La Música Nunca Paró

It's 1987, and when a long-absent son turns up with a brain tumor that robs him of immediate memory, his father (JK Simmons) struggles to deal with the past through the eyes of a son who is frozen in memories.

OK, Dead fans know the title; if you're of a generation that listened to vinyl, here's your homage to the power of records and the 60s.

Small budget written all over this, that is all heart and talented talent that has talent. Did I mention talent? Having seen it at Sundance Chicago, the director explained that he'd been studying neurological science material and THAT is reflected in how uncommonly well the young actor, Gabe, nails his role as a person whose brain injury sometimes clicks on... and off. Director spoke about the editing down of the tale, and I think we'd really like to see it expanded back to a longer film; there's a few lessons here worthy of more screen time.

There's a jaw-dropping "how'd they do that?" in here worthy of cheers and worth the ticket price. Hope they "expand" that for the DVD!!!

This is a great little film without special effects but packed with the true mastery of a small story told very, emotionally, well. Familiar faces deliver for all they're worth and well-done filmmakers techniques bless MUSIC with obvious "extra efforts" that put all of the money up on the screen.

In 1986, the conservative 65 year-old mechanical engineer Henry Sawyer (J.K. Simmons) and his wife, the housewife Helen Sawyer (Cara Seymour), are informed that their estranged son Gabriel Sawyer (Lou Taylor Pucci) has a brain tumor by Dr. Biscow (Scott Adsit) and they learn that that he is incapable to form new memories. Gabriel left home years ago when his father had an argument with him because he left the college night to unsuccessfully try to watch a Grateful Dead gig with his girlfriend Tamara (Tammy Blanchard) and his best friend Mark Ferris (Josh Segarra) and now he is completely disconnected from the world. Henry is compulsively retired by his chief and Helen decides to work to have money to pay Gabriel's treatment. Henry researches but the problem of his son and finds some good results through music therapy and he seeks out Professor Dianne Daley (Julia Ormond). Soon she discovers that the music from the late 60's and 70's, especially the Grateful Dead, is the key to connect Gabriel to the world. The reluctant Henry, who is also a music lover for from an older period, decides to learn these songs to bond with Gabriel. When a radio broadcasts a contest where the winner will receive a ticket for a sold-out Grateful Dead concert, he insistently tries to contact the radio to get the tickets.

"The Music Never Stopped" is a film based on a touching and beautiful tale of father-son connection through music. The first point to call the attention are the outstanding performances of J.K. Simmons, maybe in his best work, and the practically unknown Lou Taylor Pucci. The magnificent soundtrack is also amazing as well the discussion about bands from the 60 's and 70's and Grateful Dead. The film is a perfect combination of drama, funny moments and music. Any sensible fan of the music from the foregoing period will certainly adore this great little unknown movie. My vote is eight.

Title (Brazil): "A Música Nunca Parou" ("The Music Never Stopped")

The idea is hope. The year is 1986 and Gabe, a mid 30's former hippe has just been located after 20 years on the road. His parents are typical; his father was a war veteran who thinks that nothing he did was ever wrong and his mother just wished she knew the right words to say.

Through music the characters learn what is important; the moments to remember, the moments to change, the moments that will scuplt their souls.

I cannot express enough how uplifting this movie was. Anyone who is a fan of music and anyone who just needs a bright spot in their day needs to see this.

"(Rhythm) is there in the cycles of the seasons, in the migrations of the birds and animals, in the fruiting and withering of plants, and in the birth, maturation and death of ourselves," -Mickey Hart (Grateful Dead)

What is it about music that resonates so much with people? Is it chemical? A part of the brain that responds to the frequencies and rhythm of certain sounds played in a progression? Or, is it just the fact that it makes one "feel" something? Music, like any other form of art brings out a "feeling" in the one experiencing it. Those feelings will be different for everyone and some will be permanently effected by them. Music can do many things. It can heal, damage, make you dance, give you a headache and even make you "high". According to many music therapists, it can also help recall memories. "The Music Never Stopped" explores this phenomenon beautifully and is a testament to our souls connection with our music. Set in the 80's with flashbacks to the 60's and 70's "The Music Never Stopped" has some of the best music from the bands of that era. The film runs the gamete of emotions and has some powerful performances from the actors and classic bands such as The Grateful Dead, Bob Dylan, and The Beatles.

