I, Anna

Enjoyed this film. Thought it had an interesting take on London, showing us a different city to the one often seen in films. The stylised way it was shot might be too much for some people but I really liked it and felt it gave the film a great atmosphere. London looked wonderful.

Add to that some subtle and nuanced performances, particularly from Charlotte Rampling who really carries it. She was superb. There are some weaknesses and it won't be a film that appeals to everyone but if you do fancy watching something that requires you to think, is atmospheric, beautifully filmed and acted then I, Anna is worth watching.

This is a brilliantly crafted and paced film with a deep understanding of the Noir genre. It also contributes to the very small canon of films that depict mature female screen characters, rarely seen in the UK fictional media. The cinematography is acute and the lighting extraordinary. the music bold and moody noir. The denouement is not predictable, even though you think it might be, and it taps deeply into real emerging social issues in the UK - so even though noir is often style over content there is a real message to this film which works on you long after the viewing. But the world it creates is steady, fascinating and waiting for you....

Small film made for TV. Very well done. Charlotte is great at playing the disturbed. I felt a disturbance in the force.

I was tempted to give this 10/10 simply to compensate for the idiots who gave this film 1 and 2 out of 10. I didn't ultimately but it gives me the sh*ts when I see people unfairly rating down a film. With an average 6/10 I might not have watched this - and it was a genuinely decent film. The story is coherent and the plot competent. The way in which the central event of the film is slowly revealed is sophisticated and worked well. Both Charlotte Rampling and Gabriel Byrne are top rate leading actors and both do a good job. Rampling's performance was particularly convincing. Casting mature actors in these lead roles (without making a big thing about it) was quite believable and worked really well. The setting, the cinematography, the late-night London insomniac noir all create a compelling atmosphere. It's a genre film and, as such, isn't fabulously original, but is nonetheless well worth watching.

The erroneous synopsis to this stylish if slightly flawed thriller, does not do the intricate, complex story the justice it deserves. Barnaby Southcombe's debut feature is an adaption of Elsa Lewin's dark novel of the same name. Shot in various locations around London, it unravels the story of the relationship between a high ranking detective (Gabriel Byrne) investigating the murder of a no good low life, and a middle aged divorcée, Charlotte Rampling, with whom he develops a potentially damaging obsession. The film unfolds slowly but is worth the wait. The film engages the viewer as the pace quickens and story intensifies and things just gets better and better. Strong performances from the two stars as one would expect. A wonderful vehicle for Charlotte Rampling to prove a woman over 50 can be just as sexy and alluring as any 25 year old, she is totally convincing as the fragile, complex protagonist. And a real treat to have Eddie Marsan on screen, every film is improved by his presence, never puts a foot wrong, superb. London is a stylish but never overwhelming backdrop to this pleasing contemporary film noir. And a cracking soundtrack too...