En tierra de santos y pecadores

I suppose this worked for me not because it has Liam Neeson dispensing typical Liam Neeson savior duties, but for its '70s Irish backdrop, some fine supporting performances, and a snowball-ish plot. For a change, Neeson looks and feels comfortable on his home turf, and his "good heart" becomes the reason for things spiraling out of control. An attempt to help one of the locals invites trouble, and though this is somewhat of a cliché in actioners featuring older stars, the story progression is quite interesting. Kerry Condon, in an antagonistic role, is having fun and chewing up the scenery (I can't wait to see how good she is in Night Swim). There's also the amusing sidekick character played by Jack Gleeson and the confused cop friend played by a reliable Ciarán Hinds; both commendable. Tom Stern's effort in capturing panoramic Irish imagery is probably the strongest reason, however, to watch the film.

In the land of Saints and Sinners is one of the better offerings from Liam Neeson which have been released in the last 5 or 6 years.

Set in Ireland at the time of 'The Troubles' it's pretty clear what you're going to get as soon as the film starts. And there won't be any twists and turns. But the film still entertains.

It moves along at a good pace and despite (Liam's character) Finbar being of a very dubious disposition we soon root for him against a gang of evil IRA bombers who have been blowing kids up.

The Irish scenery is beautiful and at times bleak.

The film manages to look and feel like a 70s story and the acting is very good from everyone involved.

This one is well worth a watch.

Entertaining and satisfying.

Great for a rainy night in.

In the Land of Saints and Sinners shows perfectly how you make a solid movie without putting billions into special effects and explosions - just tell an old tale new with the help of a superb cast. Especially the acting shines bright in this little flick and makes the story and the characters believable. No doubt, for someone just wanting lots of bum bum and computer generated gimmicks a la Fast and Furios or Tom Cruise's quests on high octane, this won't work to well, but for someone who wants a well told story, this one will do and provide plenty. Not an excellent one but a good one for sure.

Once again one of the better Liam Neeson films. The film is entertaining and has a great cast. The simple story, about IRA terrorists who cross paths with Liam Neeson, stands out above all because of the camera. The landscape shots are beautiful. The music is atmospherically good. The film is told in a straight forward manner. No action fireworks, but a quiet and atmospheric thriller. A worthwhile film that is surprisingly different to otherwise tried and tested Liam Neeson films. It's amazing what this little film brings out of its actors in terms of performance. Little jewels in a simple setting.

STAR RATING: ***** Brilliant **** Very Good *** Okay ** Poor * Awful

In the early 1970's, a rebel IRA faction, headed by Doiraenn McCann (Kerry Condon) plant a carbomb in a side street. Meanwhile, Finbar Murphy (Liam Neeson) is a former World War II veteran and mercenary, carrying out assignments for contractor Robert McQue (Colm Meaney.) Burnt out and cynical, he finds a personal reason to care when he sees a young girl being controlled by Curtis Jane (Desmond Eastwood), which sets in motion a shattering chain of events, involving a collision with Doiraenn and her clan.

No matter how much time passes, the western remains one of the most enduring genres, always finding new life in different variations in different styles of films, even to the point of being used in films set in the present times. Director Robert Lorenz is the latest example of this, following in the footsteps of films like 2016's Hell or High Water, with this slow burner. If you don't know it's been framed as a 'modern western', it won't immediately dawn on you, making the experience all the more of a meandering one.

Set against the backdrop of some pretty turbulent events in Ireland's history, it gives it some pretty heavy baggage to contend with, against the motivation of making some kind of modern day Clint Eastwood film. But in terms of lead star Neeson, it just feels like another notch on the post of his later life action hero trajectory, which he infuses with his usual gruff, mumbling style, to much the same effect as ever. He's propped up by a support cast, including veteran's such as Meany, and Condon, who is effectively icy and hard faced as the dogged central protagonist.

For die hard fans of the western genre who still exist in this day and age, the slower, more meandering pace and atomised plot might be more acceptable. It may even do this for those with a passing interest, and the result is something at least marginally successful. ***