Zindagi Na Milegi Dobara

When was the last time you saw a feel good movie? When was the last time you laughed at simple silly conversations, when was the last time you remembered your bachelor days (only if you are married), when was the last time a movie made you think about your life, when was the last time a movie inspired you to enjoy the simple things in life, when was the last time a movie inspires you to let go off your fears..... Well not in the near past, definitely not from Bollywood.

Zindagi Na Milegi Dobara takes you through the simple moments of life, the life that every one miss out due to their busy schedule, commitments, etc..etc... and the movie does it through the life of three friends and their extended bachelor party trip. The beauty of the movie is that it concentrates on the life of the friends and how they let go their resistance to themselves and their fears rather than showing obscenity that normally rules movies which are based on bachelor party trips.

Zoya does a fantastic job in making the viewers feel every part of the movie with a beautiful blend of nature, good camera work, good script and three gifted actors. There is not a moment in the movie which feels out of place, no songs which you feel is there to enhance the marketability of the movie, everything flows smoothly, everything blends so nicely which gives you the feel good factor that you expect from the movie.

All the actors were fabulous and were perfect fit for the roles. To start in alphabetic order i will start with Abhay. What to say about this actor, he brings life to his roles and he has proved it over and over in his movies. I couldn't think about any actor who could have blended so well with the character in the movie like Abhay did. There is no replacement for him. I cant enhance on his character as it will give away the plot. The scenes where all the three friends make fun of people through their silly childhood act under the leadership of Abhay can only be carried out well by Abhay.

Hritik is an actor who can do wonders when he lands the right roles. When even the new entrants avoids multi starrier movies, he has taken a role where other actors share more or less the same screen space, with no insecurity and no ego. In the movie you get to see a completely different Hritik, with a script which does not glorify him, he is just a friend among the three and he brings life to the movie with his charm and charisma.

Farhan was bit of a surprise to me. He has grown as an actor from "Rock on" and "Karthik calling Karthik". I always found him to be more fit for a serious character than for the joker in the pack act. He does it extremely well. Probably its because of my prejudice that it was hard for me to take him in the role, but i had to let go my resistance.

Katrina portrays a character which is similar to her real life, a mix breed of Indian and Brit, a freedom loving, "live today" kind of girl. Her combination with Hritik is electrifying. Kalki is such a good actress. Her expressions helps you relate well to the character.

There is nothing to give out as a story, its all about three friends on a trip and trying out different things that they never tried before and how those things change there lives. But the beauty is in the details and climax. I think how the movie ends could have been better but song at the end of the movie with the credit makes up for it.

Overall Zindagi Na Milegi Dobara impressed me and lived up to my expectation and above. I hope you would like the movie too. But 'hey', everyone has different opinions, the general review by the critics for the last two movies i reviewed were totally against mine. So don't go for the review rather go for the movie and decide for yourselves.

Read my reviews on the site www.Movierecycle.com

Review in form of an open letter to Farhan Akhtar,

Dear Farhan,

You simply rock. As director you have created all brilliant films, your debut film Dil Chahta Hai is a cult film, which inspired all directors of India to make fresh looking light hearted urban films. Then came Lakshya, which was not commercially that successful, but was nevertheless a good film. Don, from which I expected nothing, hated the idea as the original starring Big B is one of my most fav Big B film, was splendid and established you as master. As producer, you have attempted fantastic films too. And now as an actor, you are getting better and better day by day. You rocked in Rock On, you were fantastic in LBC and KCK and in ZNMD too you have successfully stolen the show from my favorites Hrithik Roshan and Abhay Deol who have established themselves as good actors.

Your role in the film is quite meatier and helps you stealing the show. Hrithik (whom you originally wanted to cast in DCH) is again fantastic in serious-all-business-minded-guy and changed-in-love-living-life-guy both. Abhay Deol is as always dependable, his tricks in the films are hilarious. Chemistry between you three is awesome. It feels like three real friends are on road trip.

I hope you make sequel to this as producer, keeping Zoya on director's seat again, as I think, she was brilliant as director. She might have lived her life with lots of male friends as it not for a single moment seems like a film directed by lady director (which was the only minus point of LBC from my point of view). Hoping to see more from her.

Dialogues are fantastic and makes one laugh, smile and think for sure. Story, Screenplay and Script are marvelous. Music is in rhythm with film's flow.

All positive – No. Something minor which I found not-so-positive was Katrina's suitability for Laila's role and SEL's music. Katrina has done decent work compared to her past films, but fails to convince what her character needs to convince (and though I don't like Kariena that much, but I feel she suited for this role very much) though Hrithik being her counter part balances very well, and Hrithik and Katrina looks good together. SEL's music is not as great as their former films, though manages to please.

Fav Moments in the film: Too many. Though listing some of them.

