Sangue do Meu Sangue

This is a movie that i'll never forget. Rita Blanco is in the best (and when i say the best i mean the best) performance i've ever seen in cinema. Yes, i know - i'm Portuguese, it's predictable i would say this is a great movie. But the truth is that Joao Canijo sees the cinema exactly how i see it, going deep on characters and going deep on their misery, always with a peace of comedy and truth in it. it's not a complicated history, the sexual content in it it's not unnecessary and the music background was not written by big contemporany compositors. The only concern of Joao was to make a movie faithful to the inconditional love story behind a poor family with huge problems appearing.

This sprawling drama about a Portuguese family combines melodrama and social realism so inventively that it practically occupies a genre of its own. Writer-director Joao Canijo grounds the movie in vivid observations of the Lisbon public housing complex where much of the action occurs, and his characterizations—developed, Mike Leigh-style, in close collaboration with the cast--have a similarly gritty authenticity. Yet the movie is also richly stylized, with old- fashioned tracking shots and compositions that allow for two conversations at once, and some narrative developments have the force of Greek tragedy. What emerges is an operatic portrayal of the working poor in which each character's struggle seems monumental. Rita Blanco and Rafael Morais are on top of their game with such deep and complex acting that makes us shiver. One of the best movies I've seen, ever! And definitely the best of 2011.

This movie made a strong impact by exposing the scars of a society living on the margins. It humanizes and dignifies the suffering of the working class, refusing any glamourization or easy redemption. Canijo presents characters who live on the edge, doing so with fierce empathy, leaving the audience with the feeling of having lived, if only for a few hours, within that dark and intense universe. This film is, ultimately, a reflection on family love and the cost of survival in adverse conditions, where every choice is a double-edged sword. It is a work that leaves its mark, highlighting João Canijo's power to explore the human condition in its most complex and often uncomfortable dimensions.

SANGUE DO MEU SANGUE is the most recent film from João Canijo, a respectable Portuguese director. Like other movies he has done before it combines drama with realistic "social" cinema in a very personal and distinctive kind of cinematography. In fact in this movie he keeps the same genre of plot, characters, sets, script and camera work he already did in previous works like SAPATOS PRETOS or GANHAR A VIDA. Canijo always does movies about dark themes, showing us the dark side of society.

This one is no exception. It's a powerful drama about a family which live with low recourses in a working-class neighborhood, in Lisbon's periphery. MÁRCIA (Rita Blanco) is a single mother that lives with her daughter CLAUDIA (Cleia Almeida), son, JOCA (Rafael Morais) and sister, IVETE (Anabela Moreira). CLAUDIA is studying in college to be a nurse, unlike JOCA who fell in the world of criminality (without his family to know though…). IVETE is a single woman in her 30s and has a very solitary life… All these characters perform two parallel stories, both quite dramatic and intense… The first one is about CLAUDIA and her relationship with a teacher (much older than her of course) and the second one is about JOCA and the drugs he stole from his dealer, TELMO (Nuno Lopes), in order to make some money; but TELMO will find out and things will not be easy to JOCA…

This movie, which is always set in a context of social misery, shows us these two complex and multifaceted stories about forbidden love, desolation, sadness, misery (social and human...), frustration, betrayal and revenge.

I enjoyed the acting, I think it's generally good, but I have to mention the performances of Rita Blanco, Anabela Moreira, and Nuno Lopes. These actors really do a great job! About the director's work I also think it's good, in his own personal way, but I must say I found a bit confusing those scenes where there're parallel talks (at parts we see parallel conversations in the same scene and it's really confusing to have two pairs of people talking different issues at the same time. Watch these scenes with subtitles would be even better!...).

All in all it's a good Portuguese film and I score it 7/10.

I would have really liked to give this film 8-9 stars. Excellent photography and editing, which make the spectator feel with great realism the claustrophobic atmosphere of the tiny family house of the protagonists and other sceneries of the film. A masterly use of the sounds surrounding the action, with the omnipresent background noise of the TV and the various noises from the neighborhood which add authenticity to the scenes and the story. Very good performances of all actors. And a solid story about the lives of the members of a working class family, with perfectly depicted one-to-one and overall interactions between them, and which develops seamlessly and with increasing interest throughout the film (despite its more than 3 hours of length!). You feel a part of the scene often, understanding the attitudes and reactions of the different personages, each with a particular story at the center of his/her life, yet affected and conditioned by the relation and interactions with the rest of the personages.

Then why that weird soap opera-like twist with references to a Greek myth in the middle of the film???. It adds nothing to it, and instead makes the story less sound and consistent, twisted, and more proper of a TV serial. Few times a very good film was spoiled by so little, but so it is...