Una rudimentaria y leal familia de Chicago sin temor a nada.Una rudimentaria y leal familia de Chicago sin temor a nada.Una rudimentaria y leal familia de Chicago sin temor a nada.
- Ganó 4 premios Primetime Emmy
- 17 premios ganados y 68 nominaciones en total
Explorar episodios
Resumen
Reviewers say 'Shameless' is acclaimed for its character depth and engaging plot, though comparisons to the British version vary. Praised for realistic family struggles and dark humor, it's noted for William H. Macy's performance. Some find it less authentic than the original, with differing character portrayals. Later seasons face criticism for inconsistent writing and a shift towards social commentary, detracting from its initial charm.
Opiniones destacadas
"Shameless" is a unique series that doesn't mince words.
The characters in the series are brilliantly written and really grow on you over time, no matter what big jerks they are.
The series is also incredibly funny, but also incredibly sad at times.
In addition, two excellent actors were produced here with Cameron Monaghan and Jeremy Allen White, who both hopefully still have a huge career ahead of them.
But the ending was unfortunately one of the worst I've ever seen and doesn't fit into the usual scheme of the series at all.
Therefore unfortunately no 10 points.
Nevertheless, it's definitely worth seeing if you feel like watching a longer series that you can get used to.
The characters in the series are brilliantly written and really grow on you over time, no matter what big jerks they are.
The series is also incredibly funny, but also incredibly sad at times.
In addition, two excellent actors were produced here with Cameron Monaghan and Jeremy Allen White, who both hopefully still have a huge career ahead of them.
But the ending was unfortunately one of the worst I've ever seen and doesn't fit into the usual scheme of the series at all.
Therefore unfortunately no 10 points.
Nevertheless, it's definitely worth seeing if you feel like watching a longer series that you can get used to.
Don't get me wrong, I LOVE Shameless, that's why i gave it a 9, it could have been a classic but they literally ruined it with the last 2 seasons. If you want to watch the most succesful show of Showtime, do yourself a favor and ignore the last two seasons. It's a shame a show like this has a writting for the ending seasons..
10tomdavie
I have never watched the British version of this show so I cannot comment on the original. I was under the impression it was a new Showtime story.
I have to admit that started watching because I have always been a fan of William H Macy. However, viewing Macy in this kind of role was startling . I had always seen him in more conventional-almost typecast - parts. I knew that Joan Cusak was a quality actress which lent the project some further credibility.
At first the show seemed to be almost forced. The plot seemed bizarre, and unbelievable. It seemed awkward. Its quite common for shows to take time to develop chemistry when the actors haven't defined their characters yet. The same can be said for the writers.
However, I had never seen anything like it. In that regard it was dynamic and worth the time. The young actors soon found their roles and by the 5th episode I found myself thinking about the show every day.
Now I cant stop watching. Im addicted. The actors are fantastic. The plots are far more developed. The supporting players play a big part in the series, and new characters keep rotating in flawlessly. The show has evolved .
And just for the record, Im getting really sick and tired of people trashing the show because in their minds it doesn't measure up to the original. Its not supposed to be the original. If you don't like it, stick with the British show.
I have to admit that started watching because I have always been a fan of William H Macy. However, viewing Macy in this kind of role was startling . I had always seen him in more conventional-almost typecast - parts. I knew that Joan Cusak was a quality actress which lent the project some further credibility.
At first the show seemed to be almost forced. The plot seemed bizarre, and unbelievable. It seemed awkward. Its quite common for shows to take time to develop chemistry when the actors haven't defined their characters yet. The same can be said for the writers.
However, I had never seen anything like it. In that regard it was dynamic and worth the time. The young actors soon found their roles and by the 5th episode I found myself thinking about the show every day.
Now I cant stop watching. Im addicted. The actors are fantastic. The plots are far more developed. The supporting players play a big part in the series, and new characters keep rotating in flawlessly. The show has evolved .
And just for the record, Im getting really sick and tired of people trashing the show because in their minds it doesn't measure up to the original. Its not supposed to be the original. If you don't like it, stick with the British show.
9kgft
I have loved this show for 10 years, but season 11 sucks! I don't even know what to say about it. Apparently the writers think the show is over because all they can do is compile scenes from previous episodes. There have been a couple of eps that were really interesting and moved the story along, but that's all. Shame on the writers for letting down their loyal fans.
I've grown up with the original Shameless. It's a fast paced Comedy-Drama like no other, in that it lends itself perfectly to both without apology or hesitation.
