Goat

This film is too ambitious for its own good. There are so many story lines and the film moves in-and-out of them with no apparent rationale. Less would be more. The acting is uniformly good and the film manages to have a "mean streets" feel to it. Any two or three of the story lines (criminal faced with choice, betrayal of friend, family discord, girl tries to make it, family fights mob influences, getting ahead in the mob) would have made this a good film, but all of them is just too much.

This movie was excellent. It had not only intense scenes with tough guys but also some hardships among friends as well as a little romance. It showed a lot about the main characters relationship with his father and also the pressures of coming home from jail and trying to acclamate into the real world. Demeo's performance in this film is truly exceptional.

Do not bother. This is such a bad movie. Paul Borghese and William Demeo cannot act. The script is cliche and copies every mob movie out there.

I began watching this movie (but could NOT finish it) because of the title and some of the cast. Some. The others I had no idea who they are, still don't.

This movie is told mainly by a macho voice over. The male lead is an over the top (WAY over) macho guy. He's sadly laughable.

The opening scene is in a cemetery which for tells how bad the makeup is going to be. It's laughable. Again, sadly, everyone looks as if they were made up by a mortician's assistant - who's going to be fired on Friday. And you get to see a lot of it because this director loves his close ups. Close ups of faces and boobs. Yep. A classy movie. Not.

And the music is loud. Not good and and loud. Just loud.

This is one of those movies that has some excellent actors in it - why they attached themselves to this project, I have no idea. I'm just glad I cut my losses.

Now that I think about it, 2 stars are too many. Going down to one.

As always - make your own decision, but this is soooooooo bad.

Having grown up in Bensonhurst Brooklyn during the 1960s, sad to say that the characters are true to life. This is one of the few movies that captures the argumentative and violence-prone nature of that neighborhood at that time. Goodfellas is another that captured that horrible milieu.

As a youth, every disagreement among the goombahs on my block led to threatened violence, typically settled by the oldest goombah, who was also the toughest fighter. When I reached the conclusion that I was smarter then my "friends" and stopped hanging with them, eventually they sent another tough guy from up the block to beat me up. (It was a stand-off, ended when an older neighbor intervened.)

The mob keeps order by threatened or actual violence, including murder. I know of a guy from the neighborhood who served years in prison for not ratting out the source of drugs he inadvertently sold to a DEA agent. When he was released from prison, he started drinking heavily. One night he walked out of a bar at 2 am and saw a mob boss's son murder someone on the street. Shortly thereafter this guy was kidnapped, shot through the eyes and dumped in the trunk of a stolen car. So don't claim this movie is too meoodramatic or over-acted; it isn't.

And I would be remiss not to mention Joe Colombo, boss of the Colombo "famiily" and one of the founders of the Italian-American Civil Rights League, an organization founded to deny the existence of the Cosa Nostra aka Mafia. On June 28, 1971, Colombo was shot three times in the head and neck by Jerome A. Johnson, with one of the bullets hitting him in the head, at the second Italian Unity Day rally in Columbus Circle sponsored by the Italian-American Civil Rights League. Was that too melodramatic or over-acted? It actually happened.