Overdose
- 2022
- 1h 59min
CALIFICACIÓN DE IMDb
5.8/10
2.3 k
TU CALIFICACIÓN
Sara, jefa de la brigada de narcóticos de la policía de Toulouse, debe colaborar con Richard, jefe de la policía criminal local, para detener una lancha rápida entre España y Francia y encon... Leer todoSara, jefa de la brigada de narcóticos de la policía de Toulouse, debe colaborar con Richard, jefe de la policía criminal local, para detener una lancha rápida entre España y Francia y encontrar al asesino relacionado con el caso.Sara, jefa de la brigada de narcóticos de la policía de Toulouse, debe colaborar con Richard, jefe de la policía criminal local, para detener una lancha rápida entre España y Francia y encontrar al asesino relacionado con el caso.
- Dirección
- Guionistas
- Elenco
Nassim Lyes
- Saïd Masriche
- (as Nassim Lyes Si Ahmed)
Nicolas Marétheu
- Lemas Abramzcik
- (as Nicolas Maretheu)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Not best Olivier Marchal's movie but action in all scenes, good young actors for a classic drug / go fast movie.
Nice to watch, not a master piece but a good moment front of TV. Not that all scenes are making sense or a bit twisted but you let the adrenaline making you float through the movie. Alberto Amman is what you can expect from him if you saw narcos.
It's dark, a bit violent, typical Marchal and that's why you came for.
Just sit, turn the light off and watching a drug movie. Do not consider people talking non sense or being arsh with 4he movie, they overthink the idea of entertainment.
Nice to watch, not a master piece but a good moment front of TV. Not that all scenes are making sense or a bit twisted but you let the adrenaline making you float through the movie. Alberto Amman is what you can expect from him if you saw narcos.
It's dark, a bit violent, typical Marchal and that's why you came for.
Just sit, turn the light off and watching a drug movie. Do not consider people talking non sense or being arsh with 4he movie, they overthink the idea of entertainment.
I really enjoyed this predictable but pretty well drug crime drama. It is below of masterpieces like Sicario, but still watchable.
The storyline is based on the usual crime drama's that include some action here, some violence there and not really any great twist or surprise here.
Best here are some of the characters that you can root for. So it is interesting to know more and more about them and how the story ends. I think the story is quite decent and the conclusion obvious but pretty well executed.
So, overall good but not great, it could have been far better with a more risky script. I don't know why movie's directors are always using the same formula, an acceptable 6/10.
The storyline is based on the usual crime drama's that include some action here, some violence there and not really any great twist or surprise here.
Best here are some of the characters that you can root for. So it is interesting to know more and more about them and how the story ends. I think the story is quite decent and the conclusion obvious but pretty well executed.
So, overall good but not great, it could have been far better with a more risky script. I don't know why movie's directors are always using the same formula, an acceptable 6/10.
This kind of product contains a set of ingredients that we find in all films of this genre, precisely. You need cars and motorcycles, with crumpled canvas and chases. You need a more or less intense police war, in this case less so, as the different police forces communicate: Spanish, French, Parisian, provincial, special units. You need weapons. It needs villains, thugs, who when they appear shout it (hairstyles, costumes, make-up). It needs gore and extreme violence, here unnecessary (the hammer) and off behind a wooden door (good idea). It needs sex, which is totally unnecessary here. And a romantic story between police officers. All this is conventional and unoriginal. But it's well tied together by a script that integrates these ingredients.
Olivier Marchal deserves credit for his talent in directing the actors, all of whom are excellent. The film is perhaps a little long (20 minutes too long) and could have been tightened up a little. But on the whole, it lives up to its brief. A nominal quality in a conventional package for the genre to which it belongs.
Olivier Marchal deserves credit for his talent in directing the actors, all of whom are excellent. The film is perhaps a little long (20 minutes too long) and could have been tightened up a little. But on the whole, it lives up to its brief. A nominal quality in a conventional package for the genre to which it belongs.
I unfortunately guess that the director of 36, QUAI DES ORFEVRES, MR 73 and LES LYONNAIS has lost his soul, because in this movie, and also the four previous ones, are far from being as emitionally powerful as the three first; I won't mention GANGSTERS, very first film from OM. OVERDOSE is only a very efficient crime drama, very well done, in terms of directing, editing, and acting, even without any great bankable movie stars, such as for instance Jean Dujardin or Gilles Lelouche. But the actors here are perfectly cast, pretty good figures, faces, for such a story. But not great stars, that's all, as was also OM previous feature : BRONX. And notice that Marchal has also the taste to hire female old timers: here Catherine Allegret; in BRONX, Claudia Cardinale; in 36, Mylène Demongeot.... There is no real lead character here, many supporting ones, a very convincing Nicolas Cazalé, the French actor with Antonio Banderas' eyes, who had never worked with OM before. Some gruesome torture scenes, not for the squeamish. I am sure that Olivier Marchal will always make crime films, very good ones, but without the awesome atmosphere he had in 36, MR 73 and LES LYONNAIS. Maybe because he will never have great movie stars any more...Anyway, I am surprised that Gaumont company, the oldest and most famous in French movie industry, still produces his movies. I hope it will continue though. He seems to have lost all his ambitions here.
I love to watch a good French crime movie. The French are really at good at making them. Unfortunately this Netflix movie is just going through the motions...
The bad: this is just another, cheaply produced Netflix formula crime movie.
It has ONLY got (way below) average actors starring in it. And that is a problem, because there are LOTS of TEDIOUS talking scenes, in which these (way below) average actors have to try and elevate this story to a suspensful level.
And that is the other problem with this movie. It is definitely LACKING in suspense and thrill. Not even the (few) action scenes are any good.
Bummer. Just another (failed) formula crime movie. Incredibly tedious watch...
The bad: this is just another, cheaply produced Netflix formula crime movie.
It has ONLY got (way below) average actors starring in it. And that is a problem, because there are LOTS of TEDIOUS talking scenes, in which these (way below) average actors have to try and elevate this story to a suspensful level.
And that is the other problem with this movie. It is definitely LACKING in suspense and thrill. Not even the (few) action scenes are any good.
Bummer. Just another (failed) formula crime movie. Incredibly tedious watch...
¿Sabías que…?
- ErroresInspector Sara would not have the picture of an undercover agent so easily and readily visible on her mobile phone.
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Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- También se conoce como
- Aşırı Doz
- Locaciones de filmación
- Carry le Rouet, Francia(drug delivered on the beach)
- Productora
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución1 hora 59 minutos
- Color
- Relación de aspecto
- 2.35 : 1
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