Un amour de jeunesse

There are some films where while you're watching them you feel like your not watching a film but a real event from a parallel universe where the actors are not actors but real people and you are watching them through a scope that are invisible cameras all around that realm, I felt that in Krzysztof Kieslowski's films and this film is one of them.

A film that takes you to the late 90's and the start of 00's without realizing it was made in 2011.

A love story showcase the viewing angle and the feeling an individual give to another individual, the misunderstanding and how people's feelings to each other are different than what they seem, a proven story that love never dies but it fades as you learn to live with it as you grow stronger and better than ever.

One of the first things you notice in Mia Love-Hansen's film, 'Goodbye First Love', is that the supposedly fifteen year old protagonist looks much older; it turns out, there's a reason for this, which is that the drama is going to follow her over several years, so the age of the actress was necessarily a compromise. In fact, the film is conceptually not dissimilar (though heterosexual, and less generally ambitious) from 'Blue is the Warmest Colour': a sensitive and well-drawn story about a talented, attractive young woman whose life is overshadowed by the memory of an intense early relationship. As in real life, when someone is pointlessly in love with someone who does not desire them, you partly want to scream "get over it!", especially when they have obvious advantages they could be exploiting; but humans aren't that simple, although the ending is a touch underwhelming, the story is nicely observed. And if you generally like emotional films about beautiful young Parisiennes, you'll like this one too.

Louis Garrel recently made his first feature film as director, Le Petit Tailleur, in an interview afterwards he admitted that his film was of a Paris that did not exist anymore, where the young went to the theatre to see Kleist. His film, as this one, contains a nostalgia for the New Wave. This is tacitly admitted in Goodbye First Love when Sullivan mentions that he went to a party in the suburbs where kids went to have sex and take drugs, a piece of shrapnel that doesn't fit in the jigsaw of this movie. The young of the developed world live with their eyes burnt out.

Goodbye First Love tells the story of Camille, in love with Sullivan, and how she copes with losing that love and moving on with her life. There's something pristine about the way that young animals love and lust together, narcotic and somewhat illusory, but on the threshold of paradise; and actually the most astonishing part of the film practically occurs in an Eden. One its successes is the casting of two actors who have an obvious sexual compatibility, which lends credibility to the treatment.

Mature love comes, but lies in the cradle of shared creativity and mutual respect, which should represent a superannuation of first love; but flesh is not just. For Camille, riding on the pannier rack of Sullivan's bicycle and grasping his body will always be the seed of her crystal.

Goodbye First Love, by the way, is an incredible aesthetic treat (my favourite part may well have been when the two rake over the ashes of their love, lying together likes ravens in a shattered tower, all a creation of capturing colour carefully). I felt privileged to have watched it, to have been let inside what's a meagerly-camouflaged auto-biography from Mia Hansen-Løve. I may well love and be loved back one day, but it won't be the Hamelin song that Mia has let me see, and I'm grateful to her for this facsimile.

I enjoyed this French drama. Hansen-Love seems very influenced by French New Wave filmmakers, such as Rohmer. The English title is poor since it gives away a plot line. The French title in English is A Love of Youth, or more freely A Teen Romance. It does manage to capture that interesting relationship, however it goes into other directions as well. For those who like indie/ art-house French dramas, Hansen-Love's work is well worth looking into.

one of the best romance movie I've ever seen. it shows a story of an ordinary girl in Paris that her first love had some effect on her. Cammile believes in her love and always says she can't live without love. she's just a 15-year-old girl when finds her love and wants to keep it forever. but, the boy left him and pursue his happiness without her. throughout the movie, we don't hear much dialogs. but the different scenes talk to us about the life of the main character. Cammile is not kinda girl who mingle with different people or be talkative. you can just find out her feelings from her eyes. this movie is good for whom wants to see the real life of people. you cannot expect happen something thrilling or extraordinary from this movie. it just shows us the truth of life. someone may dislike the movie because of the slow pace of the movie. however, this is the feature of this kinda films. the slow pace lets you think about the feelings of the main character at the mean time. it ends in the best way that you can't anticipate it before. everything was natural and I really enjoyed it.