Gabriel, a 30 something man with a brain tumor is unable to form new memories. He can remember his life growing up, playing music and following his favorite bands around the country, but he can't remember what his nurse just said to him 5 minutes ago. Lou Tayler Pucci plays the down to earth "hippie" Gabriel graciously and I was very impressed with his performance. He was subtle but beautifully represented those of us obsessed with music and it's meanings. I felt a real connection with Gabriel and his relationship with his father Henry, played impeccably by J.K. Simmons. They have such an interesting and ever-changing dynamic, it was a pleasure to watch it all unfold. Henry is devastated by the diagnosis Gabriel has received and feels helpless. That is until he see's Gabriel's eyes light up at the sound of a familiar piece of music. He realizes that through music he can connect once again with his son and hopefully repair their broken relationship.

Based on the case study "The Last Hippie" by Dr. Oliver Sacks, "The Music Never Stopped" is a wonderful story and I highly recommend it. It pulls on the heart strings of young and old alike bringing them together with the power of great music. With a PG rating, "The Music Never Stopped" doesn't feel like an after school special on father and son relationships. It's obvious that the lesson goes much deeper than that. The film is about connecting to each other through music and taking the time to understand each other through that medium. The father/son dynamic is the ideal setting to get this point across and there are some very dramatic scenes that may bring a tear to your eye. It sure did for me.

Oliver Sacks, M.D. is a physician and professor of neurology and psychiatry at the Columbia University Medical Center. In 2007, he was named the first Columbia University Artist, in recognition of his contributions to the arts. THE MUSIC NEVER STOPPED is an adaptation (by Gwyn Lurie and Gary Marks) of "The Last Hippie", a short story/essay from Sacks' "The Man Who Mistook His Wife for a Hat", a collection of case history stories. Dr. Sacks is a neurologist who has spent his career diagnosing, evaluating, and treating a variety of neurological disorders (and the oftentimes the profound personality shifts that resulted in brain injury or trauma). This information provides a bit of reality ground to the film and makes it all the more important to see and respect. As directed by Jim Kohlberg, this film is a quiet, reverent, at times disturbing exploration of the many aspects of brain function and malfunction and an example of adaptation to these challenges.

Gabriel Sawyer (Lou Taylor Pucci) was a bright youngster in the 1070s when the Vietnam war was altering the nation's perception of right and wrong as expressed in the music of Bob Dylan, the Grateful Dead, Cream, the Beatles, etc. Longing to be a professional musician he foregoes his parent's wishes that he attend college and with regret leaves his girlfriend Tamara (Tammy Blanchard) and takes off for New York's Greenwich Village. Fast forward to 1986 and Gabriel is hospitalized for an enormous brain tumor, surgically removed, but leaving Gabriel without the ability to remember. At this point Gabriel's parents are located and his father Henry (J.K. Simmons) and mother Helen (Cara Seymour) visit him in the hospital, longing to reconnect with the son that has been absent for fifteen years. The lack of memory emphasizes the schism between Henry and Gabriel and Henry's depressed state results in his being placed on sick leave from his successful job to deal with the trauma of his family. Music having been so important to Gabriel as young man introduces the music therapist Dianne Daley (Julia Ormond) who meticulously follows the cues form Gabriel's attention span and is able to open the doorway to his memory loss through his love of the music of his time. Henry latches on to this and decides the only way he will be able to rebuild the broken fence of his relationship to Gabriel will be through music and together the two find connection despite the neurological blockades.

The cast is exemplary: J.K. Simmons is splendid as the father, Cara Seymour makes the mother wholly credible, Julia Ormond gives a selfless, fine performance, and Lou Taylor Pucci brings life to the long injured Gabriel. The music is by the recordings of the period with special music supplied by Paul Cantelon. Stephen Kazmierski's camera work allows almost unbearably touching close-ups of each of the actors that open the story for us. This is a film based on a true case history, but this is also a story that is immensely touching and uplifting simply from the way it has been written, directed and acted.

Grady Harp