Una mujer que alquila un alojamiento en Airbnb descubre que la casa en la que se aloja no es en absoluto lo que parecía.Una mujer que alquila un alojamiento en Airbnb descubre que la casa en la que se aloja no es en absoluto lo que parecía.Una mujer que alquila un alojamiento en Airbnb descubre que la casa en la que se aloja no es en absoluto lo que parecía.
- Dirección
- Guionista
- Elenco
- Premios
- 5 premios ganados y 38 nominaciones en total
Sophie Sörensen
- Bonnie
- (as Sophie Sorensen)
JR Esposito
- Jeff
- (as J.R. Esposito)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
A lot of great things can and should be said about Barbarian. It's a masterfully directed film; Creggor always shows us just enough in each shot that we're left wondering about what's lurking in the empty space on the frame.
The first two-thirds of the film are tense when it's quiet and shocking when it's loud. It kept me on my toes for nearly the entire time, which is refreshing for my desensitised eyes.
Efficient work is made of the character introductions. Cregor's script doesn't waste time at the beginning of each character's story. We get to know exactly what we need to know about each of them as a person before they get thrust into the metaphorical depths of hell. It makes the eventual carnage all the more nerve-shredding because no character is disposable.
So, yes, the film is good. But it's not all good.
The film's narrative and pacing are not nearly as compelling and tight, respectively, as they should be due to the fact that it tells the stories of three separate sets of characters (one after the other) before getting to the finale.
Also, the film's last act really took a dive into campy and I found it to be a betrayal of the rest of the story's bleak tone.
The final set piece is so out-of-left-field and ridiculous that it became unintentionally hilarious for me.
This may seem like a minor complaint, but when the ending of the movie leaves a bad taste in my mouth, it kind of sours the whole experience.
I wanted this to be better than it was. But it's still so tense throughout its majority and the many twists are so satisfying that I do heartily recommend this subversive horror flick.
The first two-thirds of the film are tense when it's quiet and shocking when it's loud. It kept me on my toes for nearly the entire time, which is refreshing for my desensitised eyes.
Efficient work is made of the character introductions. Cregor's script doesn't waste time at the beginning of each character's story. We get to know exactly what we need to know about each of them as a person before they get thrust into the metaphorical depths of hell. It makes the eventual carnage all the more nerve-shredding because no character is disposable.
So, yes, the film is good. But it's not all good.
The film's narrative and pacing are not nearly as compelling and tight, respectively, as they should be due to the fact that it tells the stories of three separate sets of characters (one after the other) before getting to the finale.
Also, the film's last act really took a dive into campy and I found it to be a betrayal of the rest of the story's bleak tone.
The final set piece is so out-of-left-field and ridiculous that it became unintentionally hilarious for me.
This may seem like a minor complaint, but when the ending of the movie leaves a bad taste in my mouth, it kind of sours the whole experience.
I wanted this to be better than it was. But it's still so tense throughout its majority and the many twists are so satisfying that I do heartily recommend this subversive horror flick.
No, they are not mutually exclusive.
First of all, props to the creators of this intensely riveting film for keeping us GLUED to the edge of our seats, in suspense, during the slow burn of a beginning, DESPITE thinking we knew what was going to happen.
Read that again.
In simple terms, even if this film had gone exactly the way we thought it would, the build-up to what we expected to happen, was masterfully handled.
Beyond that, the film declines in intensity during the second half, and expects more from the viewer in order to keep its believability factor.
I meant to add so much more, but I keep giving away too much and have to go back and delete it. I DETEST spoilers (unless I specifically ask for them) and those who think they actually gain something by revealing anything more than what is necessary. As such and as it is almost impossible to fully discuss the film without some reveals (and I possess tact enough not to spoil it for others), I will simply add that although there ARE a couple of "dumb" horror-film trope moments as in 'why did he/she do that' or 'why didn't he/she do that', they are in no way lastingly detrimental to the film. It is quite good, in that it quickly reels you back in and you all but forget about them - at least for the duration.
... It is also quite bad in the sense that it is off-the-wall bonkers.
It does gift viewers with a couple of funny/humorous moments, but they neither make or break the film.
In short, You will really like it, or you will hate it. Either way, see it before someone with less courtesy spoils it for you.
(The casting of Alexander Skarsgard was genius).
6.5-7/10.
First of all, props to the creators of this intensely riveting film for keeping us GLUED to the edge of our seats, in suspense, during the slow burn of a beginning, DESPITE thinking we knew what was going to happen.
Read that again.
In simple terms, even if this film had gone exactly the way we thought it would, the build-up to what we expected to happen, was masterfully handled.
Beyond that, the film declines in intensity during the second half, and expects more from the viewer in order to keep its believability factor.
