Cabaña Sangrienta

Well no pun intended - this is about a figure/statue ... and we as viewers know that it would be bad to mess about and with those. Well the teenagers seem oblivious ... and they have to be ... how else would we have a movie to watch right? It does take a while to get us there though. But we do get to know the characters that we might or might not care about.

Some good gore and blood effects for sure ... and an ending that I did not see coming ... at least not like that. Maybe it is a bit too much .. far fetched and all that. But it does work and highlights character trait(s). Acting is ok as far as I can tell, though if you watch in original language like I do ... well most/many will have to rely on subtitles ... worked for me.

I liked this movie, despite it being subtitled and some of the meaning undoubtedly lost in translation.

Its a youthful horror tale, with diverse characters and a decent backstory.

The majority of it is filmed at night on a small farm with a few cabins and a barn.

The story involves a high school group celebrating graduation and the interpersonal dynamics of the friends. This is the subtext of the slasher plot-- the interpersonal relationships determine who survives.

That is what we conclude at the end of the film. Its a striking ending and this separates it from other teen slasher movies.

I gave it a solid 5 stars.

Look, I'm a horror fan, and if you are going to watch this film, you certainly are, too. And I absolutely LOVED this film.

Sure, it's a story about partying teenagers who transgress in the woods and then get picked off by a masked stranger. That's not "lack of innovation", that's a SUBGENRE, which this film totally nails.

Yes, it's not until the halfway point that "the action" begins. But I consider that a pro not a con. I actually enjoyed getting to know the characters, who despite being high school archtypes, are more real and fleshed out than their counterparts in American films, whom often seem as though they are designed for us to detest them so that we don't feel as bad when they are killed.

And the movie makes up for the lost time in the second half.

I appreciate that the characters act in ways that seem appropriate to who they are, rather than just in ways that will further the plot. That was accomplished by giving us time to know who they were.

I also loved the fact that the killer didn't simply skulk about in the shadows picking victims off one by one; he was NOT afraid to mix it up! While he was certainly...effective, he was not superhuman.

If you don't like this film, you either don't like slashers or you are too jaded to appreciate them any longer.

Lest one ever think Hollywood has a monopoly on horror flicks about teens being irresponsible and disrespectful and suffering the consequences of their actions, here comes Lithuanian filmmaker Jonas Trukanas. Co-writing with Titas Laucius, his 2022 film 'Rupintojelis' ('Pensive,' also known as 'We might hurt each other') gives us a few dozen characters (some spotlighted more than others, naturally) who fulfill various archetypes, whose personalities will come to clash, and who will reveal their true selves on the night of a big party following high school graduation. They also all illustrate the stereotypical behavior of teens in film and TV, which is to say a lot of alcohol, drugs, partying, and promiscuity - gosh, either I was the most obliviously milquetoast person growing up, or the entirety of my hometown was, or fiction has been feeding us false perceptions for all these years about how teens behave. The filming locations are gorgeous, the art direction is sharp, Rokas Sydeikis' cinematography is crisp and vivid, the cast give excellent performances commensurate with the horror-thriller vibes, and the abundant stunts and effects are outstanding. Above all, it's actually the original music of Andrius Kauklys that's most striking to me here as it leans predominantly (but not exclusively) on EDM to complement the violence. Everyone involved turned in fine work, and it looks and sounds great!

The good news is that in addition to looking and sounding great, Trukanas and Laucius give us an unexpected additional angle to the story that's not just dark but outright bleak (and therefore welcome for we genre fans), an underhanded reflection of just how rotten people can be when the chips are down. The bad news is that though we see bits and pieces of this angle throughout the length - a trail of breadcrumbs, if you will - it only specifically comes to bear at the very end. And while the screenplay gives us a lot to like in the preceding length, and some swell ideas, the truth of the matter is that they're rather unremarkable. 'Rupintojelis' is a slasher. It's a slasher that might toss some red herrings our way, which gives us some characters that are especially likable (I'm most fond of Saule and Zygis), and which has some especially smart notions at points (of which it may or may not fully take advantage), but it's still a slasher. Or if you don't like that term, we can just say that broadly speaking the movie is ultimately pretty straightforward. This is not to disparage Trukanas, Laucius, or anyone else's contribution, nor the picture at large. It's enjoyable; there's no rule that says every title must be a revelation; I look forward to seeing what all involved do in the future (this seems to be Trukanas' first full-length feature). It's just that in the grand scheme of things it's not super special, and it maybe doesn't make ideal use of its best ideas.

If one feels some particular impetus to watch then that's terrific, but by and large this isn't breaking any new ground. You don't need to go out of your way for it, yet 'Rupintojelis' is worth checking out if you have the chance.