Agrega una trama en tu idiomaWhen London gangland boss Darius Deel discovers his new trophy-wife Nadia is having an affair, he hunts down her lover Riley and a deadly game begins.When London gangland boss Darius Deel discovers his new trophy-wife Nadia is having an affair, he hunts down her lover Riley and a deadly game begins.When London gangland boss Darius Deel discovers his new trophy-wife Nadia is having an affair, he hunts down her lover Riley and a deadly game begins.
- Dirección
- Guionista
- Elenco
- Premios
- 1 premio ganado en total
Smutty Smiff
- Butcher
- (as Smutty Smith)
Steff Edwards
- Ripper
- (as Stefano Edwards)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I went into this film expecting something similar to the Fabulous Mr Fox, but was disappointed to find out that this movie isn't animated at all. My kids were very upset as well, since they loved the fox movie and couldn't wait to see this one. I don't know what happened to Wes Anderson. Honestly, he's been on a steady decline since Rushmore.
I just got done watching this film and wow. Just wow.... absolutely horrible! I really only watched it because Gwilym Lee is in it but his part is extremely small and he comes in almost an hour into the film. He deserves better than this pile of rubbish. The script is inept and the acting is downright terrible. The woman who plays the wife was dreadful. The husband did nothing but scream. He screams the same lines over and over again trying to drive a point home but it's just really annoying. The film is unwatchable. I don't think there was anything about the film I enjoyed except Gwilym Lee but if youre a fan of his I'd just stick to Bohemian Rhapsody. The movie is drivel, do yourself a favor and watch another flick.
This movie was a lot of fun! I saw this film at the London Fright Festival last month and really enjoyed it. I thought the acting was really good and it looked better than many of the films we saw at the festival over the weekend. The story was fun and had an interesting twist on an old genre. We would highly recommend this film to our friends. It's a great movie. I thought it was very well directed and so did my girlfriend. Actor Andrew Howard as the lead villain was remarkable and refreshing in what was surprisingly not your same old Cockney East End thug. He brought a tremendous presence to the role. The other actors were all equally good. I look forward to more films from this director.
Isle of Dogs is a taut thriller, the tale of a kept woman, struggling between her criminal husband and a young lover.
That's as much spoiler as you'll get in this review because I would hate to ruin even one of the reveals, which come fast (get your popcorn beforehand) and, just when you think it's out of surprises, think again.
(And again.)
A well-crafted crime-thriller, Isle of Dogs' narrative is smooth, tantalizing as the pieces come together and the drama builds. Rather than abusing non-linear techniques as a gimmick, it uses them to accent the narrative, giving the viewer WHAT they need to know WHEN they need to know it.
Fans of early Brain Michael Bendis' comics (Jinx, Torso, Goldfish) will certainly get this film, which is paced, and unravels, more like a classic Eastwood western than a contemporary lime-y-crime. And it's foolish to compare this film to a Guy Ritchie shoot-em-up just because of the locale. While it packs PLENTY of action and some marvelously grotesque shocks, there is a depth of character and tragedy here that goes well beyond the standard cockney-crime offering.
(And again.) (sorry, another unexpected, awesome reveal)
Sutton is clearly an actor's director, giving her cast the freedom to breathe, to spit (!), and to turn in stellar, layered performances. Edward Hogg, Barbara, Nedeljakova, and especially Andrew Howard are all performers who own their camera time and Sutton is gifted enough to capture the nuances that might otherwise be lost. Her direction makes even the most mundane of events intriguing, sometimes juxtaposing an almost Kubrikian stillness of camera with scenes of dramatic, sweeping motion. She frames shots for impact and knows how to capture moments for their chill factor. (I'll personally never forget the body dragged past the doorway in her film, Sutures).
From the title (a subtle metaphor for loyalty and captivity), to Worman's score (eerie with f'n' attitude), this film hooked me all the way through and, several times, had me shouting out loud.
(And again.) (Yeah, those twists just keep coming.)
That's as much spoiler as you'll get in this review because I would hate to ruin even one of the reveals, which come fast (get your popcorn beforehand) and, just when you think it's out of surprises, think again.
(And again.)
A well-crafted crime-thriller, Isle of Dogs' narrative is smooth, tantalizing as the pieces come together and the drama builds. Rather than abusing non-linear techniques as a gimmick, it uses them to accent the narrative, giving the viewer WHAT they need to know WHEN they need to know it.
Fans of early Brain Michael Bendis' comics (Jinx, Torso, Goldfish) will certainly get this film, which is paced, and unravels, more like a classic Eastwood western than a contemporary lime-y-crime. And it's foolish to compare this film to a Guy Ritchie shoot-em-up just because of the locale. While it packs PLENTY of action and some marvelously grotesque shocks, there is a depth of character and tragedy here that goes well beyond the standard cockney-crime offering.
(And again.) (sorry, another unexpected, awesome reveal)
Sutton is clearly an actor's director, giving her cast the freedom to breathe, to spit (!), and to turn in stellar, layered performances. Edward Hogg, Barbara, Nedeljakova, and especially Andrew Howard are all performers who own their camera time and Sutton is gifted enough to capture the nuances that might otherwise be lost. Her direction makes even the most mundane of events intriguing, sometimes juxtaposing an almost Kubrikian stillness of camera with scenes of dramatic, sweeping motion. She frames shots for impact and knows how to capture moments for their chill factor. (I'll personally never forget the body dragged past the doorway in her film, Sutures).
From the title (a subtle metaphor for loyalty and captivity), to Worman's score (eerie with f'n' attitude), this film hooked me all the way through and, several times, had me shouting out loud.
(And again.) (Yeah, those twists just keep coming.)
The guy who spat on your grave (not literally, just in the Remake), Mr Andrew Howard, might just be the best thing in here. Well best "living" thing that is. And he (almost) gets away with it. The other two main players/actors unfortunately are not up to the task. This movie could have been so much more (and I cannot stop thinking, that a great title was thrown away on this movie too).
But then again, there are a few people who read a few things into this (which I clearly didn't catch) and enjoyed it. So please make sure to read the positive feedback too, before you decide whether to watch the movie or not. Just let me point out, that I did see quite a few things coming and wasn't as surprised as another reviewer. The script is not as clever as it thinks it is and Barbara N. (though I do love her) is not game/up to the task. And considering the major role she is playing, this is a big letdown (for my crush and for the movie).
But then again, there are a few people who read a few things into this (which I clearly didn't catch) and enjoyed it. So please make sure to read the positive feedback too, before you decide whether to watch the movie or not. Just let me point out, that I did see quite a few things coming and wasn't as surprised as another reviewer. The script is not as clever as it thinks it is and Barbara N. (though I do love her) is not game/up to the task. And considering the major role she is playing, this is a big letdown (for my crush and for the movie).
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Detalles
- Tiempo de ejecución
- 1h 30min(90 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.78 : 1
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