Jeff, Who Lives at Home

This film is about a mother and her two adult sons, who experience varying degrees of interpersonal problems.

The first half of the film portrays a socially awkward Jeff, with his newfound infatuation with anything to do with Kevin. It looks like a pothead comedy, which I do not usually enjoy. The mood of the second half changes dramatically, as the characters get emotionally complex. Their emotional wounds get explored, and the film becomes touching and engaging. The ending is well built and climactic, and I find myself very touched by the heroic events. How each family member found emotional attachment is beautiful to say the least.

Though "Jeff, Who Lives At Home" may be a little boring at first, it is worth watching as the last twenty minutes are excellent.

Everybody has a quirky movie that they, and few other people or critics, like. It just might be that a movie simply comes along at the right point in our lives and interlocks with events in it. I certainly have a number of movies among my favorites that fit into this category, and I have a feeling that Jeff, Who lives at Home might have been admitted to it.

Although it is billed as a comedy, and there are certainly comic elements to it, there is a more serious component that underlies it and gives it some depth. Jason Segel plays a slacker who, at the age of 30, has few prospects (and living at home at 30 seems to be the modern stereotype of a loser). Jeff clings to the idea that some 'sign' will appear to show him the way. In fact, he is viewed as nothing but a loser by his mother, brother, and just about everyone else. When someone mistakenly calls his number asking for Kevin, Jeff, seeing this as the sign he's been waiting for, begins his search for his role in the universe, brushing aside all ridicule in the process.

I like movies that show how small, apparently insignificant, choices can lead to life changing events. I also like movies in which a character is redeemed by adhering to principles that everyone else thinks are insane. In its own subtle way, the movie questions many of the basic premises that underlie modern society. Yeah, I know, maybe I'm reading too much into this, but, I suppose, that's why we all like certain movies that others don't.

You're not going to get a better guy to play a slacker-loser than Segel. The other actors hold up their roles well. I admit that I expected little of this movie, but I found it engaging right from the opening scene. Give it a chance and I foolishly believe you will not be disappointed

Jeff, Who Lives At Home is a great example of an indie film. Jeff, a 30-year-old slacker, is searching for meaning in an aimless life, looking at pop culture references for a sign.

Jeff's journey may seem like a simple one, but his mission to buy wood-glue for a broken shutter is not dissimilar to Odysseus's epic return. The twist in the third act underscores the idea that within all of us lies a destiny. (Jeff, Who Becomes a Hero, as a title, would've given it away.) Jason Segel gives a great goofy charm to the lead character, and he is ably supported by Ed Helms as his obnoxious and insensitive brother. Susan Sarandon is faultless as the mother looking for a sign of her own as she suffers bleak corporate office cubicle.

Ultimately, this is not only a comedy about a slacker living in his mother's basement, but a hopeful look at family and what that word means. It starts slow, then reveals some wonderful surprises.

A man who lives at home follows signs that bring him closer to his destiny.

Most of these characters are facing life/relationship problems, but Jason Segel brings a lovable, quirky dorkiness to a film that inevitably carries lots of heart.

The premise only works if you go along for the ride, and it doesn't hurt that the characters are likable - for the most part.

Part fun, part strange, it's a down-to-earth world that becomes large because of its themes and ideas. Check it out!

7.3/10

I pretty much knew I was going to dig JEFF WHO LIVES AT HOME right from the first scene, where Jeff sits on the toilet, and waxes poetically into a tape-recorder about his undying love for the movie SIGNS. I tend to like the Duplass Brothers, who wrote and directed, so I guess this wasn't a hard sell.

At first glance, JEFF WHO LIVES AT HOME seems like a bit of a minor film, with it running a scant eighty-minutes, and taking course over a single day. Heck, for ninety-percent of the movie it was a minor work, and while I liked it, it still felt like a bit of a disappointment on the heels of CYRUS, which was one of my favorite films from last year. The film works mostly due to Jason Segel, who's affecting as the eternally optimistic Jeff. In another actor's hands, Jeff could have been insufferable- but Segel brings a sweetness to the part that meshes well with the Duplass Brother's big-hearted, humanist philosophy.

Like CYRUS, this owes a lot to the Duplass Bros., mumblecore origins, with it seemingly shot on lower-grade digital, possibly hand-held cameras, just like CYRUS. Some of the dialogue also seems to be improvised, with the exchanges between Segel and Ed Helms (who seems to be playing Andy Bernard with a goatee here- no complaints) having a natural, unscripted feel. The film also has a very nice score by Michael Andrews, heavily reminiscent of his excellent soundtrack for Miranda July's ME AND YOU AND EVERYONE WE KNOW (the release of which remains the last time I bought a physical CD).

In terms of laughs, yeah- JEFF WHO LIVES AT HOME is funny, but in a genteel sort of way. You'll never double over in laughter, but the whole thing feels pleasant, and at eighty minutes, goes down pretty smooth. Now, I said that for ninety-percent of the running time, this felt minor. The last twenty minutes or so throw the audience a bit of a curve-ball, with Jeff's idea of destiny having a surprisingly dramatic payoff, that pushed the film into territory I wasn't expecting. However, this switch isn't jarring, and works to the film's advantage, give it a uniqueness I wasn't anticipating.

There's also an interesting subplot involving Jeff and Pat's mom, played by Susan Sarandon, as she interacts with an office co-worker (Rae Dawn Chong of COMMANDO!!!), and deals with a secret admirer, which pays off in a fun, heart-warming way that, again, makes the film a little different- but in a good way.

All told, JEFF WHO LIVES AT HOME isn't quite as good as CYRUS, but it's a unique, pleasant comedy that once again proves that the Duplass Brothers., might be on to something with the way their films seem to simultaneously aim at the heart AND the funny bone.