I meant to add so much more, but I keep giving away too much and have to go back and delete it. I DETEST spoilers (unless I specifically ask for them) and those who think they actually gain something by revealing anything more than what is necessary. As such and as it is almost impossible to fully discuss the film without some reveals (and I possess tact enough not to spoil it for others), I will simply add that although there ARE a couple of "dumb" horror-film trope moments as in 'why did he/she do that' or 'why didn't he/she do that', they are in no way lastingly detrimental to the film. It is quite good, in that it quickly reels you back in and you all but forget about them - at least for the duration.
... It is also quite bad in the sense that it is off-the-wall bonkers.
It does gift viewers with a couple of funny/humorous moments, but they neither make or break the film.
In short, You will really like it, or you will hate it. Either way, see it before someone with less courtesy spoils it for you.
(The casting of Alexander Skarsgard was genius).
6.5-7/10.
The first half of the movie was very engaging. And let me just point out that the cinematography was some of the best I've seen in recent movies- you get to clearly see what is happening, as well as what's happening in the background at the same time. Camera shots are lined up really well, no shaky cam and don't cut back and forth, which is sorely missing from modern movies especially in the horror genre to build tension. Both actors give excellent performances. Gave this part 8/10.
Then the second half of the movie happens. Oh ok, this is different but how does it relate to the first part?? Oh ok I see, I can roll with that. 7/10.
But in the last 30 or so minutes, it REALLY falls apart. It's like they didn't really know how to properly build the final act and just threw whatever they could out there. 3/10.
It's a movie that I liked and didn't like at the same time. Do I recommend it? Yeah I'd say at check it out for the awesome cinematography and main character.
Then the second half of the movie happens. Oh ok, this is different but how does it relate to the first part?? Oh ok I see, I can roll with that. 7/10.
But in the last 30 or so minutes, it REALLY falls apart. It's like they didn't really know how to properly build the final act and just threw whatever they could out there. 3/10.
It's a movie that I liked and didn't like at the same time. Do I recommend it? Yeah I'd say at check it out for the awesome cinematography and main character.
This movie is textbook, to a T, the very definition of a cult film. This is the most "culty" film I've seen since rocky horror.
I don't really want to say much (or compare this to other films) because anything written will give expectations and this film is absolutely best if you go in blind and with zero expectations. I would really, really recommend avoiding all reviews and any discussion of this film prior to seeing it. If you're a horror fan this movie should be at the top of your list.
I will say that the person who made the trailer deserves a major award because the trailer gives away *nothing* at all, which is exactly how a trailer should be and trailers like this are so rare.
7/10.
I don't really want to say much (or compare this to other films) because anything written will give expectations and this film is absolutely best if you go in blind and with zero expectations. I would really, really recommend avoiding all reviews and any discussion of this film prior to seeing it. If you're a horror fan this movie should be at the top of your list.
I will say that the person who made the trailer deserves a major award because the trailer gives away *nothing* at all, which is exactly how a trailer should be and trailers like this are so rare.
7/10.
UGH .... so close - SO CLOSE! But in the end, no cigar. All that potential and solid storytelling dissolving into to a nonsensical, clumsy, rushed, and ultimately unsatisfying conclusion, implementing all of the worst elements of horror movies. That's what disappoints the most. This movie held so much promise and had such a great start and journey all the way up until the end, but sadly the writer(s) somehow couldn't find the way to keep that strong storytelling up to par all the way through to the end. It wasn't that I disliked the end result. It was the clumsy way the screenplay got us there that left a lot to be desired. I was rolling my eyes on multiple occasions during parts of the final act. Video review to come soon.
¿Sabías que…?
- TriviaRichard Brake shared a story on Instagram about attending a late night screening of the movie, noting that a particular group of teenagers sitting a few rows behind him were really into the film and were terrified. When it was over, they were leaving the theater, using the flashlights on their phones, when the light accidentally caught Brake's face, the teens recognized him from the movie, then screamed and ran from the room in genuine fear.
- ErroresOne of the characters drives an electric Nissan Leaf, bizarrely it has engine and ignition sounds dubbed over its movement.
- Créditos curiososSPOILER: There are three mini-scenes after the initial smash cut to "Written & Directed by Zach Cregger" credit, showing Tess sitting up in the street, walking away from the bodies, and limping away from the water tower as dawn breaks.
- ConexionesFeatured in Chris Stuckmann Movie Reviews: Barbarian (2022)
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- How long is Barbarian?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- También se conoce como
- Barbarian
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 4,500,000 (estimado)
- Total en EE. UU. y Canadá
- USD 40,842,944
- Fin de semana de estreno en EE. UU. y Canadá
- USD 10,543,948
- 11 sep 2022
- Total a nivel mundial
- USD 45,352,337
- Tiempo de ejecución1 hora 42 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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