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Pasajes

Título original: Passages
  • 2023
  • B
  • 1h 31min
CALIFICACIÓN DE IMDb
6.6/10
14 k
TU CALIFICACIÓN
POPULARIDAD
4,987
768
Ben Whishaw, Adèle Exarchopoulos, and Franz Rogowski in Pasajes (2023)
About two men who've been together for fifteen years and what happens when one of them has an affair with a woman.
Reproducir trailer0:31
3 videos
65 fotos
DramaRomance

Trata de dos hombres que llevan quince años juntos y de lo que ocurre cuando uno de ellos tiene una aventura con una mujer.Trata de dos hombres que llevan quince años juntos y de lo que ocurre cuando uno de ellos tiene una aventura con una mujer.Trata de dos hombres que llevan quince años juntos y de lo que ocurre cuando uno de ellos tiene una aventura con una mujer.

  • Dirección
    • Ira Sachs
  • Guionistas
    • Mauricio Zacharias
    • Ira Sachs
    • Arlette Langmann
  • Elenco
    • Franz Rogowski
    • Ben Whishaw
    • Adèle Exarchopoulos
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.6/10
    14 k
    TU CALIFICACIÓN
    POPULARIDAD
    4,987
    768
    • Dirección
      • Ira Sachs
    • Guionistas
      • Mauricio Zacharias
      • Ira Sachs
      • Arlette Langmann
    • Elenco
      • Franz Rogowski
      • Ben Whishaw
      • Adèle Exarchopoulos
    • 45Opiniones de los usuarios
    • 114Opiniones de los críticos
    • 80Metascore
  • Ver la información de producción en IMDbPro
    • Premios
      • 4 premios ganados y 25 nominaciones en total

    Videos3

    Official Trailer
    Trailer 0:31
    Official Trailer
    Passages
    Trailer 1:25
    Passages
    Passages
    Trailer 1:25
    Passages
    Passages (Trailer)
    Clip 1:25
    Passages (Trailer)

    Fotos64

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    + 58
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    Elenco principal21

    Editar
    Franz Rogowski
    Franz Rogowski
    • Tomas Freiburg
    Ben Whishaw
    Ben Whishaw
    • Martin
    Adèle Exarchopoulos
    Adèle Exarchopoulos
    • Agathe
    Erwan Kepoa Falé
    Erwan Kepoa Falé
    • Amad
    Arcadi Radeff
    Arcadi Radeff
    • Dimo
    Léa Boublil
    • Erica
    Théo Cholbi
    Théo Cholbi
    • Jérémie
    William Nadylam
    William Nadylam
    • Clément
    Tony Daoud
    • Tony
    Sarah Lisbonis
    • Sarah
    Anton Salachas
    Anton Salachas
    • Elias
    Thibault Carterot
    • Thibault
    • (as Thibaut Carterot)
    Theo Gabilloux
    • Young Actor
    • (as Théo Gabilloux)
    Caroline Chaniolleau
    Caroline Chaniolleau
    • Agatha's Mother Edith
    Jérôme Dauchez
    • Wine Executive
    François Boisrond
    • Artist No. 1
    Kylian Moison
    • Artist No. 2
    Chloé Granier
    • Martin's Assistant #1
    • Dirección
      • Ira Sachs
    • Guionistas
      • Mauricio Zacharias
      • Ira Sachs
      • Arlette Langmann
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios45

    6.613.8K
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    Opiniones destacadas

    6onefineday36

    Doesn't realise its potential

    Not all films need to be message driven, but I think any director or writer makes a film because they have something to say. In that sense, I'm not sure what 'Passages' wanted to say.

    There was an ample potential to make an interesting social cut in the age of more fluid sexuality. "don't pigeon-hall yourself", "follow your heart"", you could be anything and love anybody"... and so on all sound great, but how it actually works in reality, and how it could clash with the traditional idea of a committed relationship, gender roles, and responsibility of a parenthood. There still are remnants of such questions and reflections in 'Passages'. Problem is Tomas is too big a rotten character and consumes all the drama. He's self absorbed (resulting in being selfish even without a malicious intend), cowardly, dishonest with himself and others, emotionally needy yet wants to dominate the situation, and above all manipulative (oh, and his fashion sense is pretty atrocious, but that's just based on my taste). It makes in contrast his male and female partners innocent victims, leaving very little room for a balanced reflection on sexuality/relationship/gender role issues.

    Maybe a social commentary was not the director's intention. Maybe a character study was the goal? But surprisingly we don't really get to see the depth of Tomas and even less of Martin and Agathe. Why is Tomas the way he is? What was Tomas's relationship with Martin like before the storm? What did Tomas really see in Agathe and the future with her?

    All the sex scenes were fun to watch, but if a character study was the goal maybe the film could have used those minutes more towards... well, to show the character. 'A rotten character ruins the lives of others' is too obvious a conclusion for a character study or even just any old relationship drama.

    Passages is an OK drama. Technically sufficient and actings are decent (though I think it failed to utilize all the potential of such interesting actors as Whishaw and Rogowski). But it left me wondering what it really was all for... or is it just me out of my depth?
    6Xstal

    Man Becomes Ball and Bounces...

