Yodha

If I were asked to summarise Yodha in a single word, it would be generic. The protagonist is a disobedient and impulsive army official who can do no wrong and can single-handedly fend off heavy artillery with ease. The antagonists are paper-thin characters whose sole purpose is to spread terror and capture Kashmir(of course!). The action sequences are steeped in nationalism, patriotism and machismo. Oh, and not to mention the physics-defying superhuman stunts. If these are the qualities you are looking for in a movie, have at it, but its tiresome to see the lack of novelty and artistry in Bollywood action films today.

Let us give credit where its due - Siddharth Malhotra is by far the strongest asset of the film, and has a natural aura and charisma that is palpable every time he is onscreen, whether he is punching and shooting his way through the barrage of terrorists raining down on him or sharing a heartfelt moment with his wife. His sheer commitment to the role of Arun Katyal may compel you to forgive some of the nonsensical aspects of the plot. The action is also choreographed and shot surprisingly well, especially considering the modest budget of the movie.

Unfortunately, the rest of the cast does not match Malhotra's level of performance. Disha Patani plays Laila, an air hostess aboard the hijacked flight and reaffirms that her acting isn't still on par with her beauty. Rashi Khanna looks and feels clueless in her performance as Priya Katyal, Arun's wife. The rest of the supporting cast is also disappointing.

The writing is undeniably formulaic and predictable. There is some intrigue and suspense that is established towards the end of the first half of the film. I was interested to see the direction in which the second half would go. Disappointingly, the second half is as predictable as it gets. Attempted twists that fall flat, action that gets tedious as the film progresses and the dialogue is inexcusably bad. It all felt like a missed opportunity to create something genuinely different and unique.

Overall, Yodha is a forgettable aerial thriller that is saved by Siddharth Malhotra's charismatic performance and some decently filmed action.

It may not have done well at the box office, but it will definitely do well in the hearts of his fans. Sid is back with another political/thriller/action type of movie. He has definitely found his niche after the massive success of shershah and i dont blame him for trying to rack up a few movies from this genre onto his resume. He does what is expected of him, and he does it well. He has come a long way from soty. Disha is the suprise package in this and with some meatier roles, she has a good change of becoming the queen bee in a few years. Rashi khanna is irrelevant in her role. There are a few good action sequences and some supense, the later half of the movie drags a bit but overall a good effort and a fun watch.

Wow, did "Yodha" ever deliver! Directed by the dynamic duo of Pushkar Ojha and Sagar Ambre, this movie throws Sidharth Malhotra into a whirlwind of action sequences that are both exhilarating and surprisingly fresh for Indian cinema. The narrative might utilize some familiar genre tropes, but "Yodha" injects a whole new energy level that keeps you riveted to the screen from the opening scene.

The film thrives on a breakneck pace. Each scene throws you right into the heart of the action, eschewing lulls and propelling you forward. The directors are masters at building suspense, with each plot twist ratcheting up the tension. Even when things veer towards predictability, "Yodha" manages to surprise and keep you on the edge of your seat.

The undeniable chemistry between Malhotra and Rashi Khanna adds another layer of depth to the story. You can't help but become invested in their journey, rooting for them as they confront danger together. Their camaraderie and connection become an anchor amidst the high-octane action.

The movie's one minor stumble lies with the supporting cast. The Yodha task force, with its intriguing name, promises a compelling team dynamic. However, the film doesn't provide enough opportunities to delve into their backstories or motivations. Exploring their backgrounds could have added another layer of intrigue, but perhaps the relentless pacing simply didn't allow for it.

Despite this minor drawback, "Yodha" is a thrilling rollercoaster ride from beginning to end. The plot is tightly constructed, with the action sequences serving not just as spectacle but also as plot drivers. The over-the-top climax leaves a lasting impression, solidifying the film's place as a must-watch for pure adrenaline junkies.

After a compelling film like "Shaitaan" last week, "Yodha" marks another strong start to the cinematic calendar, promising audiences an adrenaline-fueled ride they won't soon forget.

Okay so i am not a critic or anyone to judge but the movie just lacks to show any relation, As it can be like the father son that father gas created the task force which is yodha and son is working but it doesn't connect to us;and from mother son no relation is connected;same goes with the husband wife.

From my pov it can be shown that father is not dead but son does a mistake and yodha the task force is dismissed and now his father as well as others will be disappointed with him and now he have to save it and in the climax which is shown un the movie the last scene where hero comes alive should be a different climax where hero should be dead and now just imagine what will it be like.. Please it's just my pov as we have this type of cinema and we want to see something different,, so if i have hurted anyone's sentiments then I'm sorry 😐😐

Every country has its special forces, and I'm sure every nation on Earth likes to think that theirs are a bit more special than most. Yodha seems to be the Indian version of the SAS (whether they really are, or were made up for the film, I don't know).

Just about every film about special services centres round an inividual who's jolly good at killing bad guys, but whose disregard of protocol annoys his superiors. Then an operation goes wrong (not our hero's fault, but he's conveniently placed to take the blame). He's suspended.

Then the film moves to the main event. Our hero is drawn into something really big. Not only that, he's set up to make it look as though he's gone rogue, so that even his former comrades are out to get him. Yada, yada yada, shoot-out, big explosion, guess who saves the day and is reinstated?

It's a tried and trusted formula, which needs a certain amount of style to lift it out of the very ordinary. James Bond has this style; John Wick has this style; Arnie had it in his earlier films. Yodha doesn't.

The fight scenes are well-choreographed, but the pulse doesn't race. The twists aren't too difficult to see coming; the hero's relationship problems are a yawn.

This isn't a bad film, but it's formulaic, predictable and - for all its action sequences - pedestrian. Oh, and the villain's disappointingly short on charisma.

This is also the first film I've seen that had an actual interval in the cinema since Chitty Chitty Bang Bang.