Una mujer que alquila un alojamiento en Airbnb descubre que la casa en la que se aloja no es en absoluto lo que parecía.Una mujer que alquila un alojamiento en Airbnb descubre que la casa en la que se aloja no es en absoluto lo que parecía.Una mujer que alquila un alojamiento en Airbnb descubre que la casa en la que se aloja no es en absoluto lo que parecía.
- Dirección
- Guionista
- Elenco
- Premios
- 5 premios ganados y 38 nominaciones en total
Sophie Sörensen
- Bonnie
- (as Sophie Sorensen)
JR Esposito
- Jeff
- (as J.R. Esposito)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
This movie is textbook, to a T, the very definition of a cult film. This is the most "culty" film I've seen since rocky horror.
I don't really want to say much (or compare this to other films) because anything written will give expectations and this film is absolutely best if you go in blind and with zero expectations. I would really, really recommend avoiding all reviews and any discussion of this film prior to seeing it. If you're a horror fan this movie should be at the top of your list.
I will say that the person who made the trailer deserves a major award because the trailer gives away *nothing* at all, which is exactly how a trailer should be and trailers like this are so rare.
7/10.
I don't really want to say much (or compare this to other films) because anything written will give expectations and this film is absolutely best if you go in blind and with zero expectations. I would really, really recommend avoiding all reviews and any discussion of this film prior to seeing it. If you're a horror fan this movie should be at the top of your list.
I will say that the person who made the trailer deserves a major award because the trailer gives away *nothing* at all, which is exactly how a trailer should be and trailers like this are so rare.
7/10.
For most I think this is one of those either you love it or you hate it movies. After viewing a couple of days ago I still am having issues deciding on which side of that divide I fall. For me, the opening act was exceptional. Skarsgård was fantastic in his role and Campbell also played her part excellently ( for the entire film really), but the two together had a perfect horror chemistry for me. I really was craving more screen time with both of them.
The movie then tries to combine a couple different backstories and attach them all together. I would say this was done with moderate success. The exposure of the character flaws was achieved through these backstories that helped the movie display the themes it set out to, however I felt a lot of time was wasted on irrelevant scenes. I suppose this was an attempt to keep you on your toes, but after knowing how the story ends I would have liked other areas of the story to be explored in a little more detail. Specifically, focusing a little bit more on "the mothers" history could have been quite powerful and informing. Instead, the audience is tasked with having to sort of use its imagination to envision exactly how "the mother" became what she is.
Overall, it was fine, loved some parts and hated others. However, I definitely don't see how this would ever be elevated to the level of a "classic".
The movie then tries to combine a couple different backstories and attach them all together. I would say this was done with moderate success. The exposure of the character flaws was achieved through these backstories that helped the movie display the themes it set out to, however I felt a lot of time was wasted on irrelevant scenes. I suppose this was an attempt to keep you on your toes, but after knowing how the story ends I would have liked other areas of the story to be explored in a little more detail. Specifically, focusing a little bit more on "the mothers" history could have been quite powerful and informing. Instead, the audience is tasked with having to sort of use its imagination to envision exactly how "the mother" became what she is.
Overall, it was fine, loved some parts and hated others. However, I definitely don't see how this would ever be elevated to the level of a "classic".
No, they are not mutually exclusive.
First of all, props to the creators of this intensely riveting film for keeping us GLUED to the edge of our seats, in suspense, during the slow burn of a beginning, DESPITE thinking we knew what was going to happen.
Read that again.
In simple terms, even if this film had gone exactly the way we thought it would, the build-up to what we expected to happen, was masterfully handled.
Beyond that, the film declines in intensity during the second half, and expects more from the viewer in order to keep its believability factor.
I meant to add so much more, but I keep giving away too much and have to go back and delete it. I DETEST spoilers (unless I specifically ask for them) and those who think they actually gain something by revealing anything more than what is necessary. As such and as it is almost impossible to fully discuss the film without some reveals (and I possess tact enough not to spoil it for others), I will simply add that although there ARE a couple of "dumb" horror-film trope moments as in 'why did he/she do that' or 'why didn't he/she do that', they are in no way lastingly detrimental to the film. It is quite good, in that it quickly reels you back in and you all but forget about them - at least for the duration.
... It is also quite bad in the sense that it is off-the-wall bonkers.
It does gift viewers with a couple of funny/humorous moments, but they neither make or break the film.
In short, You will really like it, or you will hate it. Either way, see it before someone with less courtesy spoils it for you.
(The casting of Alexander Skarsgard was genius).
6.5-7/10.
First of all, props to the creators of this intensely riveting film for keeping us GLUED to the edge of our seats, in suspense, during the slow burn of a beginning, DESPITE thinking we knew what was going to happen.
Read that again.
In simple terms, even if this film had gone exactly the way we thought it would, the build-up to what we expected to happen, was masterfully handled.
Beyond that, the film declines in intensity during the second half, and expects more from the viewer in order to keep its believability factor.
I meant to add so much more, but I keep giving away too much and have to go back and delete it. I DETEST spoilers (unless I specifically ask for them) and those who think they actually gain something by revealing anything more than what is necessary. As such and as it is almost impossible to fully discuss the film without some reveals (and I possess tact enough not to spoil it for others), I will simply add that although there ARE a couple of "dumb" horror-film trope moments as in 'why did he/she do that' or 'why didn't he/she do that', they are in no way lastingly detrimental to the film. It is quite good, in that it quickly reels you back in and you all but forget about them - at least for the duration.