    Who knows what routes were taken to be you, the entrances and doorways you've passed through, the aisles and the channels, the thoroughfares you've unravelled, the barriers you've broken and forced through. As you begin a fresh departure from your husband, deploying all your tools, with a brand new hand, falling for French girl Agathe, trying on restyled hat, nipping back to make sure flames are truly fanned. As the music stops you look for a new chair, continuing with conflict and despair, like a ball (a pair even) you bounce around, a kind of yo-yo is unwound, until you're snookered and then left, to go nowhere.
    9evanston_dad

    Master Class in Building a Film Around an Unlikable Character

    "Passages" is a master class in building a film around an unlikable character.

    Franz Rogowski gives a commanding performance full of charisma and sex appeal as a sexually fluid narcissist who can't stand to let anyone around him be happy without him (or even really with him, for that matter). Viewed with a live audience, the movie becomes almost something of a comedy, and it was a hoot hearing the people in the theater with me reacting with more and more vocal disbelief at just what a jerk this main character could be. It's a morbidly fascinating character study -- it's almost like watching a day in the life of a sociopath.

    I should have been exasperated with this character and movie and probably would have been if it had been handled differently. But as is, with Ira Sachs's excellent direction and the film's terrific acting, it's instead one of the best movies I've seen so far this year.

    Grade: A.
    5js-66130

    ANCIEN VAGUE

    More promise than execution, "Passages" tackles twentysomethings navigating gender fluid sexuality with Paris as the backdrop. Welcome to the Tomas, Martin and Agathe dance. Narcissist and disagreeable German film director, Tomas is the unfortunate rotten core here. His marriage to Martin is disrupted by a purely sexual tryst with fetching schoolteacher Agathe, and Tomas can't wait to gush about his walk on the straight side to his husband. Things don't go well.

    An interesting premise for sure, but one that plays out sloppily, without any character development to speak of, unless Tomas' deplorable indifference counts. An ugly persona, with an appearance to match - a patchy beard, gaunt features, a snaky lisp and a horrific wardrobe (which ironically, is getting kudos from GQ) - it's a bit of a puzzle as to his alure. Surprisingly, he's quite dull to boot, which makes for an odd protagonist: a difficult one to hate, or care for.

    "Passages" takes stabs at the French New Wave, dishing up randy youth moving aimlessly through Paris to a jazzy backdrop, but with the exception of a lovely, film-closing evening bike ride, doesn't hit the mark. Without style, the absence of substance dominates this lackluster experience.

    • hipCRANK.
    7ella-48

    Portrait of a self-destructive narcissist

    German film director Tomas (Franz Rogowski) and his British commercial artist husband Martin (Ben Whishaw) have been together for 15 years ...quite an achievement, I'd say, given just how immature, capricious and utterly self-obsessed Tomas routinely shows himself to be. Pretty much the only glue holding them together appears to be the fact that, whatever else may have gone stale between them, the sex is still good.

    Although the script never explicitly mentions it, it would appear that theirs is an exclusive marriage: i.e. There are no intimations given to suggest that it's an open relationship, in which permission to "play away" has been agreed - so when, out of the blue, Tomas finds himself intensely attracted to a 20-something female schoolteacher called Agathe - an attraction he pursues with typically impulsive selfishness and no regard for anybody's feelings but his own - the impact on Martin (and, in due course, Agathe) is just as seismic as you'd expect.

    Essentially what we have here is a portrait of a narcissist, in thrall to his own impulses, manipulative and duplicitous when it suits his purpose, and incapable of facing up to the consequences of his actions. Tomas is a study in arrested development: emotionally he's barely more than a toddler - a little boy who, on seeing a shiny new toy, must have it, and cannot understand why everybody else can't just go with his flow and let him have his way.

    It's a tough challenge to play an unlikeable character and still keep your audience invested in them, but Rogowski pulls it off superbly, showing us that Tomas is as much a victim of his destructive personality traits as is everyone else who falls foul of them. As much as I despised Tomas's behaviour, I couldn't help but find myself feeling sympathy for his damaged soul. In that final night-time bike ride through Paris - having lost, by his own actions, everything of genuine value - he is truly heading nowhere.

    Addendum: In the course of this movie I learned a frankly jaw-dropping, thing - that, in the 21st century, French schools have appallingly lax security: apparently any random stranger can get on the premises and barge into a classroom!

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    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      The film was rejected by both the Cannes Film Festival and the Venice Film Festival. It ended up having its world premiere at the Sundance Film Festival 2023.
    • Citas

      Tomas Freiburg: Martin!

      Martin: Uh-huh?

      Tomas Freiburg: Agathe is pregnant.

      Martin: Did you sleep with me to tell me that?

    • Conexiones
      Referenced in Amanda the Jedi Show: I Watched 45 Movies in 1 Week | 'Talk to Me' and the Best Movies of Sundance 2023 Explained (2023)
    • Bandas sonoras
      Won't You Buy My Sweet Blooming Lavender
      Written by Janet Penfold

      Performed by Janet Penfold (uncredited)

      Also performed by Franz Rogowski (uncredited)

    Selecciones populares

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    Preguntas Frecuentes17

    • How long is Passages?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 10 de agosto de 2023 (México)
    • Países de origen
      • Francia
      • Alemania
    • Idiomas
      • Inglés
      • Francés
    • También se conoce como
      • Passages
    • Locaciones de filmación
      • París, Francia
    • Productoras
      • SBS Productions
      • KNM
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Total en EE. UU. y Canadá
      • USD 551,611
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 63,277
      • 6 ago 2023
    • Total a nivel mundial
      • USD 1,116,810
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 31 minutos
    • Color
      • Color
    • Relación de aspecto
      • 1.66 : 1

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