El fantasma de Madeline O'Malley

This movie had a lot of potential with an interesting hook and great location but failed to deliver all around.

A horror movie relies on tension and atmosphere to build fear. This movie takes a very long and tedious time establishing characterization instead of mood. Unfortunately, the two main characters and in fact all the characters in the very small cast are so two-dimensional and stereotypical that all that time was thoroughly wasted. To add insult to injury, there is even a cheap jump scene at the beginning that breaks what little mood is established by the opening credits and pans of the set. When the movie finally reaches its climax, it still is not scary or horrific. It just falls flat. The ending was unsatisfying as well with no real resolution or twist.

It's just good enough to keep you watching and waiting for something to happen, but it never does.

The former fancy and elegant Yankee Pedlar Inn will be closed in a couple of days to become a parking area and the employees Claire (Sara Paxton) and Luke (Pat Healy) are taking care of the hotel while the owner is traveling on vacation in Barbados. They are bored and the hotel has only four guests: an unpleasant and angry mother with her young son; the TV actress Leanne "Lee" Rease-Jones (Kelly McGillis) that claims to be psychic; and an old man that spent his honeymoon in the hotel and wants to say good-bye the room where his wife and him had spent their wedding night.

The amateur ghost-hunters Claire and Luke decide to find evidences that the ghost of Madeline O'Malley, a bride that committed suicide when her fiancé left her in their wedding day, haunts the hotel and they summon her spirit. However, they are not prepared for what comes next....

"The Innkeepers" is a slow-paced horror movie with a promising story; unfortunately something is missing to be a good film. The characters development is long and poor, and the first two-thirds of the plot goes nowhere. Further, there is no clear explanation why Claire is threatened by the ghost of Madeline O'Malley. One good point is to see again fifty- five year-old Kelly McGillis, who has aged with dignity without trying to be forever young. I still recall her in "Witness" and "Top Gun" and it was a great surprise to see that gray-haired lady that she has become. My vote is five.

Title (Brazil): "Hotel da Morte" ("Hotel of the Death")

I'm a little ambivalent about The Innkeepers, much as I was about Ti West's previous opus, The House of the Devil. Both films put nary a foot wrong on atmospheric or technical levels, both are backed up by solid little stories, yet for all their little pleasures neither really wowed me, as if not all their elements gelled, or perhaps they didn't go far enough. The Innkeepers has the advantage of simpler and far more forthcoming entertainment, making it an overall pleasurable ride, one that I may even revisit and enjoy more. Its a character rather than scare driven affair, focusing on Claire (Sara Paxton) and Luke (Pat Healy), last staff of the going out of business Yankee Pedlar inn, and later Leeanne Reece Jones (Kelly McGillis), ageing actress turned psychic. With adept performances from the three leads the characters portray a spectrum of vulnerable humanity, Claire quirky and likable, but asthmatic and somewhat mindful of her lack of direction, Luke a droll slacker slowly reaching that point where falls life and the weight of what could have been and Leeanne fully self aware but only a little bitter, of the three the most in possession of herself. It being the last night of the hotel customers are scarce so Claire and Luke set out to investigate the inn's alleged ghost, a girl who committed suicide whose body was hidden in the basement to avoid scandal. At first the tone is light, the characters trade off one another, there are jump scares played for light humour and the audience gets to be a part of the films little world. Later on though the laughs are dropped, as Claire and Luke get serious in their investigation and things get rather spooky, leading to a nicely jolting conclusion. Everything works here, yet it didn't really stir me until the final scenes. Its not the measured pace, not gripes with the plotting (which maintains plenty of pleasing ambiguity), more I guess the issue of things not really gelling together. The film is intentionally episodic, broken into three chapters and there isn't much flow between them other than the flow of plot. So the inspired humour, a sort of light and likable slacker vibe with several true to life moments, and the horror, mostly swift creepy jolts and some brooding atmosphere, never really feed each other in a manner fit to hold the film together and make it really effective, the two veins subvert each other quite nicely just not in a manner that works so well in the moment of the film itself. Still, I can see people liking this one a lot and its done pretty nicely on the critical circuit so I may be in a minority. Definitely check it out for yourself say I, its worth experiencing for yourself.

I began watching this with a a sense of hesitation due to a couple of reviews which were very negative. In a way I can understand why some people might not like this. There are no great action scenes for starters, blood and gore is kept to the bare minimum and a lot of time is spent on building on the characters. If you are going to watch this, you really are just best watching it knowing the bare minimum of the film's storyline... i.e set in a hotel. I would go as far as to say the storyline is obscure and really does not impact on the film at all. For me, the acting was great. After the first half an hour of getting comfortable with the two main characters I found myself getting nervous for them until by the end of the film my heart was beating ten to the dozen, which is the aim of a good horror I feel. I waited for my wife to go to bed before putting this on. I watched it by myself around about midnight with the lighting on low and I have to say that had I got a pillow to hand, I would have been sitting behind it.

If you consider this a Ti West film starring Sara Paxton, then it is merely a clinic on how to get the most (as a Director) from the least (minimal cast, set, SFX). And West does an impressive job of setting a mood and maintaining production quality. But It is still a so-so result. If however you consider this a Sara Paxton film directed by West, it will have a special appeal for her fans. Playing younger than her actual age at the time, with no makeup, she holds the attention. In many ways, one of her best roles.