métal Hurlant143, and (Vol.2) 10 Episode 6 Pledge of Anya Based on Le Serment d'Anya by Julien Blondel & Jérôme Opena from Métal Hurlant 146. Season 2 Episode 1 Whiskey in the Jar Based on Whisky in the Jarbby Jim Alexander & Gérald Parel from Metal Hurlant (Vol.2) 14, and (hardcover) 2 Episode 2 The Endomorphe Based on Endomorphe by Stéphane Levallois from Metal Hurlant (Vol.2) 14, and (hardcover) 1 Episode 3 Loyal Khondor Based on The Loyal Khondor by Alejandro Jodorowsky, Pascal Alixe, and Dan Brown from Metal Hurlant (Vol.2) 4. Episode 4 Second Chance Based on Second Chances by James MacDonald, Jorge Pereira Lucas, and Dan Brown from Metal Hurlant (Vol.2) 5, and (hardcover) 1 Episode 5 Second Son Based on The Second Son by Brian Robertson & Fred Beltran from Metal Hurlant (Vol.2) 13, and (hardcover) 1 Episode 6 Back to Reality Based on Reality Check by Jim MacDonald & Francis Tsai from Métal Hurlant (hardcover) 1
- ConexionesVersion of Universo en fantasía (1981)
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What is the French language plot outline for Metal Hurlant Chronicles (2012)?
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