The Locksmith

The Locksmith is a modest and competent attempt at the neo-noir genre with a twist of sentimental redemption. Directed by Nicolas Harvard, the movie opens with a failed robbery that leads to the death of one of the robbers and the theft of the loot by a corrupt cop named Zwick, played by Jeffrey Nordling. The protagonist, Miller Graham, is a former locksmith who spends ten years in prison for keeping quiet about Zwick's corruption.

Upon his release, Ryan Phillippe portrays Miller as a beaten down man who tries to rebuild his life with the help of his old friend Frank and his former fiancé Beth, who is now a police detective. The story takes a twist when Miller is asked by his former friend's daughter, April, to rob a local gambling party run by her abusive boss in exchange for starting a new life.

Although the film offers a new perspective by presenting a femme fatale without seduction, the plotline is still familiar and the web of associations drawn is too obvious. The message of the film, about never sending a man to do a woman's job, is different, but the filmmakers could have put it across with more enthusiasm. The movie is well-acted, but it fails to bring anything new to the neo-noir genre.

IN A NUTSHELL: This is the directorial debut of Nicolas Harvard.

Miller (Ryan Phillippe), an ex-con recently released from prison for a bungled robbery, tries to walk a straight line and work his way back into the lives of his ex, Beth (Kate Bosworth), a police detective, and their young daughter. While Miller is doing his best to stay on the straight and narrow with the help of an old friend (Ving Rhames), he finds his past will not stay in the past, and he is forced to commit one last crime before he can truly walk away. Things once again go badly, and now not only his freedom but also his daughter's life, hang in the balance.

We've seen a lot of movies like this before. It's not particularly unique, but it's still entertaining.

THINGS I LIKED: I really like Ryan Phillippe. He's always a believable actor in his roles. Have you seen his recent TV series "Shooter"? He's fantastic in it! In this role, Ryan creates a character that we want to believe in and root for, despite his past mistakes.

Kate Bosworth always does a great job too.

Rounding out the talented cast are Ving Rhames, Charlie Weber, and Jeffrey Nordling.

We get to learn to pick locks. Ha ha

THINGS I DIDN'T LIKE: There are some bad CGI moments that are very noticeable.

The story, itself, is very straightforward and formulaic with no twists or turns to make it more interesting.

I would love to have seen more symbolic connections to locks, keys, and locksmiths.

It's frustrating to watch an ex-con want to get clean and leave his life of crime, only to be forced back in against his will. He DOES have a choice, but it's a terrible situation to be in.

Sadly, the movie is entirely forgettable. Meh.

TIPS FOR PARENTS: Profanity, including F-bombs We see people shoot and kill other people, sometimes with blood Conversations about call girls.

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Locksmith Miller Graham is released from prison after a ten year stretch. He is taken in hand by friend and Mentor Frank, who gives him a job and an opportunity, but Miller is persuaded to do one final job.

After the first fifteen or twenty minutes, I was calling the low score and poor reviews into question, as the movie gets to the hour mark, you'll understand why, after a strong start, it nosedives.

It's definitely polished, it's a very good looking film, a great location, nice camera work, it moves by at a satisfying pace.

The initial story is really good, I liked the idea of Graham coming out with a grudge, but sadly that isn't the way if plays out, the main body of the film, the actual plot is pretty lame, there are just too many holes, too many wtaf moments, the added touches of melodrama really don't work.

The acting is good, Ryan Phillipe does a good job, as do the supporting cast, but they are up against it with the script.

If you can switch your brain off it's watchable, try and take it seriously, or apply logic, and you'll want to throw your remote control.

5/10.

I've never a more emphatic 5 in my life. It's not horrible, it's not good either. It's a 5. Average film. The dialogue is only written to move the plot along. You've probably seen this same plot 2 dozen times with different settings and variables.

The acting is okay, ving rhames is good, but mostly it's just a go through the motions movie. Good guy, bad guys, good cop, bad cops, evil real estate guy, some tepid violence. It's really a movie I'll never think about again.

It's like when you write a movie and you want everyone to agree, not take any risks and make a cookie cutter film that's been done a hundred times. This is that movie. If you love average stuff and like to be bored and see a through the motions movie then this is your jam!!!

I almost have to attribute many low scores on good little movies these days on the fact that the vast majority of people are just not properly educated about what makes a quality production. Before cell phones and internet, people watched a LOT more movies. Thusly, their attention spans were forced to actually stay and think about what they were watching, or had just watched after it was over. Because of the vast amount of constant entertainment choices at everyone's finger tips these days, people are constantly trying to find something better the minute something ends. I believe it's a very solid 6.5 movie. Everyone did an excellent job all-around here. It also has a very intelligently written script. Gutzy, tense, not overly mellow-dramatic, and never gets preachy. It definitely delivers.