Golmaal 3

When Golmaal 2 was released I thought that it had devalued the brand Golmaal, but Golmaal 3 is beyond any doubt the worst of the lot. I can't imagine such a trash movie from the cast and crew of Golmaal - the original movie. Tushar Kapoor ceases being funny after an extent and the director has not realised this and has given him an extended role. The action is mindless and has been stretched too far. Ajay Devgan is such a good actor and he has been completely wasted. Humour is given to the public is very small doses. Johnny Lever is the saving grace of the movie. I don't think anyone should waste his or her money on such a waste of a movie. I am a big bollywood fan and it has happened only twice in my 25 years of life (and believe me I have seen many films) that I have wanted to leave the theatre in between a film. To some extent it is a "inspired" from Hollywood movie Yours mine and our.

In all don't waste your money and time and don't go for the movie and I seriously hope that if Rohit Shetty is planning on making Golmaal 4, he comes up with something better.

The third in the Golmaal series, this one is a farcical comedy without much of a story. Inspired by the television serial, Family No. 1, and the film, Khatta Meetha (old), it is more of an assemblage of funny sequences pieced together in a screenplay by writer Yunus Sajawal. As the story line is thin and not even new or fresh, the emphasis is more on creating laughter in individual scenes. While the attempt is successful upto a point, the monotony in the drama and the lack of an engrossing story hit the audience, especially after interval. No doubt, some scenes in the first half and a few after interval are absolutely hilarious and bring the house down with laughter, but then, there are also scenes which are designed to evoke laughter and fail. Writer Yunus Sajawal's biggest flaw is the addition of the emotional track in the story. That's because while the emotions fail to touch the heart and activate the tear ducts, the track robs the film of the comedy which has, actually, come to become the mainstay of the Golmaal films. So, while the emotional aspect fails to have the desired impact, it does rob the film of its USP – comedy!

Settling in to watch Rohit Shetty's Golmaal 3 next to me yesterday, a friend and fellow critic discreetly confessed that he'd been to a screening of the same film a day ago. I must confess to being momentarily struck dumb, unable to conceive of someone having turned into enough of a franchise fan to repeat a viewing on successive days.

Yet my 'wow, Mr Shetty' line of surprised-impressed thought was almost instantly interrupted by the aforementioned pal, further revealing that he had fallen asleep and now needed to watch the film again to review it. Ow, Mr Shetty.

A little over two and a half hours later, I staggered out of the theatre looking for caffeine, in complete empathetic sync with the friend. The phone rang. Another critic who saw it yesterday had plain forgotten the plot, and so wanted a quick recap. I wish I was making some of this up, but no. The best thing that can be said about Golmaal 3 is that it both enters and exits your system rather comprehensively, leaving behind nothing either memorable or of consequence.

He enviably suffers from a short-term memory loss. By the end of this flick, you wish, so could you. Or maybe you do. But do imagine a film industry screening of this comedy and all celebs in the house, rotfl (rolling on the floor laughing), as it were. It's truly that filmi. And for most parts hardly as funny for all. The cast and crew certainly had a laugh filming it. They even held an extended discussion on the picture Ghajini for us. Great for them.

How about telling a story of your own? Well that again, I guess, can be outsourced to '70s Bollywood: Basu Chatterjee's Khatta Meetha (1979), I suppose. Mithunda and his sweetheart once (Ratna Pathak Shah) are single still. Kareena Kapoor plays cupid, and gets them and their families together.

Old man fathers three adopted monsters: Ajay Devgn (can't resist cracking people's fingers), Shreyas Talpade (stammers for our pleasure). Old lady likewise mothers another set of aged orphans: Arshad Warsi, Kunal Khemu (in top form), Tusshar Kapoor (more moronic than mute). The two groups, supremely high on energy, hate each other. Another set of comic villains back the two gangs. Those buffoons have separate stories of their own. The missing link is the movie itself. No one anchors it.

Golmaal was a sleeper hit of 2006. Since then, several ensemble comedies (Dhamaal etc), some of them put together by this film's team as well (Sunday, All The Best) have tried to repeat the run. Golmaal 2 (second- rate stuff) apparently raked in big bucks. Such success can boost anyone's over-confidence. Which explains this turd part.

Shree Ashtavinayak Cine Vision Ltd.'s Golmaal 3 is a comedy of two families who ultimately unite into one. Pritam (Mithun Chakraborty) drives a school bus for a living and he has three adopted sons – Madhav (Arshad Warsi), Lucky (Tusshar Kapoor) and Laxman (Kunal Kemu). Geeta alias Guddi (Ratna Pathak Shah) has two children, both adopted – Gopal (Ajay Devgan) and Laxman (Shreyas Talpade). Daboo (Kareena Kapoor) is Gopal's girlfriend.

Gopal is a hot-headed guy whose temper spells danger. A raised finger at him is all that it takes to instigate him. Brother Laxman stammers while talking. Madhav, Lucky and Laxman keep borrowing money and losing it in suspect business ventures. Lucky has a speech problem – he can't speak. The path of Gopal and Laxman cross that of the three brothers in such circumstances that they become sworn enemies. Even as they can't see eye to eye, Pritam and Geeta meet by accident, and their love gets rekindled. Daboo realises that Pritam and Geeta, who were in love during their youth, still love one another. Since they are both unmarried, Daboo takes it upon herself to get them united in matrimony