Sin escape

Five minutes. That was how long it took before Taylor Lautner took his shirt off in his purportedly gritty action thriller 'Abduction'- and depending on how you took to that fact, you may find yourself enjoying every minute of it or cringing in disbelief. Right from the start, this Taylor-made vehicle makes no excuses for being a breakout role for the 'Twilight' star- after all, if Team Edward (or Robert Pattinson) can do it, then there's no reason why Team Jacob can't do likewise.

Nonetheless, it seems that Team Jacob should have just stayed in the woods of Forks, Washington, for this insipid Bourne-wannabe does him nor his fans no favours. Rather, (and we may be risking our life and limb by saying this) it only demonstrates his limitations as an actor, especially since he practically recycles the same angsty broody expression throughout the film that he had already put forth umpteen times in the 'Twilight' movies. And no, being a teenager who discovers that the people you call 'mother' and 'father' aren't in fact your real parents isn't much of an excuse too.

That's the predicament Lautner's character Nathan finds himself in one day, after stumbling across a website with photos of missing children and using some software to approximate what one of those kids could look like as a teenager. Though that's the very premise of the movie, the least we expected was for debut feature film screenwriter Shawn Christensen to come up with a better lead in than just some stupid research assignment Nathan and his girl next door Karen (Lily Collins, daughter of singer Phil) was assigned to work together on.

Logic and coherence are however too much evidently to demand, as one would have to suspend both to believe that Nathan is suddenly at the centre of global espionage with both the good guys (led by 'Spiderman 2's' Alfred Molina) and the bad guys (led by Swedish actor Michael Nyqvist from 'The Girl with the Dragon Tattoo') in pursuit. Apparently, Nathan is the son of a top secret CIA undercover operative whose 'parents' (Jason Isaacs and Maria Bello) are fellow CIA agents sent to protect him while his father is away. As with all chases, the aim is for something that Nathan has in his possession- some encrypted code with the names of dirty CIA agents.

It takes almost half an hour before the action kicks in, the introduction that sets up Nathan's adolescent issues and his secret high-school crush on Karen pure tedium that is definitely not director John Singleton's forte. Thankfully, the pace picks up considerably once Nathan is thrust into that implausible situation, with Singleton clearly at ease setting up the film's various action sequences. One of the first that sees Nathan's 'parents' murdered is shot and edited for maximum thrills, and the climax set in a packed stadium with a live baseball match also packs suspense.

To Lautner's credit, the action also looks good because he performs most, if not all, of the stunts by himself- whether tackling a bigger- sized guy MMA-style or fleeing from the bad guys with parkour. Singleton doesn't go for the shaky-cam technique, allowing his audience to appreciate Lautner's physicality in its full glory. Even so, taking on the lead role requires Lautner to perform some serious acting in order for us to identify with his character's inner distress, but the square- jawed actor with his one-note performance fails to inspire any empathy.

The fault doesn't lie with Lautner entirely- to appeal to the teenage demographic which the producers are relying on to turn up for this movie, they have decided to amp up the obligatory romance between Nathan and Karen, even to the extent of letting the two teenage characters engage in some heavy making-out that stops just before it crosses the PG13 boundary. It is distracting and laughable, although the latter seems to be in line with most of the awful dialogue in the film.

Not even veteran stars like Isaacs, Bello, Molina, Nyqvist and Sigourney Weaver (who plays Nathan's psychologist) can redeem this at-best made- for-TV thriller that tries to be the younger version of the Bourne series. So as much as Team Jacob may wish for Lautner to be their Matt Damon, or even Tom Cruise, it is clear from his debut headlining movie that once the 'Twilight' phenomenon fades, the same can probably be said of Lautner's acting career as well.

• www.moviexclusive.com

I actually liked this movie. I went to see it with my 17 year old daughter. I'm not a fan of twilight after the first movie I wasn't interested. I LOVED Maria Bello and Jason Isaacs. I LOVED the action it was pretty good. That acting wasn't THAT bad. I could help but think... that's doc oc for Molina. I expected to see Spiderman spinning a web somewhere. I blame the writing on this one. In my house we group movies into 4 groups. Definitely must see in theater, Matinée prices..we'll take a chance, DVD when it comes to red box, and never watch. This is in round number 3. I paid 5 bucks to see this one. Lautner is an okay actor in this one. Lily was heavy in the eyebrow department. I'm not expecting great acting out of a movie like this one. Entertainment value alone gives it a good rating for me.

I'll admit it, I thought the trailer for this action-thriller looked pretty good and, despite it being a Taylor Lautner vehicle, was quietly excited about seeing it. Well why shouldn't I have been? It stars legendary thespians Sigourney Weaver and Alfred Molina, as well as respected actors Jason Isaacs and Maria Bello. And the close quarters combat looked appealing too. I figured it couldn't be too bad. I was wrong. Way wrong. One of the worse blockbusters to grace our cinemas in recent times, Abduction demonstrates just how poor a film can be when those involved are only there for the money. The aforementioned veteran cast are positively woeful, John Singleton's direction is stilted and lead star Lautner (you may know him as Jacob from Twilight) has a long way to go before he will make a decent headliner. With crappy special effects and a forgettable soundtrack, this is all round terrible.

Is this going to be an Oscar contender, NO. Is it a good movie, definitely. Not too much blood, profanity and really no sex. There were 6 of us together from 13 to 55 and we all enjoyed it.

I was certainly entertained and that is what it is all about. Could some things have been different, well sure. They can make it better when we check in with Nathan in about 10 years.

Hopefully Sigorney Weaver and Alfred Molina will still be alive to do it. Taylor is still fairly new as far as acting goes and still has some things to learn. Hopefully he will in time and I will be watching all his movies.

If you want a nice enjoyable movie then you must see this one.

I did like how the movie started off. With the "rascal" Lautner (his character) and the mystery surrounding him. You get the wildest ideas (especially if you haven't heard about the story) where this might go. But as you may already know it gets pretty bog-standard after that. Lautner does his action-shtick and Singleton seems to do a for hire job after all.

The clichés keep mounting up and the action scenes keep on coming (not that it makes much sense). Someone like Jason Isaacs might have been able to ground the whole thing, if they'd let him (but they got other ideas for him). Mostly for Lautner fans and people who like simple action entertainment