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Si quiero silbar, silbo

Título original: Eu când vreau sa fluier, fluier
  • 2010
  • Unrated
  • 1h 34min
CALIFICACIÓN DE IMDb
7.0/10
6.7 k
TU CALIFICACIÓN
Ada Condeescu and George Pistereanu in Si quiero silbar, silbo (2010)
Drama

Dos semanas antes de su liberación, un preso adolescente se entera de que su madre ha regresado a casa. Mientras tanto, se encuentra enamorado de una estudiante que trabaja en la penitenciar... Leer todoDos semanas antes de su liberación, un preso adolescente se entera de que su madre ha regresado a casa. Mientras tanto, se encuentra enamorado de una estudiante que trabaja en la penitenciaría como interna.Dos semanas antes de su liberación, un preso adolescente se entera de que su madre ha regresado a casa. Mientras tanto, se encuentra enamorado de una estudiante que trabaja en la penitenciaría como interna.

  • Dirección
    • Florin Serban
  • Guionistas
    • Cãtãlin Mitulescu
    • Florin Serban
    • Andreea Valean
  • Elenco
    • George Pistereanu
    • Ada Condeescu
    • Mihai Constantin
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.0/10
    6.7 k
    TU CALIFICACIÓN
    • Dirección
      • Florin Serban
    • Guionistas
      • Cãtãlin Mitulescu
      • Florin Serban
      • Andreea Valean
    • Elenco
      • George Pistereanu
      • Ada Condeescu
      • Mihai Constantin
    • 24Opiniones de los usuarios
    • 59Opiniones de los críticos
    • 64Metascore
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
    • Premios
      • 19 premios ganados y 13 nominaciones en total

    Fotos18

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    + 13
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    Elenco principal12

    Editar
    George Pistereanu
    George Pistereanu
    • Silviu
    Ada Condeescu
    Ada Condeescu
    • Ana
    Mihai Constantin
    • Penitenciary Director
    Clara Voda
    • Mother
    Marian Bratu
    • Brother
    Papan Chilibar
    • Ursu'
    • (as Chilibar Papan)
    Mihai Svoristeanu
    • Soare
    Alexandru Mititelu
    • Fini
    Cristian Dumitru
    • Blondu
    Laurentiu Bãnescu
    Laurentiu Bãnescu
    • Psychologist
    Aida Economu
    Aida Economu
    • Studenta1
    Cosmin Padureanu
    • Gardian #2
    • Dirección
      • Florin Serban
    • Guionistas
      • Cãtãlin Mitulescu
      • Florin Serban
      • Andreea Valean
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios24

    7.06.6K
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    Opiniones destacadas

    10mystyleu

    A magnificent example of the new wave of Romanian minimalist films.

    This film is full of suspense, tragedy, and irony. With the focus on excellent acting and directing, rather than special effects and music, this movie incites the viewer to ponder its messages long after the last credits. Raising issues related to the importance of parenting, the frustration of hoping when the system is against you, and the role administrators play in keeping the accused, even when rehabilitation is imminent, in prison.

    In this film director Florin Serban's mastery lies in his ability to create an intense atmosphere parallel to that which Sergio Leone created in the "Spaghetti Westerns" of the mid-twentieth century. The tension felt when just a few forceful words are combined with meaningful body language is remarkable. Actor George Pistereanu is a talent to keep watching; his powerful interpretation of the role of Silviu is as charming and convincing as it is haunting.
    7saadgkhan

    George Piştereanu makes it memorable...

    Eu Cand Vreau sa Fluier, Fluier – If I Want to Whistle, I Whistle – CATCH IT (B+) A Romanian movie about a young teenager, who has spent four years in a youth penitentiary, is granted release. Before he can leave, his mother returns to Romania to bring his little brother to Italy with her, despite Silviu's objections. He meets a young woman, Ana, who is working on a research project in the prison, and becomes interested in her. In his desperation Silviu resorts to violence, and Ana becomes his hostage. The premises and the execution of the movie are really intriguing. This is my first Romanian movie and somehow I found the Romanian music very close to the Afghani music. But anyhow the best part of the movie is its young cast. George Piştereanu as rebellious teenager is simply amazing. It's so great to see how he communicates with his brother, mother, inmates and Anna. Through his performance he showed four different sides to his personality. Even though I found his actions crazy as he is so close to getting release for ever but hey it's the script. Once the movie is over all you can think if he just could have controlled himself for another few days. On the whole, it's a really nice movie and shows something really refreshing in juvenile jails otherwise I was fed up of watching rapes in almost every jail movie.
    7Chris_Docker

    How do you react when someone whistles?

    How far you can you go recruiting on-the-scene actors? Director Danny Boyle tried to use real drug addicts in Granton, Edinburgh, when he started making Trainspotting. Until crew were physically threatened and told to provide hard drugs or else. Tarantino took on ex-criminal Ed Bunker ('Mr Blue') to give Reservoir Dogs an authentic look. But assembling a cast from real convicts? Which is what director Florin Serban does in If I Want to Whistle I Whistle.

    Although violence, if it occurs, does happen with lightning realism, it's the psychological threat, and switching convincingly from innocent charm to frightening killer, which portrays the crim's survival instincts so much more effectively.

    Our story centres around a youth who blames his whorish mother for a bad upbringing. He wants two things just now in life. To save a sibling (whom he raised for eight years) from his own dissolute fate; and maybe to enjoy the real company of a sweet and attractive young prison trainee. To be 'normal.' To get married or sit in freedom with a beautiful girl enjoying a coffee on the outside. Good impulses you might think. But the excessive, violent and life-threatening means that this youngster might go to in achieving them challenges our sympathies.