Whereas the British original finds it's characters living, fornicating, screaming and jumping in the revelry of zero-expectation in a rigid class system, the American remake masterfully equivocates the triumphs and the tribulations of a lower class family existing on the edge of acceptability at the heart of society in a flawless, delicate and shameless manner.
The pilot introduces the characters, much like their British counterparts, not in an effort to garner their sympathy but simply as a statement of fact. The aspiring teen marine struggling to hide his homosexuality only fears losing the love of his brother, the absent drunk dad who loves his children but through the haze becomes a heckling prophet - a Shakespearean fool who sees through the thin veil of sanity and order, a young woman struggling to keep the family together seeing a way out through a handsome highwayman. These people are not bad even if they do bad things. Society has forgot about them and for that they couldn't care less for it.
The whole cast is tremendous but William H. Macy rises to the occasion with the father, a Frank Gallagher straight out of a bar in Memphis at 3 a.m. on a Wednesday, last orders, don't interrupt him because he hasn't finished yet, he's got to tell you what's wrong with the world before he wakes up and it all ends. You would believe this guy was a war vet or something with the confidence and delirium at which he pontificates.
No matter what your race or background you can take something away from Shameless. Most television that likes to call itself Comedy, Drama, or both, tends towards a particular demographic, offering an escape fantasy for, say, the 'off-beat' teens in Glee or the sexually deviant young adults in True Blood or the repressed housewives in that show about the repressed housewives.
As the designated guardian's new boyfriend takes a seat at the head of the table, he pushes Frank's legs aside as he crashes drunk on the floor. Shameless doesn't escape anything, it lives in the world it is given and every so often reminds you, during those joyously chaotic scenes, that the sweetest lemonade is almost bitter, so it's just as well every episode is only an hour for you to laugh, cry and enjoy.
Moments of anarchic jubilation inter lap, run over and sometimes juxtapose flourishes of near-the-bone reality, served eloquently on a fresh platter to which America needs to to have the stomach for.
Whereas the British original finds it's characters living, fornicating, screaming and jumping in the revelry of zero-expectation in a rigid class system, the American remake masterfully equivocates the triumphs and the tribulations of a lower class family existing on the edge of acceptability at the heart of society in a flawless, delicate and shameless manner.
The pilot introduces the characters, much like their British counterparts, not in an effort to garner their sympathy but simply as a statement of fact. The aspiring teen marine struggling to hide his homosexuality only fears losing the love of his brother, the absent drunk dad who loves his children but through the haze becomes a heckling prophet - a Shakespearean fool who sees through the thin veil of sanity and order, a young woman struggling to keep the family together seeing a way out through a handsome highwayman. These people are not bad even if they do bad things. Society has forgot about them and for that they couldn't care less for it.
The whole cast is tremendous but William H. Macy rises to the occasion with the father, a Frank Gallagher straight out of a bar in Memphis at 3 a.m. on a Wednesday, last orders, don't interrupt him because he hasn't finished yet, he's got to tell you what's wrong with the world before he wakes up and it all ends. You would believe this guy was a war vet or something with the confidence and delirium at which he pontificates.
No matter what your race or background you can take something away from Shameless. Most television that likes to call itself Comedy, Drama, or both, tends towards a particular demographic, offering an escape fantasy for, say, the 'off-beat' teens in Glee or the sexually deviant young adults in True Blood or the repressed housewives in that show about the repressed housewives.
As the designated guardian's new boyfriend takes a seat at the head of the table, he pushes Frank's legs aside as he crashes drunk on the floor. Shameless doesn't escape anything, it lives in the world it is given and every so often reminds you, during those joyously chaotic scenes, that the sweetest lemonade is almost bitter, so it's just as well every episode is only an hour for you to laugh, cry and enjoy.
Moments of anarchic jubilation inter lap, run over and sometimes juxtapose flourishes of near-the-bone reality, served eloquently on a fresh platter to which America needs to to have the stomach for.
¿Sabías que…?
- TriviaUnusual for a television show, creator John Wells has a very strict policy of no scripts allowed on-set. The actors and actresses have to know their lines by heart.
- ErroresThe Gallaghers constantly refer to their address as North Wallace St. There is no North Wallace St. in Chicago, only South Wallace. Also, streets on the south side do not have "North" as part of their name, hence north side and south side. However, since it is a fictional series, the name of the Gallaghers' home street makes sense so as to not offend anyone living on a real-life street of Chicago.
- Citas
Mickey Milkovich: I've got an idea.
Lip Gallagher: We're not going to murder anyone.
Mickey Milkovich: I don't have any ideas.
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
Detalles
- Tiempo de ejecución
- 1h(60 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 16:9 HD
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta