One Day as a Lion

A bunch of good actors doing a great job and getting nowhere. Feels wasteful and not utilising the potential at all - everyone is at their right place, everyone is doing more than decent job portraying their characters, but for what reason? There's no explanation to that - there's no any substantial background to the characters, they appear out of nowhere and disappear back to the obscurity without leaving a mark, and in the end there's no connection between the story lines, no reason to the actions, no bottom line and no overarching idea, just a bunch of human-shaped sketches on screen. Could have been something, but it wasn't to be...

A solid crime/thriller movie (the comedic part is probably only the result of the seemingly clueless but lovable Jackie "Some" Powers, interpreted beautifully by Scott Caan). Great lead duo with strong-as-strontium Marianne Rendón, Powers' adventure companion and only chance to get his son back.

J. K. Simmons is very believable in his role of a ruthless "cowboy" (thumb down to the costume designer for the horrible cheap and too big hat, though...). Several reviewers have denounced the empty plot or the sub-plot involving Frank Grillo; on the contrary, this seamless story is very enjoyable to follow.

The good: solid direction, great acting performances and a lovely, quirky story, with likeable characters and true to life dialiogue. I would have setttled for less!

I love these kind of quirky gangster comedies. It's been awhile since I have seen a good one and I thoroughly enjoyed it from start till finish.

It's not a Quentin Tarantino wannabe, but it has got the same reverance for the characters as is the case in all of the Tarantino movies (or in any great gangster movie for that matter). Because in every great gangster movie (comedy or dramatic) one needs true to life characters, whom I can sympathize with.

And the characters in this movie are to die for! However "gangsta" the characters all might seem to be on the outside, they all have a gentle, loving heart (hilarious, but true) and they all would f8*k up boiling an egg if it comes to being a real gangsta.

The story: Scott Caan plays a total f8*k up moron "gangster", who messes up the only hit job he has to execute.

Now he is on the run for his crime boss who wants to kill him, providing for some absurd and very witty situations, involving a man on a horse, a fake marriage, a son in jail whom he wants to rescue and a few fist fights...

Recommended for those fans of this comedy gangster genre, who love offbeat characters and quirky dialogues.

Aside from a couple Swab trademarks and easter eggs (eg; chocolate bar with a Candy Land wrapper), it didn't really feel like Swab to me. Seemed a bit misguided and going nowhere. The script is a weak point, nothing daring, and the plot fairly nonsensical. Some of the acting was pretty good by the big names, and it was shot pretty well, but I didn't personally care for the pretentious nonthingness that made up the script. Swab is a bit of an acquired taste, and he has done several better films than this one. Big name bit parts aside, Marianne Rendon was a standout performer here, even with this script.

This felt like a cross between a high-school drama class production, and a vanity project for writer and lead actor Scott Caan to have his shirt unbuttoned or off wearing only underwear as much as possible. The writing, and especially the dialogue, was borderline infantile, and I'd say at least 80% of it was nonsense filler. There were only a few hits at humor, but it was mostly misses. The story did have some heart to it, but it was down-played and overshadowed by a lot of nonsense. Even Caan naming his character Jackie Powers was borderline cringe. Grillo's and Simmons' talents were underutilized and they both deserve to be in better films. Although they were the draw to this film, Marianne Rendon as Lola shined the most, and stole every scene. She was the only reason I even finished the film, because her character and performance were outstanding, and the reason I'm being generous with my 6/10. Swab's directing was decent given the flaccid script he had to work with, but with a more experienced screenwriter, this film could've been great.