    Serban adapted a theatre play, incorporating elements in an acting workshop at Minors' and Youth Penitentiaries in Romania over a couple of months. "The most important things that we kept were the spirit and attitude of the inmates, the bold, uncompromising, somehow childish way of thinking and jumping into action without caring too much for the consequences. The determination of reaching a goal no matter what it takes to get there." Even his two main leads are new to acting and learn on the job – remarkable for such impressive performances.

    Eighteen-year-old Chiscan has initial warmth that makes you notice him in a crowd. A charismatic but tough cookie, holding his own to get on with the other inmates. A four year sentence should end in 15 days if he stays out of trouble. Not long enough to prevent his brother from being taken abroad. Meanwhile, he must negotiate blackmail threats from other inmates to which his imminent release makes him vulnerable. A low level of threat pervades the film till hell kicks loose. We wonder when it will erupt. When it does so, it happens without warning and not the way we expect.

    The absence of distracting background music and sincere performances help to make this film very engaging and watchable. The plot remains continuously unpredictable. An appearance among the staff of Ana, trainee and sociology student, adds more to the mix than men left unfazed by teenage hormones. We sense a physical attraction that could go horribly wrong. Our emotional allegiance shifts as the film gathers pace like gears crashing without a clutch. Everyone has faults, staff and prisoners. I look for the person I can most identify as 'normal.' Like Ana (professionally and morally), it's as if I want mentally to encourage good threads within someone – but protected from errors of judgement.

    The lasting fascination of If I Want to Whistle I Whistle is seeing into the mind of someone in this way. Someone who can summon lightning reflexes. Display real or threatened extreme brutality. Become horrifically highly focused to achieve a result, however crazy. The movie won a Silver Bear at this year's (2010) prestigious Berlin International Film Festival. Pistireanu George, who plays Chiscan Silviu, had his first chance to act and equipped himself prodigiously (He has since become a first year student at the National University of Theatre and Film from Bucharest.) Florin Serban plans to open an acting school for people who never had anything to do with acting. "For somebody who has only heard that they are good at nothing and less than a dog in the street, it's a huge thing to realize that he can engage an audience with his simple presence, with one smile, one gesture and that he can make 200 people laugh or shiver at once." He believes deeply in acting as a healing process. "I imagine a place where people can act out their inner demons and explore places that can only be dreamt of." The film is low budget one and to an extent experimental. It suffers from being art-house niche and not being able to tackle themes in a more universal manner. But at the end you feel you have gone away with real insights into the mind of dangerous young offenders.
    9mongraff101

    A minimalistic, yet strong emotional shock-wave

    A visual artist knows that adding a little dot of light in the iris could change the whole portrait or even ruin the initial intention. Not adding the right dot, could have the same effect. Finding THAT balance, something needed in everything we do! That balance is written all over this movie! One reviewer from Romania is fed up with "movies about low-end society family problems". I don't know if Romanians make only such movies but this one is certainly not about Romania. And here the balance I was talking about becomes clear: a simple, personal tragedy may look unimportant to others but to the one who is tormented by it, it becomes life itself. The whole movie is feeding on this sentence, if I may say so. It dictates the filming and editing style (kudos for editing!), the choice of characters, dialog (probably improvised) and everything else. The movie is quiet (almost no soundtrack, very long minutes of no dialog, long takes) and yet the tension and ugliness of the personal horror could deafen someone. The hand held camera is also barely noticeable (someone was complaining about it), far from a Dogma head ache. This slight shake is a reminder the story is not a studio pose but a live action. The theme could be illustrated in many other ways, and it's been done before, probably because the theme is so human and unfortunately forever recurrent. But what impressed me the most is the movie as a whole. The film maker, if I can make him "responsible" for the result, must be a very elegant man, in terms of manners. A man that doesn't shout out his empathy but presents it on a silver tray. Bravo!
    6doru_tudor

    Same old Romanian stories

    Is not necessarily a bad movie and for a new viewer of Romanian movies could be quite interesting. The problems of the movie are the theme and filming style. I'm sick and tired of Romanian movies filmed from hand to provide reality (if I want reality I open the door or the TV) and also to see movies about low-end society family problems. I don't need to go to cinema and pay to have a better understanding of 5 o'clock TV news. Romania is much more better than it's low life and I hope one day, Romanian movie makers will stop pushing forward the garbage (for other to pity us) and start doing movies to promote us as we really are: beautiful, smart and extremely funny!

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    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      Romania's official submission for the Foreign Language Film Award of the 83rd Academy Awards.
    • Conexiones
      Referenced in Cowboy (2017)

    Selecciones populares

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    Preguntas Frecuentes18

    • How long is If I Want to Whistle, I Whistle?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 26 de marzo de 2010 (Rumanía)
    • Países de origen
      • Rumanía
      • Suecia
      • Alemania
    • Sitio oficial
      • Official site (Romania)
    • Idioma
      • Rumano
    • También se conoce como
      • If I Want to Whistle, I Whistle
    • Locaciones de filmación
      • Rumanía
    • Productoras
      • Strada Film
      • Film i Väst
      • The Chimney Pot
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Total en EE. UU. y Canadá
      • USD 12,135
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 2,999
      • 9 ene 2011
    • Total a nivel mundial
      • USD 280,892
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 34 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Digital
    • Relación de aspecto
      • 1.85 : 1

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