Agrega una trama en tu idiomaA story based on the life of journalist Torgny Segerstedt, who alerted the Swedish public to the threat of Fascism in the 1930s.A story based on the life of journalist Torgny Segerstedt, who alerted the Swedish public to the threat of Fascism in the 1930s.A story based on the life of journalist Torgny Segerstedt, who alerted the Swedish public to the threat of Fascism in the 1930s.
- Dirección
- Guionistas
- Elenco
- Premios
- 3 premios ganados y 7 nominaciones en total
- Dirección
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- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Jesper Christensen with his Danish accent isn't very credible in his role as the Swedish newspaperman Torgny Segerstedt, famous for his uncompromising anti-Nazi stance. And could Jan Troell be any more boring director? Instead of making a movie about a man who stould up for liberty and against nazism to a great cost for himself, the director Troell just zeros in on his personal life and mistresses.
Saw it at Busan International Film Festival(BIFF), and it was the most disappointing film of the weekend.
In fact Torgny Segerstedt's story, in which an anti-Nazi journalist became a political martyr, is quite fascinating. His relationships with women are also intriguing drama material. In addition to those good ingredients, the director Jan Troell had one more ambition: making this film as a journey to the mind of Mr. Segerstedt, rather than a bland and harmless biography. What could go wrong?
First of all, making a black and white period piece with digital cameras(Arri Alexa) was not a good idea; especially when you start your film with real archive films filled with gritty film grains. The images here lack any depth of field, resulting in images which are crisp and dull at the same time. The whole feature felt like a cheap TV reenactment of the actual events, rather than an artistic reinterpretation.
The script is not good as well. Without some fantasy elements based on a Bergman tradition, the whole feature consists of a series of important events in the protagonist's life. The timing is always off; things just come and go without proper investments. Most of all, even though it is based on the real events during World War 2, there is no sense of dread or grief.
Even though Jesper Christensen's performance was stellar, I cannot recommend this film. It is a film made with good intentions, but fails to live up to them.
4/10
In fact Torgny Segerstedt's story, in which an anti-Nazi journalist became a political martyr, is quite fascinating. His relationships with women are also intriguing drama material. In addition to those good ingredients, the director Jan Troell had one more ambition: making this film as a journey to the mind of Mr. Segerstedt, rather than a bland and harmless biography. What could go wrong?
First of all, making a black and white period piece with digital cameras(Arri Alexa) was not a good idea; especially when you start your film with real archive films filled with gritty film grains. The images here lack any depth of field, resulting in images which are crisp and dull at the same time. The whole feature felt like a cheap TV reenactment of the actual events, rather than an artistic reinterpretation.
The script is not good as well. Without some fantasy elements based on a Bergman tradition, the whole feature consists of a series of important events in the protagonist's life. The timing is always off; things just come and go without proper investments. Most of all, even though it is based on the real events during World War 2, there is no sense of dread or grief.
Even though Jesper Christensen's performance was stellar, I cannot recommend this film. It is a film made with good intentions, but fails to live up to them.
4/10
I quite loved the movie in terms of cinematography - although rather slow at times. However I couldn't say I liked the character of Segerstedt, who appeared to me as a most spoilt, selfish and inconsiderate man. I don't even find him 'heroic' in the slightest: how much courage does it take to oppose and attack a foreign regime from another country? The list of Anglo Americans who went to fight (and lost their lives) in Spain in an attempt to oppose the establishment of Franco's regime is long. Those are heroes, not the verbally incontinent Segerstedt.
Jan Troell is the nestor of Swedish films. He's been directing for 50 years and bringing on Torgny Segerstedt is of course an interesting choice of subject. Segerstedt was one of few journalists who completely stood up against Hitler during WW2. A story of courage in a special way, since Sweden never took part in the war.
So this could have been a discussion about common political morals, but instead it's a discussion about Segerstedt's private life and most of all his mistresses. Of course you can make a movie that way, if it has a substance referring to the man's work, but this isn't the case here. It's more about anybody's love life.
And there isn't any magic about it. The work should be bigger than the man than it comes to somebody like Segerstedt.
So this could have been a discussion about common political morals, but instead it's a discussion about Segerstedt's private life and most of all his mistresses. Of course you can make a movie that way, if it has a substance referring to the man's work, but this isn't the case here. It's more about anybody's love life.
And there isn't any magic about it. The work should be bigger than the man than it comes to somebody like Segerstedt.
Borrowed from a library, this movie was first watched by a friend. Because I had picked the movie because of its theme, I was, hence, tentative. The friend found the movie long and made too complicated with its English subtitles and 'ghosts'. However, this is a friend who cannot sit and watch a movie... has to get up and 'do other things' in 'the boring sections'. Does not work with subtitles.
So, I began to watch it with some apprehension. Which swiftly disappeared. Perhaps because I am an activist/dissident in Canada (and I use such movies to ask myself and others, what makes us so naive about our failed democracies when we have stories like this in our history?), it was the subtitles of the dialogue that struck so true. And, being male, (my friend is female) I could relate with the man's inner turmoil. Making the ghosts of three important women in the main character's life becomes an effective tool for exposing this man's conscience. It is also good to follow up the movie with the extras provided with the DVD.
This is a movie I would buy for my collection of 'movies for reflection' on human behaviour that becomes sad ignorance of situations like this... where governments push down the truth. Sweden might use the excuse that they had to do what they had to do to suppress this man and his defence of freedom of speech. This movie simply emphasizes that we have no excuse.
So, I began to watch it with some apprehension. Which swiftly disappeared. Perhaps because I am an activist/dissident in Canada (and I use such movies to ask myself and others, what makes us so naive about our failed democracies when we have stories like this in our history?), it was the subtitles of the dialogue that struck so true. And, being male, (my friend is female) I could relate with the man's inner turmoil. Making the ghosts of three important women in the main character's life becomes an effective tool for exposing this man's conscience. It is also good to follow up the movie with the extras provided with the DVD.
This is a movie I would buy for my collection of 'movies for reflection' on human behaviour that becomes sad ignorance of situations like this... where governments push down the truth. Sweden might use the excuse that they had to do what they had to do to suppress this man and his defence of freedom of speech. This movie simply emphasizes that we have no excuse.
¿Sabías que…?
- TriviaThis is the second movie in which Jesper Christensen and Pernilla August are parts in a wife-husband-mistress triangle. Here Pernilla August is the mistress, in Drabet (2005) she was the wife.
- ErroresIn the movie at a party which is supposed to take place 1938 the swedish song "Hur har du det med kärleken idag?" is played and also sung by the character Maja Forssman. This song is from 1945 and was then made popular by the famous swedish artist Ulla Billquist.
- Bandas sonorasFinlandia
Written by Jean Sibelius
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Detalles
- Fecha de lanzamiento
- Países de origen
- Idiomas
- También se conoce como
- The Last Sentence
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 62,506
- Fin de semana de estreno en EE. UU. y Canadá
- USD 9,020
- 22 jun 2014
- Total a nivel mundial
- USD 328,005
- Tiempo de ejecución
- 2h 6min(126 min)
- Color
- Relación de aspecto
- 1.78 : 1
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