1. Kabeer's all tricks 2. Imran's flirt with Laila and her friend 3. Imran's each funny comment 4. Imran – Arjun fights 5. Bagwati 6. Each Poetry recited by Imran 7. The moments which inspires those Poetries 8. In the Air Scenes 9. Imran & Salman's meeting 10. Imran & Arjun's meeting their after 11. Kabeer's Flashback 12. Arjun crying after Underwater 'Meditation'

All and over, it's not DCH, it's not Rock On. Though, it has shades of both the films, but it's quite different story to tell and as it has many pleasing moments, one must watch it.

A film fan – Hardik Raychanda

Zoya Akhtar's Zindagi Na Milegi Dobara, through the lives of three friends, presents the world of contemporary Indian youth, who are successful, affluent yuppies. They just enjoy life because financially they have the means to do it. In mood and execution the film is very modern, light, yet it entails complex relationships in family and between friends. Essentially, in this regard, it has an uncanny resemblance to Dil Chahta Hai, though it's an altogether different film and not quite on that level. The movie is relatively realistic, but it is also emotional and, surprisingly enough, quite poetic. The dialogue by Farhan Akhtar is for the most part very good.

Zindagi Na Milegi Dobara is captivating, interesting and entertaining, and it captures the beauty of Spain with great mastery. At times this presentation is too perfect, but then it's a movie so that's what audiences want to see. It is beautifully shot, with excellent cinematography working in its favour. The background score is very good, and the songs are very fun and catchy. All these aspects create a lyrical tone that is quite uplifting to watch. Some scenes are just amazingly captured. The one when the guys get out of the water after diving, is pure magic. So is the one which shows them skydiving.

Having said all that, the film is far from flawless. While the main moral of the story, that life is only once and should be lived to the fullest, is successfully conveyed, generally speaking, but then at times it becomes over-repetitive and saccharine. Towards the second half, in particular the film tries too hard to be inspiring and feels too larger-than-life, almost to the point of being preachy. The ending is one such instance. Above all, the friendship between the three leads, while generally done decently, often lacks the natural, understated camaraderie it requires (not because they fight, but in spite of it). I don't know what exactly it is, but something is missing there and feels quite forced and banal.

Hrithik Roshan finally works as part of an ensemble cast where he doesn't have to carry a film all alone. He plays an imperfect man who grows as a character, and he does it well. Farhan Akhtar is for the first time convincing and he's natural and enjoyable in a meaty role. Abhay Deol, as the flamboyant, playful guy who's unsure of whether he does or does not want to marry yet, is a bit of a disappointment. Deol is according to me the best actor of the three, based on what I've seen before, but in this film his character often lets him down--a sad case of weak writing--as it lacks true complexity.

I never thought I'd say that, but Katrina Kaif is surprisingly effective and natural, and her part is actually very well etched out in the script. Laila is lovely, kind, radiant and, probably more importantly, is of mixed ethnicity, which makes her accent justifiable and credible in this film. This may be the benefit, as it eases the work for Kaif, who, instead of focusing on her accent and Hindi line delivery (which was anyway poor), can for one concentrate on the character. She is never great, but she is good. Kalki is better in a smaller part. Speaking of small parts, Naseeruddin Shah and Deepti Naval, in just two brief scenes each, shine.

Zindagi Na Milegi Dobara does partially bring forth another step in mainstream Hindi cinema's growth and departure from popular convention. It is thoroughly enjoyable, it has both style and substance, and though in my opinion it is nowhere an extraordinary film and is far from being really great, it is still a worthy and appreciable effort about living life to the fullest and cherishing every moment of it. Worth watching.

"Seize the day", is the whole and soul of Zindagi Na Milegi Dobara. I was actually quite low on expectations with this movie. But this movie has turned out to be a vagabond of friendship, love, adventure, emotions and above all, LIFE.

I always believed that Farhan Akhtar is a good showman. Right from Rock On!!, Luck By Chance and the duh Kartik Calling Kartik. But this movie has proved it that he has all the elements that are needed in an actor. He can dance, can cry (can sing of course) and now, he can make you laugh. Abhay – Farhan – Hrithik are the three mesquiteers.

Zoya Akhtar is one more reason to watch this movie. The way she directed Luck By Chance was not all serendipitous, and she has proved it. ZNMD is all her baby. The male bonding penned and filmed by her is pleasant.

The Spanish locations are exotic. Dialogues (By Farhan Akhtar) are real and spontaneous. Movie runs with its own good slow pace, which is very much needed for the road movies.

Many scenes halt the heart and literally put you on an adventure mode.

Movie would have been a way better if songs were good. Editing needed a bit more stitch. I have no complaints regarding the length of the movie, as I can watch this Spanish odyssey for more than two hours with a tub of pop corn and a coke.

Overall, this road movie is a trip to remember.

