Tees Maar Khan

Watching Tees Maar Khan was an underwhelming experience. I went in to this movie with mixed expectations. I had high expectations based on Farah Khan's previous efforts - "Main Hoon Naa" and "Om Shanti Om". At the same time I was not fascinated with Shirish Kunder's "Jaan-E-Mann" but this movie is even worse.

I was so stupid that i thought this Comedy would be better than the other comedies that were out this year, but i was so wrong once again. Bollywood movies are so much disappointing me, like never before. what is happening. i am so stupid i expected a good movie from the great Farah Khan. the music already wasn't much impressive, considering Vishal Shekar's other 3 movies.

Story was very much weak and completely annoying. screenplay was weak. nothing great about this movie anything. disappointing. silly bad movie.

Farah Khan (FK) seems to have lost her bearings with this one. Being fun loving and irreverent is one thing, but making a movie full of PJs is really pushing it! Akshay Kumar's brand of comedy seems completely out of sync with Farah's brand of humor and the result is a disaster only made tolerable if you are salivating over Katrina Kaif grooving to 'Sheila Ki Jawani' or seeing Akshay and Salman dance together. The script is pretty nonsensical and a stretch even by outrageous plot standards (a conman making a fake movie and convincing a big Bollywood star that it will win an Oscar? Seriously, give me a break!!) and the jokes are pretty weak all through. Tees Maar Khan, for lack of a worser word, is utter trash!

This wasn't a movie it was "the change" in passive sense.it was a bloody slap on the face of Indian cinema entertainment.nothing was of sense ,cant be categorized under any category.was it done just for money making by taking big stars and releasing on Christmas. May god Save the Indian cinema from the bad effects of upcoming nonsense movies Like this. Never watch this movie .... Few stupid things to be noticed: -- -poor jokes, poorly executed action sequences –dialogues full of overacting. –good actors were not able to show their talents due to bad direction and poor script. –promotion was done as if a blockbuster movie was going to be released.

A strict law should be made to check the movie's quality before its release, because its just like robbing viewers pocket in a gentle way ..

What kind of a film is this? There is no story whatsoever, not one joke is funny and everyone screams, screams, screams and screams in the film till you want to kill yourself in frustration.

All the jokes in the film are in poor taste and just about everyone is made fun of. This is the kind of film that makes you wonder whether the writers of the film have any common sense or rather, does this film have any writer in the first place.

The only saving grace is Akshaye Khanna who is in form and performs well as the Oscar-hungry actor.

It seems as if Akshay Kumar wants to end his film career by choosing to do films such as this and his string of pathetic films in the past 2 years.

Director Farah Khan has shown a lot of promise in her first 2 films and must write scripts herself instead of entrusting this responsibility to others.

Shiela Ki Jawani has been superbly choreographed and the end credits are in trademark Farah Khan style.

But are you ready to endure two hours of torture for 10 minutes of fun? Trust me, it's not worth it.

A nonsensical, idiotic, lame and senseless film. Avoid it at all costs.

TEES MAAR KHAN Bollywood is replete with examples of fetishes of film makers who closely associate these fetishes with the success of their films. The earliest example is that of film maker J Omprakash who always wanted his movie titles to begin with A; and in recent times we have the example of Karan Johar, who has a similar fetish with the letter K. Farah Khan, who began her career as a choreographer and quickly moved into the shoes of another Khan choreographer (Saroj Khan) quickly won a lot of acclaim for her work and then decided to expand her role to include film direction. Having got the box-office ringing with her first two ventures, MAIN HOON NA and OM SHANTI OM (both of which had Shah Rukh Khan playing the lead), she perhaps concluded that since both the films had three words, three is a lucky number for her. So soon after the success of the first two movies, she gave birth to triplets and her husband, an electronics engineer, Shirish Kunder and she floated a production house called Three's Company! She also perhaps knew that the presence of Shah Rukh Khan in the first two movies was a big factor for the success of those movies, but because she was not having him in her next movie (I will not go into the reasons for that here), she felt that the word KHAN appearing in the title would help. When she was finding it difficult to combine the word KHAN with her fetish for "TEEN" to get the title of her new movie, I presume a well-wisher perhaps told her that using a multiplication factor of ten would triple the chances of the movie's success; thus the word "TEES" came into the title. The choice of the third word was relatively easy, since the phrase TEES MAAR KHAN connoted a braggart and which was in tune with the character of the script itself. The next exercise was to find an inspiration for this tale and happily for her, that was also a three worded Peter Sellers starrer: AFTER THE FOX. Also, perhaps other well wishers suggested to her that she must have as many Ks as was possible in the film crew and therefore had her husband Kunder work for the background music, write(?) the story, co-produce and write some of the lyrics. The star cast also had a number of Ks: AKshay Kumar, AKshaye Khanna, Katrina Kaif, Sachin KhedeKar and special artistes like Salman Khan and Anil Kapoor! Now about the movie itself. Claiming to be a parody, it turns out to be a rather inane effort. Several scenes of the movie looked utterly pedestrian both in conception and execution and the only saving grace is the performance of Akshaye Khanna in the role of an Oscar hungry actor. Of course, the review will not be complete without the mention of the much touted Sheela Ki Jawaani number by Katrina Kaif; but Katrina with her innocent looks doesn't ooze with oomph despite the raunchy lyrics and the dance movements. I would rate Munni Badnaam from Dabangg (also choreographed by Farah) as a better song although the joke which I heard when I was coming out from the theatre was: Agar Sheela Ki Jawaani Pehle Aati, to Munni Badnaam Na Hoti!