... It is also quite bad in the sense that it is off-the-wall bonkers.
It does gift viewers with a couple of funny/humorous moments, but they neither make or break the film.
In short, You will really like it, or you will hate it. Either way, see it before someone with less courtesy spoils it for you.
(The casting of Alexander Skarsgard was genius).
6.5-7/10.
I went in totally blind, with no expectations whatsoever as I only heard of this movie the day I decided to watch it. I think that's the best way to enjoy it.
This is campy horror film that has all the classic tropes from horror movies of a home invasion, with some fun twists and turns in it. This is definitely more of campy film though. Not quite as a campy as movies like Child's Play or Leprechan, but definitely not a true horror movie that will give you nightmares like the Ring or the Excorcist.
Bill Skarsgård really does a great job setting things up, and Georgina Campbell serves well as the classic "damsel in the distress." Justin Long is truly hilarious. This pokes fun at a lot of hororr movie tropes while still being scary enough to have audiences jumping out of their seats. It's a movie that's best seen with a lot of friends in a packed theater. But I don't think it will be a horror classic.
This is campy horror film that has all the classic tropes from horror movies of a home invasion, with some fun twists and turns in it. This is definitely more of campy film though. Not quite as a campy as movies like Child's Play or Leprechan, but definitely not a true horror movie that will give you nightmares like the Ring or the Excorcist.
Bill Skarsgård really does a great job setting things up, and Georgina Campbell serves well as the classic "damsel in the distress." Justin Long is truly hilarious. This pokes fun at a lot of hororr movie tropes while still being scary enough to have audiences jumping out of their seats. It's a movie that's best seen with a lot of friends in a packed theater. But I don't think it will be a horror classic.
The first act is pretty good. Atmospheric, nuanced, interesting, decent acting - especially from Skarsgard. I did have to really suspend my disbelief a lot to allow the film to move forward though. Double booked AirBnB, no hotel rooms available, the main charcater had done no research on the area before arriving. Really?
The second act started well and was enhanced because of the events of the first. It works because it sets the audience up in a position where we have more knowledge than the newly introduced characters. It added tension and I was interested in what direction they would take the story.
I liked the way the first two acts played with the personalities / backgrounds of the male leads. Hinting and leaning into social stereotypes but leaving a few clues to the real intentions. It works quite well. I may be crediting the writers too much here, but I think I get the underlying message of this film, but it just gets lost by the end.
The longer the film goes on (and it does feel a bit overlong), the more ridiculous it gets. It feels like it's written by two different people; or they spent so much time on the first half of the movie they had to rush the rest. There are some truly stupid moments that are almost farcical comedy. All the tension drained out of the film, and it just became a series of ridiculous scenes strung together. Events are telegraphed way ahead of time. All the nuance is gone.
It's so disappointing that something so creepy and initially interesting can go so wrong. Ignoring the stupid decisions made by the main charcater in the first act, I would have scored it a 7. The acting is good, the direction is solid, but the story just drags it down so much that by the end I can only give it a 4.
The second act started well and was enhanced because of the events of the first. It works because it sets the audience up in a position where we have more knowledge than the newly introduced characters. It added tension and I was interested in what direction they would take the story.
I liked the way the first two acts played with the personalities / backgrounds of the male leads. Hinting and leaning into social stereotypes but leaving a few clues to the real intentions. It works quite well. I may be crediting the writers too much here, but I think I get the underlying message of this film, but it just gets lost by the end.
The longer the film goes on (and it does feel a bit overlong), the more ridiculous it gets. It feels like it's written by two different people; or they spent so much time on the first half of the movie they had to rush the rest. There are some truly stupid moments that are almost farcical comedy. All the tension drained out of the film, and it just became a series of ridiculous scenes strung together. Events are telegraphed way ahead of time. All the nuance is gone.
It's so disappointing that something so creepy and initially interesting can go so wrong. Ignoring the stupid decisions made by the main charcater in the first act, I would have scored it a 7. The acting is good, the direction is solid, but the story just drags it down so much that by the end I can only give it a 4.
¿Sabías que…?
- TriviaThe script started out after Zach Cregger read Gavin de Becker's book, "The Gift of Fear," which encourages women to trust their intuition when confronted by obviously dangerous men. He used it as a writing exercise and began crafting a thirty-minute short that consisted entirely of a conversation in which a woman continues to ignore a mounting series of red flags. He liked it well enough that he knew that he had the makings of a longer film and began conceptualizing a broader story for the characters.
- ErroresOne of the characters drives an electric Nissan Leaf, bizarrely it has engine and ignition sounds dubbed over its movement.
- Créditos curiososSPOILER: There are three mini-scenes after the initial smash cut to "Written & Directed by Zach Cregger" credit, showing Tess sitting up in the street, walking away from the bodies, and limping away from the water tower as dawn breaks.
- ConexionesFeatured in Chris Stuckmann Movie Reviews: Barbarian (2022)
Selecciones populares
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- How long is Barbarian?Con tecnología de Alexa
- Why didn't Tess leave when she starts feeling uneasy?
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- También se conoce como
- Barbarian
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 4,500,000 (estimado)
- Total en EE. UU. y Canadá
- USD 40,842,944
- Fin de semana de estreno en EE. UU. y Canadá
- USD 10,543,948
- 11 sep 2022
- Total a nivel mundial
- USD 45,352,337
- Tiempo de ejecución1 hora 42 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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