Director Zoya Akhtar's debut "Luck by Chance" was a perfect film. Without a single thing amiss, the clear-eyed unsentimental tale of a couple of strugglers in the Hindi film industry stayed with me for days. Of course, there was some irony that a child of privilege with access to Hindi cinema's biggest and brightest talents should make a film about newcomers scrambling for their lucky break: Zoya is the daughter of screenplay writer/lyricist/poet Javed Akhtar and his former wife Honey Irani. Her stepmother—known internationally—is Shabana Azmi; her brother Farhan Akhtar—a successful director—made another foray into acting in Zoya's film, and the slew of boldface names in cameos announced that this was no ordinary debut. But one can hardly fault her for the accident of birth; what was noteworthy was that she put her connections to excellent use and crafted a truly fine film.

I couldn't wait to see her sophomore effort: "Zindagi Na Milegi Dobara", which I enjoyed much as one might a mousse au chocolat. It was tasty and fattening and very good to look at. I'm still pondering whether it has any major cinematic merit. My friends and I agreed that it was very much an NRI-friendly film: most of the action takes place in a breathtakingly beautifully-photographed Spain, with a few scenes in London. The characters speak English for the most part, along with sporadic bursts of flawless Spanish and Japanese, and the occasional lapse into Hindi.

ZNMD could also be looked at as the armchair sociologist's handbook on the complex mating rituals of the rich and gorgeous. The cast, without exception, is privileged, affluent, and beautiful; their major problems in life would make a Mumbaikar or Delhi-ite burst into derisive laughter. In fact, if a dehati (villager) were to see the film, he might scratch his head in befuddlement and wonder what the hoopla was about. From his point of view, these folks had hit the jackpot, but the ingrates persisted in whining. Still, even the rich have problems which cause them enough angst to require much soulful gazing at Spanish oceans at sunset, and conscientious filmmakers owe it to them to handle them with sensitivity, good lighting, and hypoallergenic makeup.

With this film, Zoya Akhtar appears to have joined the ranks of the School of Aspirational Filmmaking. Its foremost proponents are Karan Johar and 99% of the directors ever employed by Yash Raj Films. Their films—set predominantly in foreign countries—are made for the new consumerist India. Their characters are upwardly mobile non-resident Indians, and the message to every brown person seems to be: you, too, can escape India's shores and live in a 50,000 square foot mansion on a fifty-acre estate in the country of your choice, drive fast cars (or a beaut of a vintage one, as here) and romance impossibly beautiful chiffon saree-clad damsels. How is never addressed.

ZNMD has a surfeit of good taste; Zoya's cast—all beautiful—lives abroad in chic monochromatic minimalist apartments, is multi-lingual, dresses impeccably, and can tell the varietal and vintage of a wine from the merest whiff of its cork. The slim story line concerns three college buddies who set out on the bachelor trip to end all bachelor trips. They had intended to take this vacation four years earlier, but two of the friends had a spat and the scars remain. Now one of the trio is getting married and the other two must give in to his emotional plea to resurrect their foreign travel plans. So off they go to Spain in all its sun-drenched glory. They run into Laila (Katrina Kaif), an athletic diving instructor, who stays on for most of the trip. This is the first film for me in which Katrina Kaif did not jar; she plays a mixed-race woman—half American, half Indian. She speaks English most of the time, some Spanish, and a few words of accented Hindi, but it works here, and she exudes well-being and sportiness. Perhaps from now on, anyone looking to cast her believably should make her a person of mixed ethnicity with only a smattering of Hindi. But wait—isn't that all she has played for the past dozen years? Surely, you'd think she'd want to grow as an actor and add to her skill set by learning Hindi properly, and taking some diction and acting lessons. Maybe her cynical response is I'm doing very well without any of that, so why bother? And everyone agrees she's punctual and professional…

Hrithik, after a long time, is not doing all the heavy lifting. He has two buddies for company, and it's a pleasant change seeing him as just one of the guys. The sun glints off his highlights as he strives to achieve optimum work-life balance, dances with game senoritas, and gets drunk with his amigos. Abhay Deol is not as well-muscled but he does some appealing work, wrestling with the dilemma of the perfect girlfriend fast morphing into a harridan fiancée. Farhan Akhtar's character, once again, is glib and a bit of an asshole, and tosses off bon mots with a studied insouciance. He, too, needs to broaden his range. We've seen him do this shtick in "Rock On" and "Luck By Chance", with minor changes of shading in the undeservedly little-seen "Kartik Calling Kartik". Kalki Koechlin is pretty and funny as she makes the most of a small role. Naseeruddin Shah is pure gold in his cameo, speaking harsh truths with sympathy. Deepti Naval, too, is lovely in her two small scenes.

Zoya has her cast articulate some admirable sentiments: Carpe diem; face your fears; follow your bliss, but it all passes by in an inconsequential, golden haze. So you won't waste time or money watching this movie, but you're not likely to remember it the following week or even perhaps the following day. For Zoya Akhtar's sake, I wish this film every success, for it will enable her future films that will, hopefully, have significant things to say.